The Edinburgh Dead

than anywhere else in the world—and the richness and strangeness of that history. For a relatively brief period in the late eighteenth and early nineteenth century, Edinburgh was at the very forefront of global scientific and philosophical thought, and at the same time there were some seriously dark and dodgy things going on here. It’s just a very tempting mixture to go and play around with.

Did you have to carry out extensive historical research before you began writing?

I already had some idea about Edinburgh’s history, but did a lot of reading to fill in the details, on things like the police force and the medical establishment. That was the most fun bit of writing the book, to be honest: any excuse to spend hours digging into the contents of a good library. Much more enjoyable than actually trying to turn words into sentences and paragraphs.

Do you have any particular favourite authors who have influenced your work?

It can be difficult to trace specific influences, but my sense of what speculative fiction is and can be has certainly been shaped by any number of writers I admire (or should that be envy?) greatly. People like Guy Gavriel Kay, Dan Simmons, George R. R. Martin.

What advantages and disadvantages do you see in using fantasy as the vehicle for your stories?

That’s a big question. One advantage is that it comes naturally to me: I’m a long-time reader of fantastic fiction, and the alternative—of writing mainstream, “realistic” stories—just doesn’t feel as instinctive. And, of course, fantasy allows the author to play around with themes and subjects in a vivid, exciting context that plugs right into the reader’s imagination. Disadvantages… well, it deters some readers, but then it potentially attracts rather a large number, too.

Do you have a set writing routine and, if so, what is it?

In a lot of ways I wish I had more of a routine than I do, really. In general terms, I actually write best (and fastest) in evenings and at night, but sadly the demands of real life don’t conform to my selfish preferences, so I end up doing most of my writing in the morning.

Some authors talk of their characters “surprising” them by their actions; is this something that has happened to you?

Not much. I like to think I’m the boss, on the whole. What does sometimes happen, though, is that I will change my ideas about what a character should do, or what fate should befall them, as I write a book. It’s not so much a case of me being surprised, as that I just have second thoughts about some particular plan. Once or twice, I’ve liked characters more than I expected to, and ended up saving them from nasty fates I originally had in mind for them, because I thought they deserved a rather happier outcome. Does that make me soft?

Do you chat about your books with other authors as you’re writing them, or do you prefer to keep them in your own head until the first draft is complete?

I talk to almost no one—author or otherwise—about what I’m writing until it’s basically complete, at least in draft form. Any conversations about the story are only in the vaguest and briefest of outline form until I’ve got enough text to be reasonably sure there’s something worth talking about there. Even then, I’m absolutely lousy at talking about my own work. Can hardly ever think of anything much to say.

If you have to live for one month as a character in a novel, which novel and which character would you choose?

Too many possible answers to this, so I’ll just pick one of the dozens that leap to mind: Dr. Watson, in pretty much any of the Sherlock Holmes stories, just to explore that world, and get to watch Holmes doing his thing. (And no, I wouldn’t really want to be Holmes himself—too manic depressive for my taste.)

If The Edinburgh Dead was ever filmed, who would you like to see directing and starring in the movie?

Directing would probably be Christopher Nolan, since I can’t remember any film he’s touched being less than interesting and distinctive. Starring… that’s harder. How about Daniel Craig? He’d be a pretty good fit for my lead character, Adam Quire, I think.

What would you do if you weren’t a writer?

I would no doubt be doing what I was before the writing thing took off: working in the environmental or nature conservation field, probably in the charity sector. I enjoyed that work and, much as I like writing, I miss my day-to-day involvement in it, so it’d be no hardship to be living that life again.

introducing

If you enjoyed

THE EDINBURGH DEAD,

look out for

WINTERBIRTH

The Godless World: Book One

by Brian Ruckley

An uneasy truce exists between the thanes of the True Bloods. Now, as another winter approaches, the armies of the Black Road march south, from their exile beyond the Vale of Stones.

For some, war will bring a swift and violent death. Others will not hear the clash of swords or see the corpses strewn over the fields. Instead, they will see an opportunity to advance their own ambitions.

But soon, all will fall under the shadow that is descending. For while the storm of battle rages, one man is following a path that will awaken a terrible power in him—and his legacy will be written in blood.

The Third Age: Year 942

The solitude of the wild goats that made their home on the rock faces above the Vale of Stones was seldom interrupted. The Vale might be the only pass through the high Tan Dihrin, but it was a route that led nowhere: the bleak and icy shores of the north were home only to savage tribes. There was nothing there to draw traders or conquerors up from the lands of the Kilkry Bloods to the south.

When a sudden river of humanity began to flow up and over the Vale of Stones, it therefore sent unease darting through the herds of goats on their precipitous territories overhead. Bucks stamped their feet; does called for their kids. Soon, the cliffs were deserted and only the mute rock was left to witness the extraordinary scenes below, as ten thousand people marched into a cold exile.

The great column was led by a hundred or more mounted warriors. Many bore wounds, still fresh from the