A note to the reader
ON MARCH 8, 1989, ROBERT AND I HAD OUR LAST CONVERSATION. The last, that is, in the human form. He knew he was dying and yet there was still a note of hope, a singular and obdurate thread, woven in the timber of his voice. I asked him what he wanted me to do for him and he said take care of my flowers. He asked me to write an introduction to his flower book. They are color flowers and I know you prefer the black and white ones so perhaps you won't like them. I will like them I said and I will do it. I told him that I would continue our work, our collaboration, for as long as I lived. Will you write our story? Do you want me to? You have to he said no one but you can write it. I will do it, I promised, though I knew it would be a vow difficult to keep. I love you Patti. I love you Robert. And he was wheeled away for tests and I never heard him speak again. Save for his breath, which seemed to fill his hospital room as he lay dying.
I wrote the poem for his memorial card as I had done for Sam Wagstaff. On the twenty-second of May, Fred and I attended the service at the Whitney Museum. Fred wore a suit of indigo gabardine with a burgundy tie. I wore my Easter dress of black silk velvet with a white lace collar. There were two grand vases with white lilies flanking the podium. His flowers hung on the walls. As I sang his memorial song I held the image of him from two decades before, smoking a cigarette outside the museum, waiting for me to emerge. Robert’s entire family was present. His father, Harry, greeted me with warmth and compassion. His mother, Joan, was in a wheelchair fitted with a small oxygen tank. When I knelt to kiss her goodbye she pressed my hand. You’re a writer, she whispered with some effort. Write me a line. I imagined she meant a letter, but Joan passed away three days later and was buried at Our Lady of the Snows.
I wrote the piece for
MEMORIAL SONG
MEMORIAL POEM