Dorian called, “Charlotte! What are you doing here?”
The uniformed cops on either side of her looked her over and glared.
She didn’t say anything, hardly noticed that the tableau had unfrozen, and police were now collecting the thieves, putting handcuffs on them, and shoving them into cars. That left Dorian, the vigilante, and Charlotte.
“I told you you guys should work together,” she said lamely.
“Charlotte—” Dorian exclaimed again, a word that was a question, demanding explanation.
“Are you having an affair?” she asked him, because it was the only other thing she could think of.
“What? No! For God’s sake, what gave you that idea?”
He was indignant enough that she believed him, but she also wasn’t sure she’d be able to tell if he was lying. She watched actors on stage all day, and actors on stage did nothing but lie while convincing her they were telling the truth.
“It was all those late nights,” she said, and tried to explain all at once, to both of them. “All those broken dates and the evasions and I thought, I thought something must be going on. Then I met
He looked at the masked man, looked at Charlotte, and sounded a little forlorn when he said, “I told you, I was working late.”
“And how many men have said that to how many women? It’s like something out of a bad play.” She stopped. Here they were, three on the stage at the close of the curtain, a gothic postmodern shambles. The police lights flashed and didn’t seem real. She knew exactly what gels would make those colors on stage.
She walked away, upset at how disappointed she was and how foolish she felt. This all seemed so plain, so messy. Couldn’t we make it… prettier, she had said to Otto.
She got to the end of the block when the masked man appeared in front of her. That was what it looked like, he just appeared, after a blur of motion.
“The thing is,” he said, “I can’t take you out to dinner. I can’t be there for the openings of your plays. I can’t answer the phone every time you call. I can’t do any of that. But I can still… I can still try.”
She could have a hero, or have someone who was always there to take her to dinner, but not both.
He took off his mask, and she didn’t know him. He seemed young, but the faint stubble and even fainter crow’s-feet—laugh lines—gave him rough edges. He was handsome. He was sad. She knew nothing about him.
One thing he could do, though, was stand over her broken body, striking a pose and looking tragically bereft before he flew off into the night. And it would be pretty, dramatically speaking.
She leaned in, hand on his chest. He stood still, body tense. She felt his heart racing—much faster than a normal person’s. Faster than Dorian’s. He still smelled like rain. She brushed her lips against his, which trembled in response. Barely a kiss. More like an apology.
Then she walked home, and nobody tried to mug her. She was almost disappointed.
CHARLOTTE AND DORIAN split up. Dorian prosecuted the jewel thieves and talked to the press about putting in for DA in a couple of years. He started dating a painter whose gallery shows were making news.
Charlotte finished the next play. Otto liked it. Marta liked it. It needed some work. She would have been worried if it hadn’t.
This one was straight realism, which was a departure for her, and which meant not stringing the wires with lights when they flew the heroes in and out. She still had to have heroes, but this time she imagined what they said to each other when they sat on rooftops looking for jewel thieves. She imagined they talked about the weather and the girls they liked and how to avoid getting ID’d by the cops. The only non-superhero character in the play was the cop who was trying to figure out who they were. She never did.
A week into rehearsals, she sat on a chair at the edge of the stage, watching Otto block actors, listening to lines, following along in her copy of the script, making notes when she thought something else would sound better. She’d think something else would sound better long after the play had had its run and closed.
Otto had been on the same page for half an hour and was on his fourth try, arranging actors, repeating lines. In a minute he’d do something off the wall and unexpected and that would be the version that worked. All she had to do was wait, and wonder how it would all turn out.
Leaning back in her chair, she looked up into the rails, ropes, chains, and lights of the fly system, distant ladders and rafters lost in shadow, and saw a masked face looking back at her, smiling.
M. L. N. Hanover
There weren’t many three-bedroom houses that a single woman could afford. 1532 Lachmont Drive was an exception. Built in the 1930s from masonry block, it sat in the middle of a line of houses that had once been very similar to it. Decades of use and modification had added character: basement added in the 1950s, called “finished” only because the floor was concrete rather than dirt; garage tacked on to the north side that pressed its outer wall almost to the property line; artificial pond in the backyard that had held nothing but silt since the 1980s. The air smelled close and musty, the kitchen vent cover banged in the wind, and the air force base three miles to the north meant occasional jet noise loud enough to shake the earth. But the floors were hardwood, the windows recently replaced, and the interiors a uniform white that made the most of the hazy autumn light.
The Realtor watched the woman—Corrie Morales was her name—nervously. He didn’t like the way she homed in on the house’s subtle defects. Yes, there had been some water damage in the bathroom once. Yes, the plaster in the master bedroom was cracking, just a little. The washer/dryer in the basement seemed to please her, though. And the bathtub was an old iron claw-footed number, the enamel barely chipped, and she smiled as soon as she saw it.
She wasn’t the sort of client he usually aimed for. He was better with new families, either just-marrieds or first-kid types. With them, he could talk about building a life and how the house had room to grow in. A sewing room for the woman, an office for the man, though God knew these days it seemed to go the other direction as often as not. New families would come in, live for a few years, and trade up. Or traffic from the base—military people with enough money to build up equity and flip the house when they got reassigned rather than lose money by paying rent. He had a different set of patter for those, but he could work with them. New families and military folks. Let the other Realtors sell the big mansions in the foothills. Maybe he didn’t make as much on each sale, but there were places in his territory he’d sold three or four times in the last ten years.
This woman, though, was hard to read: in her late thirties and seeing the place by herself; no wedding ring. Her face had been pretty once, not too long ago. Might still be, if she wore her hair a little longer or pulled it back in a ponytail. Maybe she was a lesbian. Not that it mattered to him, as long as her money spent.
“It’s a good, solid house,” he said, nodding as a trick to make her nod along with him.
“It is,” she said. “The price seems low.”
“Motivated seller,” he said with a wink.
“By what?” She opened and closed the kitchen cabinets.
