the outside of the canopy.
Schofield stared at the console in front of him: four computer screens, standard control stick, buttons and dials and indicators everywhere. It looked like an amazing high-tech jigsaw puzzle. Schofield felt a sudden panic sweep over him.
He would never be able to figure out how to fly this plane. Not in eighteen minutes.
But then, as he looked at the console more closely, he began to see that it
He found the ignition switch, keyed it.
Nothing happened.
He searched for the fuel feed button. Found it, pumped it. Then he hit the ignition switch again.
Nothing hap?
The twin turbines of the Silhouette's jet engines roared to life and Schofield felt his blood rush. The sound of the engines blasting to life was like nothing he had ever heard.
He revved the engines. He had to warm her up fast.
10:45 p.m.
Fifteen minutes to go.
He kept revving the engines. Usually such a warm-up routine would take upward of twenty minutes. Schofield gave himself ten.
As he revved the engines whole sections of the cavern's ice walls began to collapse around the big black plane. After five minutes of revving, he looked for the vertical takeoff switch.
'Gant! Where's the vectored thrust?' On modern vertical-takeoff-and-landing-capable fighters like the Harrier, vertical lift-off is achieved through directable, or 'vectored,' thrusters.
'There aren't any,' Gant called from the missile bay. 'It has retrofiring jets instead! Look for the button that starts the retros!'
Schofield searched for it. As he did so, however, he came across another button. It was marked: cloak mode. Schofield frowned.
And then suddenly he saw the button he was looking for:
RETROS.
He hit it.
The
'Huh?' Schofield said.
He looked out through the back of the cockpit canopy, and he saw that the two tail fins of the
Schofield found the button marked afterburner. Punched it.
Immediately a white-hot spray of pure heat burst out from the twin thrusters at the back of the
The ice melted quickly; the tail fins soon came free.
Schofield checked his watch.
10:53 p.m.
The entire cavern lurched downward again.
Schofield kept warming the engine. He looked down at his watch as it ticked over to 10:54. Then 10:55.
He hit the button marked retros again and the eight retro jets on the underside of the big black ship fired as one, shot out long white puffs of gas.
This time, the
Chaos. Absolute chaos.
10:56 P.M.
Schofield looked out through the tinted-glass canopy of the
'What are you doing!' Renshaw called from the missile bay.
'I'm waiting for it to flip over!' Schofield called back.
Suddenly Schofield heard Gant groan with pain. '
Kirsty came forward into the cockpit and climbed up into the high rear chair. 'What do you want me to do?'
'See that stick there?' Schofield said. 'The one with the trigger on it?'
Kirsty saw a control stick in front of her. 'Yeah.'
'Pull that trigger for me, will you?'
Kirsty pulled the trigger.
As soon as she did so, two dazzling-white pulses of light shot out from
The two tracer bullets slammed into the ice wall in front of the
'Nice shootin,' Tex,' he said.
He pulled back on his stick, and the
'All right, everybody, hold on, this thing is gonna go any second now,' Schofield said. 'Kirsty, when I say so, I want you to press down on that trigger and hold it down, OK?'
'OK.'
Schofield peered out through the canopy, looked out at the crumbling ceiling of the ice cavern, looked out at the pool of water through which they had all entered the cavern?the water in the pool was sloshing madly against the ice walls.
And then at that moment, it happened. The whole cavern just
It had become an iceberg.
And then, abruptly, the whole cavern tilted again.
Only this time, the tilting was
The whole cavern was now upside-down.'
Suddenly a torrent of water came rushing out of a wide hole in the 'ceiling' of the cavern?the hole that only moments before had been the mouth of the underwater ice tunnel that had led