advantage in skill over the other, it isn't a foregone conclusion that the man will always win. I suppose then, right at the end, I could have said to him, “I told you so.”
Just as long as I'd said it fast enough.
Afterword
This Afterword was originally written for the Busted Flush Press US trade paperback edition of KILLER INSTINCT, published in 2010. Publisher David Thompson planned similar editions of RIOT ACT, HARD KNOCKS and ROAD KILL, but he tragically died, suddenly and unexpectedly at the age of thirty-eight, shortly before the second book was due to go to print. This was a huge loss to everyone who knew him – one from which we are all still reeling.
When David asked me to write an afterword for the new edition of KILLER INSTINCT, it made me think afresh about this, the very first Charlie Fox book, and why I chose to join her story at this point.
This is not, after all, the beginning of Charlie’s journey, but I look back on it as the major turning point in her life. The events covered during the course of the book change her forever from having been a victim, to not only fighting back on her own behalf, but as a protector for others. It sets her out, whether she is aware of it at the time, on the path she will subsequently follow into the world of close protection.
Ironically enough, it was Charlie’s first official job as a bodyguard, in the events of book four in the series, FIRST DROP, that brought her to US shores for the first time in more ways than one. Setting FIRST DROP in Daytona Beach, Florida over the Spring Break weekend caught the eye of a New York editor, who decided that’s where the story should start for American readers, and the title mistakenly gave the impression there was no history to Charlie before then.
But there is, and KILLER INSTINCT is the first instalment.
I wrote this story at a time when I had just been the target of a number of death-threat letters through my work, and I probably identified with Charlie more closely during the course of this book than any other. Of course, those letters never escalated to anything like the level of threat that my protagonist faces here, but they planted the germ of the idea. And it did inspire me to go out and learn a lot of self-defence techniques, which have stood me in very good stead ever since.
I chose the northern English city of Lancaster for the setting because it was not only an area I knew well, but because I was intrigued by the dual-edged personality of the place. By day it’s an attractive university town, filled with history and the kind of elegant Georgian architecture that has seen it called the Bath of the North.
But by night the number of pubs and clubs give the city an altogether darker feel. At one point it had one of the highest violent-crime rates per head of population in the country. And although one or two people asked if the events described in the book could really happen in a place like Lancaster, my answer is . . . they did, more or less.
In one of those weird twists of fate, shortly after KILLER INSTINCT was published, one of the local nightclubs was shut down after a drug-dealing scandal, in which the owner and half the door staff were allegedly involved. (And if you’re cheating, and reading this afterword before you’ve read the book itself, you better just forget that bit!)
So, how does it feel to finally have the beginning of Charlie’s story out there again? Bloody marvellous, if you must know . . .
Acknowledgements
First of all, I have to thank those people who patiently let me pick their brains; especially PC Michael Wilkinson for his inside information on police procedure; James for filling me in on what really happens behind club doors; Ian ‘this won’t hurt’ Cottam and Lee Watkin for teaching me the basics of self-defence; Colin and Jane Greenhalgh for their extensive bar experience; and remedial therapist Wendy Seabrook. Any mistakes are strictly by my own introduction.
A few people trawled through the initial drafts and pointed out the major plot-holes. My grateful thanks for this dedication go to Peter Doleman, Claire Duplock, Sarah Harrison, Tim Winfield, and all the members of the Lune Valley Writers’ Group, particularly Clive Hopwood, whose criticisms were the most painful, but the most accurate. You were all brilliant.
The biggest thank yous of all belong to my husband, Andy, who has suffered with me all the way; to Derek and Jill for encouraging me to write in the first place; to the staff at Piatkus Books who first gave me a chance; to my gracious copyeditor Sarah Abel; to David Thompson at Busted Flush Press, who took Charlie under his wing, and to Jane Hudson at NuDesign who came up with the terrific new e-covers. And also to all the authors and online writing community who encouraged me to get these early books out there into the e-niverse.
Lastly my grateful thanks to the inimitable Lee Child, for being such a big supporter of my work and all-round nice guy.
if you’ve enjoyed KILLER INSTINCT, why not try Zoe Sharp’s Other Works:
the Charlie Fox crime thrillers
(KILLER INSTINCT)
RIOT ACT
Excerpt from RIOT ACT
HARD KNOCKS
FIRST DROP
ROAD KILL
SECOND SHOT
THIRD STRIKE
FOURTH DAY
FIFTH VICTIM – out in e-format Spring 2012
Short stories – eBook exclusive
FOX FIVE: a Charlie Fox short story collection
A Bridge Too Far
Postcards From Another Country
Served Cold
