A minute passed.
Two.
It was faint at first, almost indistinguishable from the general hubbub of London, and the roar of traffic on the flyover. But gradually it got louder: the sound of sirens, two of them, maybe three, it was difficult to tell. Chet had to time it right. Too early and he’d announce his presence to the intruder. Too late and the police would be here, stopping him from gaining access to the flat.
He waited until he could see the first car, its blue light flashing, scream round the corner into Wimbourne Terrace before he moved. He covered the distance to Suze’s flat as quickly as he could, keeping his head down so the intruder wouldn’t recognise him until it was too late. But, stepping on to the chequerboard path, he couldn’t help looking over his shoulder.
The driver’s door of the Golf was open. A figure was getting out.
He rang the bottom bell as the sound of the sirens got louder.
Five seconds passed before there was an answer. It felt like five years. ‘Hello.’
‘Police,’ Chet replied, knowing the occupant would be able to hear the sirens. ‘Open the front door and stay in your flat.’
The woman from the Golf had crossed the road.
‘
A buzzing sound and the latch clicked. He pushed the door open and slipped inside. As he turned to close it behind him, he saw her: the woman’s eyes were flashing angrily and she was striding towards the door, no more than five metres away. Chet pushed the door closed, hearing the latch click just as she reached the threshold. Through the frosted glass he saw her silhouette, with the blue lights of the police car flashing behind her.
Chet didn’t linger. He moved along the short hallway, past the door of the ground-floor flat and up the thinly carpeted stairs. By the time he’d climbed three flights, his leg was in agony, but he kept going. Less than a minute later he was standing outside the door to the top flat. Flat 6. He hammered on the door: three heavy thumps, followed by another three when there was no answer. But he could hear movement inside. ‘Suze,’ he shouted. ‘Open the door. You’re in danger and you need to let me in.’
No reply.
Chet spoke quickly. Urgently. ‘Listen to me. One man’s already dead because of yesterday. One of us will be next unless you open this door now.’
At first there was nothing. But then, just when Chet thought he was going to have to break his way in, the door opened just an inch. Warily he nudged it open wider with his foot.
The tiny flat was in darkness. Chet saw a sofa, coffee table, TV, bookshelves, and a window with the curtains closed. The place reeked of incense and panic. At the other side of the studio, by the TV, stood Suze. She looked like she hadn’t slept; her eyes were red and mistrustful; and she was holding a kitchen knife.
Chet stepped inside and closed the door. ‘We need to get out of here,’ he said. ‘Now.’
Suze shook her head and raised the knife a little higher. ‘I’m not going anywhere with you,’ she whispered.
He gave her a steady glare, then moved over to the window and opened the curtains. He could see the flyover, solid with rush-hour traffic. Below, and immediately outside, were three police cars, with four officers surrounding the white Golf. Standing about thirty metres away, as though she was just a bystander, was Chet’s wannabe assassin. She’d clearly slipped the attention of the Old Bill. He pointed in her direction. ‘See that woman?’ he said. ‘She tried to kill me last night and she was parked outside your flat when I arrived.’
Suze stared down on the street. Chet could sense her trembling.
‘Believe me,’ he said quietly. ‘If it was me that wanted to kill you, you’d be dead by now. I don’t know who this woman is, but she’s armed, she has access to information and she’s a professional assassin. We have to get away from her, and we have to do it right now. Is there any way out of here, other than the front door? A fire exit? Can you get on to the roof?’
‘No… I don’t think so… no, I’m sure.’ She looked like all her worst nightmares were coming true.
Chet tried to keep a clear head. ‘Do you know anyone else in this block? Do you have friends here? People you can trust?’
It took Suze a moment to reply, as though the question hadn’t quite sunk in. ‘An old couple,’ she said finally. ‘Flat 5. Vern and Dorothy. Not friends, exactly, but… but… they’re not there anyway…’
‘Are you positive?’
‘They’ve gone away… on a cruise… I’ve got their keys.. ’
‘Give them to me. Now.’ Chet looked out of the window again as Suze put the knife down on the windowsill and rummaged in her colourful patchwork handbag. The police had created a cordon around the white Golf; the woman was still loitering thirty metres down the street, leaning against a tree and watching.
‘You’ve got thirty seconds to get ready,’ Chet told Suze as she handed him a set of keys.
‘Thirty seconds… I can’t… I…’ Chet grabbed her by the arm and pulled her towards the door. She started to struggle. ‘Wait,’ she said. ‘The tape.’ She broke free and scrambled towards the bookshelf where a Dictaphone was lying at an angle. When she came back with the tape, he gripped her arm again and dragged her out of the flat and down the stairs.
By the time they reached the door to the flat below, Suze was crying, but she’d stopped fighting so much. Chet unlocked the door and pushed her inside before quietly closing it behind him. Flat 5 was bigger than Suze’s attic studio. They were in a long hallway, lined with oil paintings and even a small alabaster statue on a pedestal of a cherub peeing. Suze’s sobbing was noisy. ‘Get away from the door,’ Chet whispered. ‘Stay away from all the windows, don’t switch on any lights and don’t make a fucking noise.’
Suze stared at him. She was breathing in short, frightened gasps.
‘
She staggered back along the hallway, and collapsed on the thick carpet.
Chet grabbed the figurine. It was small enough to grip in one hand, heavy enough to do some proper damage to someone’s skull. He stayed by the entrance. There was a spyhole in the door, through which he could see the landing outside. He kept his eyes on the exterior of the flat, gripping the statue in his right hand. ‘Shut up,’ he said. When it was clear the girl couldn’t stop crying, he tried to block out the sound so that he could concentrate on any noise that came from the stairwell.
Two minutes passed. There was a brief commotion — voices talking excitedly — that sounded like it came from the floor below, though it was difficult to be sure. It was followed by the banging of the door, and then silence.
‘What’s happening?’ Suze asked.
‘Shut up.’
‘Who are you?’
‘
Someone was coming. He found himself holding his breath.
It was fleeting — the black-clad figure of the woman slipping past like a ghost before heading up to the top floor — but it was enough. Enough for Chet to see the determination on her face and the weapon in her fist.
Chet turned to Suze. She’d recovered a little, but she still looked shit-scared. He tried to sound reassuring, but it was difficult, given what he had to say. ‘She’s going into your flat,’ he whispered, ‘and she’s got a gun. We have less than a minute before she realises you’re not there. We’ve got to go now, and we’ve got to go quietly. OK?’
She looked up at him and nodded. Chet helped her to her feet, and pulled her gently towards the door.
‘Ready?’
‘Ready.’
He opened up as quietly as possible, and they stepped out into the landing and towards the stairs. Chet nodded at Suze to go first, and followed close behind as she descended. He was still grasping the cherub. Not much use against a nine-millimetre, but it was all there was. Every four or five steps he looked back over his shoulder, but he saw nothing. The further they got towards the ground floor, the faster and more panicked Suze’s steps became, until it was difficult for Chet to keep up. By the time they were both on the ground floor, she was sobbing again.
‘You’re doing fine,’ Chet said, out of breath, as he opened the street door. ‘Keep going.’
