The scene was supposed to look a mess, but it didn’t match the picture Charlotte imagined. She winced. “Can we make it a little more… I don’t know… pretty?”
Otto tilted a thoughtful head, as if regarding the stage from a slightly different angle. It was Marta, the actress, who sat up, appalled. Fred, who played the fiendish villain/bureaucrat, stood and set aside the tire iron as he stretched muscles and groaned. Harry, who played the tragic hero too late to save his lover, but not too late to exact revenge on the fiendish villain/bureaucrat, slowly descended, hanging passively in his harness as the stage crew lowered him back to earth. Out of character now, he looked tired.
“Pretty? You want this to be pretty?” Marta said. “What happened to the terrors of modernity? There’s nothing
Charlotte thought she had said something along the lines of wanting to recast classic gothic narratives as a vehicle for alienation—the terrors of postmodernity expressed as the sublime. They had the terrors of postmodernity down pat but seemed to be missing the sublime.
The last dress rehearsal was a little late to be rethinking the project. Was it too late to cancel the whole thing? It had all seemed so much more clever when she wrote it.
“Never mind,” she said. “It’s fine. It’s all fine.”
“Maybe the lighting,” Otto said, trying to be helpful. “More of a halo effect upstage.” He put on his headset. “Bob, is it too late to change that last lighting cue?”
She sat in her squishy velvet seat in the middle of the house and pondered. This was supposed to be her big break. Her jump from the bush leagues to the big-time, with a director like Otto, an award-winning actress like Marta starring, in a theater that didn’t seat its audience in folding chairs. Charlotte couldn’t help but feel that her career was already over.
Her phone rattled, and she dug in the pocket of her jeans for it.
The screen showed Dorian’s text: “Wrk late, won’t make dinner, sry, make it up to you.”
She quelled her disappointment and instead decided to admire Dorian’s dedication. An up-and-coming assistant DA like Dorian Merriman didn’t win cases like the one against the Midnight Stalker by going on dinner dates with struggling playwrights.
Otto and the three actors were all looking at her, and she might have blushed.
“Everything okay?” Otto said.
“Fine,” she said, putting her phone away.
“Are we done, Otto?” Harry said.
“We’re done. Call’s at five tomorrow.” Otto and the actors disappeared backstage.
Part of her wanted to curl up right here for the next twenty-four hours, until it was all over. Maybe she could sleep through it.
Instead, she found her coat and bag and went to catch a bus home. It was early summer, still daylight, still warm. She could have walked the whole way, scuffing toes on the sidewalk and thinking of everything that could go horribly wrong tomorrow night. She didn’t even have to go on stage and she was terrified.
As an alternative to going home and stewing, she decided to take herself to dinner. Just because Dorian couldn’t go out didn’t mean
SHE DIDN’T PLAN for the jewelry store next door to the cafe to get robbed while she was there.
She had just ordered a salad and a glass of zinfandel. Something to take the edge off while she stared at the hazy city sky and reminded herself that she was lucky and she had a great boyfriend when he was around, and her dream was coming true and the play really was okay and no one was going to write wretched reviews calling her names. Everything was going to be
Alarms started ringing, clanging mechanically, vibrating through the floor. The police sirens joined a minute later. A dozen customers and waitstaff crowded along the patio rail to see what was happening. Charlotte was already sitting there and had a pretty good view of the street. But like many others, she also looked up and around at the sky and rooftops, wondering which hero would swoop in to save the day: Breezeway? The Bullet? Captain Olympus himself?
The police sirens approached, howling, then a half dozen Commerce City PD squad cars roared up the street and screeched to cinematic halts, skidding to angles that blocked the intersections. Uniforms bounded out and pointed guns at the building. Out came the bullhorn, and one of the officers called through it, “Come out with your hands up!”
Shouting echoed up the stairwell that led to the roof. Six men wearing purple Kevlar vests, fatigues, and ninjalike masks appeared. Two held heavy metallic briefcases, no doubt filled with something nefarious and stolen. Four held what had to be ray guns—plastic, streamlined, with parabolic dishes where the barrels should be. They made quite an impression.
They must have planned to jump to the next rooftop and keep running until they found a ladder to shimmy down while the police were still racing up the stairs after them. The police were a little too fast, and the thieves were a little too desperate, because they went for hostages.
The two gunmen pointed their weapons and yelled, “Freeze!” which nobody did. Instead people screamed and tumbled out of the way, covering their heads, falling to the floor, scrambling on top of each other. It was a pretty good strategy, because if they stayed in a mob and the gunmen fired, it would probably be somebody else who got shot.
Astonished, Charlotte just kept sitting there, back to the railing, instead of fleeing with the others. So one of the guys grabbed her, arm around her throat, and held her against the rail, purple parabolic dish to her temple.
Her captor shouted the obligatory “Nobody move!” She thought the other gunman was standing at the top of the stairs, pointing his weapon at the oncoming cops, preventing rescue. So much for a nice evening out.
Staring back at the gun, which had become very large in her vision, she wondered if the weapon would incinerate her or simply make her vanish in a stream of light. She wondered which one would hurt more. Maybe she wouldn’t have to go through opening night after all. Maybe Dorian would avenge her, after standing forlornly over her poor broken body. Would he feel guilty for missing dinner with her?
The tableau froze: heroine and villain, random crowd huddling like a Greek chorus, henchmen wreaking chaos. Time stopped, her heartbeat stilled to a moment of perfect silence, a universe holding its breath.
She didn’t know where the newcomer entered from, but the gun left her head and pointed at something else, and there he was in the middle of the patio, hands on his hips. He was also wearing a mask, and that may have been what set the gang of jewel thieves most on edge. One more variable must have been too many to handle.
The thieves had an out, and they took it: Her captor tipped her over the railing.
Charlotte gasped a breath as the sky spun past her feet. She was falling—then she wasn’t. She jerked to a stop, hanging two stories over the sidewalk. She didn’t even have time to scream.
She wasn’t sure how it happened, but she could see how it ended up: The masked man, the hero, gripped her hand and held her dangling thirty feet up. She swayed and came to rest against the concrete wall. His other hand held the railing. He must have dived over the edge as she fell, faster than a heartbeat, faster than a blink. He must have grabbed her, grabbed the railing, and stopped her mid-plunge. Her shoulder throbbed with the pain of being wrenched. His must have felt worse. Now they hung there, looking at each other.
“I’ll need you to climb up,” he said, voice tight with strain.
“What?” she squeaked.
“I’m fast. Not all that strong,” he gasped.
He lifted her partway until she could grab hold of his jeans, then his shirt, then his shoulder, panting and panicked, too shocked to be scared, unbelievably remembering not to look down. She used him as a ladder, until she put her arms around his shoulders. He swung his leg up to hook it over the railing, shrugged to hint that maybe she should make her way to the railing as well. She meant to dig her fingers more tightly around his shirt, but she got the muscle of his shoulder. He only flinched a little. She managed to slide over, hook her elbow over, then her