“I think your brother has his faults, but not the faults of a man who kills.”
She released her held breath and silently studied his face. “I have been so frightened,” she said, almost whispering. “What Gilles told me when you heard us talking is that he’d gone to see Martine very early the morning she died. He’d spent Thursday night at the Capuchins, praying-he often does. He told me he went to her house when it was still dark and called up to her window. She went down to the garden gate-it opens from a little side street-and let him in. He said he’d been shown in prayer that he should ask her to tell my father that she would never marry him, so that my father would stop making him court her.”
“And did she agree?”
Isabel Brion swallowed and looked down. “Gilles said she told him to stand up for himself and went back inside and left him there. Martine could be harsh when she thought someone was not acting honorably. But don’t you see, he is terrified that if anyone knows he was there, before dawn, alone with her, and that they quarreled, he will be as good as hanged!”
Charles tried to keep his thoughts from showing on his face. Gilles Brion would certainly be arrested if the police learned of this early-morning meeting. It would have been so easy for him to follow Martine into the house, so easy to fall into a rage at her refusal and her disgust, so easy to kill her there at the foot of the staircase.
“Maitre? You still don’t think he did it, do you?”
“On the whole, I do not. But the police will surely think so, if they hear what you have told me.”
She bristled. “And are you going to tell them?”
“As I said, I doubt he killed her,” Charles said, hoping that would be answer enough. He could not make promises, and in truth, this new knowledge was damning. Gilles Brion had been desperate to have Martine out of his life. What was it La Reynie had said about him? Even a would-be monk may strike back, if you push him too far. With a sigh, Charles stood up.
“Mademoiselle, forgive my suddenness, but I must go back to the college. Thank you for your frankness.” He wanted to say that if her brother was innocent, he had nothing to fear. But they both knew that innocent people were too often hanged. “Will you do one more thing for me? Will you ask your brother if he saw anyone else on the Place or in the side street that morning? Anyone at all.”
Hope flared in her face. “Why?”
“If he saw anyone, that person may be able to help prove his innocence.”
“Oh.” It was a small chance, and her face showed that she knew it. “I will ask him. And Maitre du Luc, please pray for us. For Gilles.”
“Of course I will, mademoiselle. For all of you.” He bowed and took his leave.
He was nearly at the rue St. Jacques when a new unwelcome truth hit him. Gilles Brion had probably known Martine all her life, which made it more than possible that he knew about her necklace. Though why he would have taken it, Charles couldn’t imagine. But Gilles was much more likely to know about it than anyone else Charles could imagine as her killer. Unless his father was the killer. But if that was true, Henri Brion had been killed almost immediately after he himself had done murder. And how likely was that? Unless, of course, someone had seen her killed. But why would a witness not simply come forward and accuse Brion?
Chapter 13
With a heavy heart, Charles wrote an urgent note to Lieutenant-General La Reynie after dinner, telling him that Gilles Brion had seen Martine Mynette on Friday morning. He gave the note to a lay brother to deliver, then caught the man before he reached the postern and tore up the note. He would tell La Reynie, he decided, but face- to-face so that more than the bare facts could be told. Gilles Brion deserved at least that.
Before the clock had chimed the beginning of Monday afternoon’s classes, Charles was in the salle des actes trying to concentrate his thoughts on the first rehearsal of the February show. The students were not there yet, but Pere Jouvancy and Maitre Pierre Beauchamps, the college ballet master, were standing on the stage, arguing. Charles’s resigned first thought was that nothing had changed since August’s ballet and tragedy. The two men were standing toe-to-toe, not quite shouting at each other. Charles could not help but hear what they said, and his second thought was that this time Beauchamps was going to win.
“I tell you, you cannot do this, maitre!” Jouvancy was swelling with fury. “We have a show in only six weeks!”
“At which time, I tell you, I will be in Rome.” Beauchamps smiled down at him. The dance director of the Opera, former dancing master to King Louis, legendary dancer in his own right, was an elegant man in his fifties. His stylish shoes, heeled and high-tongued, made him look taller than he was, and his dark shoulder-length wig, which rose high on either side of its center part, added to the effect. His linen was embroidered, and his coat, waistcoat, and breeches were all of fine cinnamon broadcloth.
“Then who is going to teach and direct the dances in our musical tragedy?” Jouvancy hissed through his teeth. “We have engaged Monsieur Charpentier to write the score for Celse, and the man does not come cheap! Do we waste all this effort because you have a-whim-to go to Rome?”
“Not a whim, mon pere, I assure you,” Beauchamps said mildly, rearranging the ribbons on the inlaid silver head of his walking stick. “I have a magnificent opportunity to add to my collection of paintings. But I must be on the spot. As always, you make too much of a little difficulty.” He smiled over his shoulder at Charles. “Your good Maitre du Luc here could easily teach and direct the few dances.” He brushed an imaginary speck from his wrist ruffles. “That is all that is required, after all. Since you have seen fit to have the music written by someone else.”
Ah, Charles thought, now the bone is laid bare. For many years now, Beauchamps had not only created and taught the dances for college productions, he had also written much of the music. He and Jouvancy gazed furiously at each other.
“You are being childish,” Jouvancy snapped. “After all, though I very often write our tragedies, this one is Pere Pallu’s work.”
“You are a religious. I am an artist.”
The air around Jouvancy fairly crackled, and Charles involuntarily shut his eyes.
Nothing happened, and he opened them in time to see Jouvancy arrange his face in a smile, put his head on one side, and widen his limpid blue eyes.
“We all know,” the rhetoric master said, “how justly famous is your collection of paintings. It is known all over France.”
“Europe.”
“I beg your pardon?”
“Justly famous all over Europe.”
“I was coming to that,” Jouvancy snapped. He composed his face again. “But, maitre, could you not give us the benefit of your inestimable skill and go to Rome after the tenth of February? Italy will be warmer then, you know.”
“Italy is warmer now.” Beauchamps made Jouvancy a flourished bow. “I take my leave, mon pere, and wish you every success with your little show.” With another bow to Charles and the triumphant lift of an eyebrow, he swept down the salle des actes and out the door.
Mentally girding his loins, Charles joined Jouvancy on the stage. The rhetoric master’s face had gone purple.
“This is outrageous, maitre. This is beyond anything, this is an unforgivable insult to the college. How dare he leave us like this? He is the ballet master and we have a performance! The man is always impossible, but who would have thought him capable of this? When Pere Le Picart hears of it, that will be the end of Maitre Beauchamps at Louis le Grand, I promise you!”
Charles doubted that, but had learned in the course of August’s show to hold his tongue and let Jouvancy’s indignation sputter itself out. The courtyard clock chimed and teenaged boys swarmed into the chamber, their cubiculaire escort waiting at the door until they were all inside. The midday recreation hour was supposed to be quiet, but in winter that rule was somewhat relaxed for the sake of warmth. The boys were red-faced and lively from running in the cold and wind, and more than one black scholar’s gown was starred with wet patches, most
