For Courtney and Piers

Hoc opus, hic labor est

I am dying.

Perenelle, too, is dying.

The spell that has kept us alive these six hundred years is fading, and now

we age a year for every day that passes. I need the Codex, the Book of

Abraham the Mage, to re-create the immortality spell; without it, we have

less than a month to live.

But much can be achieved in a month.

Dee and his dark masters have my dear Perenelle prisoner, they have finally

secured the Book, and they know that Perenelle and I cannot survive for much

longer.

But they cannot be resting easy.

They do not have the complete Book yet. We still have the final two pages,

and by now they must know that Sophie and Josh Newman are the twins described

in that ancient text: twins with auras of silver and gold, a brother and

sister with the power to either save the world or destroy it. The girl s

powers have been Awakened and her training begun in the elemental magics,

though, sadly, the boy s have not.

We are now in Paris, the city of my birth, the city where I first discovered

the Codex and began the long quest to translate it. That journey ultimately

led me to discover the existence of the Elder Race and revealed the mystery

of the philosopher s stone and finally the secret of immortality. I love this

city. It holds many secrets and is home to more than one human immortal and

ancient Elder. Here, I will find a way to Awaken Josh s powers and continue

Sophie's education.

I must.

For their sakes and for the continuance of the human race.

From the Day Booke of Nicholas Flamel, Alchemyst

Writ this day, Saturday, 2nd June,

in Paris, the city of my youth

SATURDAY,

2nd June

CHAPTER ONE

T he charity auction hadn't started until well after midnight, when the gala

dinner had ended. It was almost four in the morning and the auction was only

now drawing to a close. A digital display behind the celebrity auctioneer an

actor who had played James Bond on-screen for many years showed the running

total at more than one million euro.

Lot number two hundred and ten: a pair of early-nineteenth-century Japanese

Kabuki masks.

A ripple of excitement ran through the crowded room. Inlaid with chips of

solid jade, the Kabuki masks were the highlight of the auction and were

expected to fetch in excess of half a million euro.

At the back of the room the tall, thin man with the fuzz of close-cropped

snow white hair was prepared to pay twice that.

Niccol Machiavelli stood apart from the rest of the crowd, arms lightly

folded across his chest, careful not to wrinkle his Savile Row tailored black

silk tuxedo. Stone gray eyes swept over the other bidders, analyzing and

assessing them. There were really only five others he needed to look out for:

two private collectors like himself, a minor European royal, a once-famous

American movie actor and a Canadian antiques dealer. The remainder of the

audience were tired, had spent their budget or were unwilling to bid on the

vaguely disturbing-looking masks.

Machiavelli loved all types of masks. He had been collecting them for a very

long time, and he wanted this particular pair to complete his collection of

Japanese theater costumes. These masks had last come up for sale in 1898 in

Vienna, and he had then been outbid by a Romanov prince. Machiavelli had

patiently bided his time; the masks would come back on the market again when

the Prince and his descendents died. Machiavelli knew he would still be

around to buy them; it was one of the many advantages of being immortal.

Shall we start the bidding at one hundred thousand euro?

Machiavelli looked up, caught the auctioneer s attention and nodded.

The auctioneer had been expecting his bid and nodded in return. I am bid one

hundred thousand euro by Monsieur Machiavelli. Always one of this charity s

most generous supporters and sponsors.

A smattering of applause ran around the room, and several people turned to

look at him and raise their glasses. Niccol acknowledged them with a polite

smile.

Do I have one hundred and ten? the auctioneer asked.

One of the private collectors raised his hand slightly.

One-twenty? The auctioneer looked back to Machiavelli, who immediately

nodded.

Within the next three minutes, a flurry of bids brought the price up to two

hundred and fifty thousand euro. There were only three serious bidders left:

Machiavelli, the American actor and the Canadian.

Machiavelli s thin lips twisted into a rare smile; his patience was about to

be rewarded, and finally the masks would be his. Then the smile faded as he

felt the cell phone in his back pocket buzz silently. For an instant he was

tempted to ignore it; he d given his staff strict instructions that he was

not to be disturbed unless it was absolutely critical. He also knew they were

so terrified of him that they would not phone unless it was an emergency.

Reaching into his pocket, he pulled out the ultraslim phone and glanced down.

A picture of a sword pulsed gently on the large LCD screen.

Machiavelli s smile vanished. In that second he knew he was not going to be

able to buy the Kabuki masks this century. Turning on his heel, he strode out

of the room and pressed the phone to his ear. Behind him, he could hear the

auctioneer s hammer hit the lectern Sold. For two hundred and sixty thousand

euro

I m here, Machiavelli said, reverting to the Italian of his youth.

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