“Men were rounded up and slaughtered. Women were raped; if they survived, they were sold into slavery. The same thing was done to the children. Houses and temples were looted, then burned. The soldiers were allowed to stuff their pockets with all the jewelry and gold they could carry, but the choicest works of art were claimed by Mummius and sent back to the Senate. Rome was enriched beyond measure. Look inside any temple in Rome; all the best paintings and statues came from Corinth. And half of them are mislabeled, because the ignorant Mummius couldn’t tell a statue of Zeus from one of Poseidon!”
Antipater paused for a long moment, lost in thought. “There’s a painting by an artist named Aristeides, a stunning work. Hercules is in agony, trying to rip off the poisoned shirt given him by his wife, who thought the magical garment would merely make him faithful to her. Deianira is in the background, horrified by what she’s done. The scheming centaur Nessus looks on from his hiding place in the woods, laughing. When I was a boy, my father took me to see that painting here in Corinth. How that image fascinated and terrified me! I never forgot it. Then, a few years ago, I had occasion to enter a temple in Rome, and there in the vestibule, I saw it again—not a copy or imitation, but the very painting by Aristeides! That was when my boyhood memories of Corinth came flooding back. That was when I wrote this poem.”
Antipater stepped to the very edge of the precipice. I held my breath, fearful that a gust of wind might push him over, but I didn’t dare interrupt him. The words that had sounded pompous and hollow coming from Tullius sounded very different as they poured from Antipater.
I stepped beside Antipater. Together we gazed down at vanished Corinth with the moaning of the wind in our ears.
A movement amid the ruins caught my eye. It was the party of Tullius—or so I presumed. The tiny figures were too distant to be clearly discerned, but among them I thought I recognized Tullius by his red hair and bristling beard. They were no longer standing in a group, listening to Tullius, or following him from place to place. They seemed to be poking amid the rubble and moving bits of it about, but toward what purpose I couldn’t imagine. I thought of asking Antipater’s opinion, but his gaze was elsewhere, and I didn’t wish to agitate him by returning his attention to Tullius.
The wind continued to rise. Antipater at last stepped back from the precipice and we headed down the slope.
On the way down, a little off the path I noticed some ruins that had escaped my attention on the way up. Antipater saw them, too, and we left the path to take a closer look.
The largest of the ruins had once been a small temple or sanctuary. Drums from a fallen column lay amid the tumbled stones, and in a much-worn painting on a fragment of a wall Antipater claimed to recognize the image of Persephone, wife of Hades and queen of the underworld.
“Can you not see her regal headband, Gordianus, and the winnowing fan in her hands? Harvesters use such an implement to sift grain. Persephone uses it to winnow the dead as they descend to Hades, revealing some souls to be wheat and others chaff. Ceremonial winnowing fans like that are used in rituals at sacred sites all over Greece.”
“What happens at these rituals?”
“No man knows, since the acolytes are all women. Presumably they call upon the powers of the underworld.”
“But that’s witchcraft, not worship.”
Antipater shrugged. “Who’s to say where one ends and the other begins?”
The remains of several other small buildings were nearby. Antipater speculated that these might have been used as dining halls and meeting rooms by the women who worshipped at the sanctuary of Persephone. The buildings had all collapsed except one. It was half-buried in rubble but the roof remained intact. It was hardly more than a shack with a door and a window. Antipater pushed open the door and we stepped inside.
It was normal that the air in the room should be cool, but to me it felt unnaturally so. At first glance the dim little chamber appeared to be empty. But as my eyes adjusted, I saw a few objects scattered about the floor—clay lamps, incense burners, and some thin, flattened pieces of black metal. I picked up one of these tablets, surprised at how heavy it was, and at how soft. The metal was easily bent.
“Put that down!” said Antipater.
His tone was so urgent that I did so at once. “What is it?”
“A sheet of lead, for writing on. Don’t you realize where we are? We’ve stumbled into a witch’s den!”
I looked about the room. “Are you sure? We’re in the middle of nowhere. Why would anyone—”
“The Romans demolished her sanctuary, but this spot is still sacred to Persephone. The women of Corinth must have practiced magic here for centuries. Ever since Jason brought the witch Medea back from Colchis and made her his queen, there have been witches in Corinth.”
“But Corinth no longer exists.”
“Yet the witches do. These things have been used recently. See the ash in the incense burners? See the dark spots on the ceiling made by the smoke of the lamps? They meet here at night. Someone is casting spells. While chanting incantations to the forces of darkness, they use the point of a blade to scratch curses on lead tablets, which are then placed near the person whom they wish to destroy.”
