jumping from a five-story building did to the skin on your skull. Lucy’s flesh looked to be dripping from the bone. Her eyes bulged from their sockets. Blood poured from every opening.

It looked fake, like something out of a horror movie.

Evelyn asked, “You okay?”

Amanda said, “Now I see why you thought this was Jane Delray.” Except for the bleached blonde hair, the Halloween mask of her face could’ve belonged to any girl walking the street. The track marks up her arms were the same. The open wounds on her feet. The red pricks along her inner thigh.

Evelyn said, “I wonder if she has family.”

Roz stated the obvious. “Everyone has family. Whether they admit it or not is an entirely different question.”

Amanda ran through the pictures again. There were only five of them. Three were of the girl’s face—left, right, center. One showed a close-up of her mangled body, probably taken from a ladder. The last was a more widely framed shot with the Coca-Cola building on the horizon. Lucy’s hand was turned out, her wrists exposed.

Amanda asked Roz, “Do you have any more photos?”

The older woman smiled. One of her upper teeth was missing. “Look at the bloodlust. Who would’ve guessed it?”

Amanda made her request more specific. “Do you have any close-ups of her wrists?”

“No. Why?”

“Does that look like a scar to you? There, along her wrist?” She showed Evelyn the photo.

Evelyn squinted, then shook her head. “I can’t tell. What are you getting at?”

“Jane had scars on her wrist.”

“I remember.” Evelyn studied the photo more carefully. “If this is Lucy Bennett, why would she have scars on her wrists like Jane Delray?”

“Whoring’s not exactly something to live for.” Still, Roz opened one of her desk drawers and found a magnifying glass. Each woman took turns holding the glass to the picture.

Finally, Evelyn said, “I still can’t tell. It looks like a scar, but maybe it’s the light?”

“That’s my fault.” Roz sounded uncharacteristically apologetic. “My flash was acting up and Landry was pushing me to hurry so he could clock in to his other job.”

Amanda supplied, “Butch didn’t say anything in his notes about scars.”

“That idiot wouldn’t.” Contrary to her words, Roz Levy seemed delighted. “All right, Wag. Time to see what you’re really made of.”

Another wave of dread washed over Amanda. She felt as if she was on a roller coaster.

Evelyn said, “Roz, there’s no need to—”

“Shut your pie hole, blondie.” Roz cackled like a witch. “Pete’s cutting up your dead whore this afternoon. You hotshot lady dicks want, I can make a call and get you a ringside seat to the autopsy.”

Amanda knew some of the patrolmen used the morgue as their crack, or on-duty hiding place, especially during the summer. It was easier to sleep in an air-conditioned building, so long as you didn’t mind laying up next to a dead body.

She’d been to the Decatur Street building many times to pick up reports and drop off evidence, but she’d never before been into the back. Just the thought of what went on there gave Amanda the heebie-jeebies. Still, she kept her mouth closed as Evelyn led her deep inside the building, even though every step felt as if it was ratcheting down a clamp around her rib cage.

The two beers Amanda drank on the drive over were not helping matters. Instead of relaxed, she felt both lightheaded and extremely focused. It was a miracle she hadn’t driven her Plymouth up a telephone pole.

“Do you know Deena?” Evelyn asked, pushing open a swinging door. They were in a small lab. Two tables were shoved into opposite corners in the back of the room. There was a microscope on each. Various medical tools were laid out beside them. A large window took up the back wall. The hospital-green curtains were pulled back to show what must be the autopsy room. Yellow tile ran along the floor and up to the ceiling. There were two metal sinks. Two scales that seemed more appropriate for a grocer’s produce section.

And a body. A green drape covered the figure. A large light like a dentist used was overhead. One hand dropped down beside the table. The fingernails were bright red. The hand was turned inward. The wrist did not show.

Evelyn said, “I hate autopsies.”

“How many have you seen?”

“I don’t actually look at them,” she confessed. “You know how you can blur your eyes on purpose?”

Amanda nodded.

“That’s what I do. I just blur my eyes and say ‘mm’ and ‘yes’ when they ask questions or point out something interesting, and then I go to the bathroom afterward and throw up.”

That seemed like as good a plan as any. They heard footsteps in the hallway behind them.

Evelyn said, “Deena’s got a bad scar on her neck. Try not to stare.”

“A what?” Evelyn’s words got jumbled up in Amanda’s brain, so they didn’t make sense until a striking black woman came through the door. She was wearing a white lab coat over blue jeans and a flowing orange blouse. Her hair was in full Afro. Blue eye shadow adorned her eyelids. The skin around her neck was marred as if by a noose.

“Hey, Miss Lady,” Deena said, setting down a tray on one of the tables. There were slides laid out, splatters of white and red sandwiched between the glass. “What are you doing here?”

Evelyn said, “Roz called in a favor for me.”

“Why you still talkin’ to that nasty old Jew?” She smiled warmly at Amanda. “Who’s your pretty friend?”

Evelyn looped her arm through Amanda’s. “This is Amanda Wagner. She’s my partner now.”

The smile dropped. “Any relation to Duke?”

For the first time in her life, Amanda felt the compulsion to lie about her father. Maybe if they’d been alone, she would have, but she confessed, “Yes. I’m his daughter.”

“Hm.” She shot Evelyn a look and turned back around to her slides.

“She’s all right,” Evelyn said. “Come on, Dee. Do you think I’d bring someone here who’d—”

The woman spun back around. Her lip trembled with rage. “You know how I got this?” She pointed to the ugly scar on her neck. “Working at the cleaners down on Ponce, pressing Klan robes nice and stiff for people like your daddy.”

Evelyn tried, “That’s hardly her fault. You can’t blame her for her father’s—”

Deena held up a hand to stop her. “One day, my mama got her arm caught in one’a the machines. Ain’t no way to turn ’em off. Mr. Guntherson’s too cheap to pay for an electrician. I grab the cord and it swings back on my neck. Live wires. Boom, there’s an explosion—one’a them transformers gives out. Shut down the whole block for two days. Saved my life, but not my mama’s.”

Amanda didn’t know what to say. She’d been to that same dry cleaners many times, had never given a thought to the black women working in the back. “I’m sorry.”

Evelyn said, “She can’t control what her father does.”

Deena leaned back against the table. She crossed her arms. “You remember what I told you about my scar, Ev? I said I’d cover it up the day it don’t matter anymore.” She glared at Amanda. “It still matters.”

Evelyn stroked Amanda’s back. “This is my friend, Deena. We’re working a case together, trying to find some missing women.” Her words were rushed. “Kitty Treadwell. Someone named Mary. They might be connected to Lucy Bennett.”

“You check the dead nigger file?” She was talking to Amanda. “That’s what y’all call it, right? The DNF? Got one at every station house. Ain’t that right, Wag?”

Amanda was too embarrassed to look at her. She told Deena, “I think you probably know that I lost my mother, too.” What had happened to Miriam Wagner was common knowledge around the force. With enough whiskey in him, Duke relayed the story with a heady machismo. Amanda said, “You’re not the only one here with scars.”

Deena tapped her fingers on the table. The staccato started strong, then died down to nothing. “Look at

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