in its paper bag on the dining room table. Then she moved dazedly for the extension phone that stood on a small table in the hall. Picking up the receiver, she realized that she had no clear idea of whom she ought to call first—and then realized that it did not matter, because the line was dead. Ice on the lines, the storm . . .
But the act of careful listening had discovered another sound, an unfamiliar one, in the still house. Judy went back to the living room—glancing involuntarily into the dining room again as she passed—but could not hear it there, even when she had switched the television off. Further exploration showed that it was coming from somewhere down the cross hall in the direction of the old wing.
At the entrance to that connecting hallway, Judy paused to listen. It was a scraping or a scratching, very soft. It fit into no niche at all in her memory. It got no louder, came no nearer. But neither did it go away. It was repetitious, but not quite rhythmical.
For the first time it dawned on Judy that whoever had attacked Granny Clare—she did not doubt for a moment that someone had—could still be in the house. Conceivably the intruder had missed hearing Judy’s return. Therefore she could now flee out into the storm again, and try to get help at a neighbor’s. Police could be called—if all the phones in the neighborhood weren’t out. Police would come—whenever the blizzard let them.
But even as she thought with part of her mind about running out of the house, Judy had taken the first steps toward her father’s study. She knew he kept a gun there in his desk . . . and now, from down the hallway, there came a new sound that stopped her dead in her tracks.
“Judy . . .” The voice was ghastly, barely louder or more distinct than the scraping that had preceded it. It brought to Judy’s mind an image of dried snakeskin, being drawn tautly over jagged bone. But despite the horror of it, the terrible change, she knew at once whose voice it was.
She ran toward it, flicking on a hallway light. To rooms on her right and left the doors stood open, and closet doors stood open inside the rooms.
In the doorway to the room that housed the pottery collection she stopped. Enormous ruin was before her. Display cases and tables had been overturned as though in some giants’ struggle, glass and pottery alike smashed into a million pieces. Almost nothing seemed to have been left intact. The great terracotta sarcophagus that had stood in the middle of the room had been cast down from its base, and then broken, pulverized, as by madmen with sledgehammers. The lid of it was still almost intact, but it lay on its edge now yards away, beneath a window where one small pane was broken out. In through the hole a tortured tendril of the snowstorm groped, a dancing ghost in the near-darkness.
“Judy . . .”
She touched the light switch near the door. Destruction sprang out at her in all its horrible detail. A leather traveling bag, as unknown and out of place as something in a dream, lay half open in the middle of it all, and from the bag there spilled a man’s dark suit, clean shirts and ties.
Only after she took a step into the room did she see him, lying in the middle of the one large open space left on the floor.
Him? It was a scarecrow figure. It seemed to be hardly more than a suit of dark clothing that lay there, transfixed against the polished hardwood by a wooden shaft as thick as a hoe handle and a man’s height long. This incredible spear had somehow been driven down into that floor, like a gigantic nail. Where the shaft of it entered the dark coat near the right shoulder, upwelling red was already congealing and drying into brownish jelly. And everywhere around the figure, the floor and walls and wrecked furniture were marked with red-brown gouts and splashes.
Of course the bloody clothing was not really empty, no more than that sheepskin coat had been. Dark cloth moved and swelled. What turned toward Judy was more skull than face, a loved face horribly transformed. Bared teeth grinned starkly white, the cheekbones bulged sharply beside a shrunken nose. But deep in the darkened caverns of the eyes, fierce life still burned.
Between those lipless teeth the snakeskin voice scratched out a question: “He . . . is . . . gone?”
Falling on her knees beside him, Judy spread helpless arms. “There’s no one here but me. Gran’s dead. Oh love, who did this to you? How did you get here?”
A dark sleeve tried to gesture. “Pull . . . out . . .”
“Are you sure?”
“Yes . . . I am not . . . as other men. Pull it out.”
Straddling the shrunken scarecrow, Judy laid hands on the shaft. It felt unyielding, like something fixed to the floor as part of the solid house. Hard as she pulled, it would not move. She bent to get a better grip and tried again. Eyes shut, she twisted and heaved with all her strength.
The old man made a sound that Judy interpreted as pain. But when she let go of the stake his voice lashed up at her, more terrible for its very weakness: “Pull!”
Eyes still closed, she straightened for a moment and tried to pray, then gripped the wood again. His fingers, whisper-feeble at first touch, came creeping up the shaft to settle on it beside hers. Now Judy threw her weight sideways, first this way then that, like trying to loosen a nail before you pulled it out. She felt the spasms of quivering in the spear as his arms joined their efforts to her own. She thought of wrenching at a nail with a claw hammer . . . suddenly the stake pulled free, with a cracking as of a barbed head breaking off, down in the solid floor.
The abrupt release of strain sent Judy staggering back. She threw the horrible, broken-ended thing away from her, and swiftly crouched at Corday’s side again. Fresh blood, dark red, was welling up now from the great wound between his shoulder and his chest. His body shuddered, then lay so still that for a moment Judy was sure that she had killed him.
But once more feeble movement returned. “Better, better,” rasped his voice, though it sounded as lifeless as before. There was a pause. Then one of his hands, its fingers hardly distinguishable from bones, brushed feebly at the floor, re-creating the sound that had first drawn Judy’s attention to this part of the house.
He said: “Bring here all you can of the dust . . . earth of my homeland, you see. Fragments of my bed.”
“Dust?” she wondered aloud. “Bed?” The only dust in sight was that from the crumbling fragments of the shattered sarcophagus. Obedient without really understanding, she began to scrape the pieces and their powder toward him with her hands. “So you rested . . . inside this,” she murmured as she worked.
“He came upon me sleeping. Otherwise . . . but never mind. He will come back, or another even deadlier than he will come. So you must flee now, love. Run to some house nearby. Tell them to allow no strangers through their door tonight, no matter—”
“Here, I’ve got a bunch of this dust scraped into a pile. What do I do with it now?”
The sparks in his eye-caverns glittered at her thoughtfully. He said: “Push the dust under my body, along my side—no, do not try to lift me! I die quickly if you move me now. Else he would have taken me away with him—to her.”
As though tucking a dry blanket beneath the fragile-feeling body, Judy performed the foolishness with the dust. As if playing a game that had to be won, however childish and ridiculous it seemed on its face.
She sat back. It was hard for her to look at his terrible face, his wasted form. She fought for control over her face and voice, and asked: “What now?”
His horrible voice said: “You must flee.”
“I can run out somewhere, to one of the other houses here, and get them to call for the police. Then I’m coming back to be with you.”
He shook his head feebly. “Police will be of no help to me. Any doctor they bring will order me moved. That must mean my death. Neither of us will be able to prevent it.”
“Then I’m not leaving you at all,” Judy decided. “What’s the next thing I can do?”
“Oh, my dear,” he whispered. And again: “My love.” Then just when she thought her tears were going to break out at last, he ordered: “Gather more of the earth. Crumble the larger pieces to powder. You will find them brittle. It is the earth of my homeland, and very special to me. Mix the dust with my blood, and use it to stanch my wound.”
Again Judy did as she had been bidden. She pulled back his ruined clothing to get at his parchment flesh, and fought to stem the flow of blood that still oozed richly from God knew where inside his mummified body. In all this nothing now struck her as horrible, except only the chance that she might fail.
At last the bleeding stopped. Judy had lost track of time, but her neck and back ached as if she had been crouching in the same position for hours. Her patient let out a sigh, and moved his whole body for the first time
