“You can touch me now,” said Cassandra.
I HAD STARTED thinking about Stuart again late last year. Stress, I think. Work was going well, up to a point, but I’d broken up with Pavel, who may or may not have been an actual bad hat although he certainly had his finger in many dodgy East European pies, and I was thinking about Internet dating. I had spent a stupid week joining the kind of Web sites that link you to old friends, and from there it was no distance to Jeremy “Scallie” Porter, and to Stuart Innes.
I don’t think I could do it anymore. I lack the single-mindedness. The attention to detail. Something else you lose when you get older.
Mr. Postie used to come in his van when my parents had no time for me. He would smile his big gnomey smile, wink an eye at me, hand me a brown-paper parcel with “Cassandra” written on in big block letters, and inside would be a chocolate, or a doll, or a book. His final present was a pink plastic microphone, and I would walk around the house singing or pretending to be on TV. It was the best present I had ever been given.
My parents did not ask about the gifts. I did not wonder who was actually sending them. They came with Mr. Postie, who drove his little van down the hall and up to my bedroom door, and who always knocked three times. I was a demonstrative girl, and the next time I saw him, after the plastic microphone, I ran to him and threw my arms around his legs.
It’s hard to describe what happened then. He fell like snow, or like ash. For a moment I had been holding someone, then there was just powdery white stuff, and nothing.
I used to wish that Mr. Postie would come back after that, but he never did. He was over. After a while, he became embarrassing to remember: I had fallen for
So strange, this room.
I wonder why I could ever have thought that somebody who made me happy when I was fifteen would make me happy now. But Stuart was perfect: the riding stables (with ponies), and the painting (which showed me he was sensitive), and the inexperience with girls (so I could be his first) and how very, very tall, dark, and handsome he would be. I liked the name, too: it was vaguely Scottish and (to my mind) like the hero of a novel.
I wrote Stuart’s name on my exercise books.
I did not tell my friends the most important thing about Stuart: that I had made him up.
And now I’m getting up off the bed and looking down at the outline of a man, a silhouette in flour or ash or dust on the black satin bedspread, and I am getting into my clothes.
The photographs on the wall are fading too. I didn’t expect that. I wonder what will be left of his world in a few hours, wonder if I should have left well enough alone, a masturbatory fantasy, something reassuring and comforting. He would have gone through his life without ever really touching anyone, just a picture and a painting and a half memory for a handful of people who barely ever thought of him anymore.
I leave the flat. There are still people at the wine bar downstairs. They are sitting at the table, in the corner, where Stuart and I had been sitting. The candle has burned way down, but I imagine that it could almost be us. A man and a woman, in conversation. And soon enough, they will get up from their table and walk away, and the candle will be snuffed and the lights turned off, and that will be that for another night.
I hail a taxi. Climb in. For a moment—for, I hope, the last time—I find myself missing Stuart Innes.
Then I sit back in the seat of the taxi, and I let him go. I hope I can afford the taxi fare, and find myself wondering whether there will be a cheque in my bag in the morning, or just another blank sheet of paper. Then, more satisfied than not, I close my eyes, and I wait to be home.
Marjorie M. Liu
New York Times
I didn’t have time to grab my coat. Only shoes and the shotgun. I had gone to sleep with the fanny pack belted to my waist, so the shells were on hand and jangled as I ran. I had forgotten they would make noise. Not that it mattered.
No moon. Slick gravel and cold rain on my face. Neighbor’s dogs were barking and I wished they would shut up, but they didn’t, and I kept expecting one of them to make that strangled yip sound like Pete-Pete had, out in the woods where I couldn’t ever find his body. I missed him bad, nights like these. So did the cats.
The cowbell was still ringing when I reached the gate, and I heard a loud thud: a hoof striking wood. Chains rattled. I raised the shotgun, ready.
“They’re coming,” whispered a strained voice, murmuring something else in German that I couldn’t understand. “Amanda?”
“Here,” I muttered. “Hurry.”
Hinges creaked, followed by the soft tread of hooves and wheels rolling over gravel. Slow, too slow. I dug in my heels, hearing something else in the darkness: a hacking cough, wet and raw.
“Steven,” I warned.
“We’re through,” he said.
I pulled the trigger, gritting my teeth against the recoil. The muzzle flash generated a brief light—enough to glimpse a hateful set of eyes. And then, almost in the same instant, I heard a muffled scream. I fired again, just for good measure.
Steven slammed into the gate. I ran to help him set the lock—one-handed, shotgun braced against my hip. I heard more coughs—deeper, masculine—and got bathed in the scent of rotten meat and shit. All those unclean mouths, breathing on me from the other side of the fence. A rock whistled past my ear. I threw one back with all my strength. Steven dragged me away.
“Son of a bitch,” I muttered, breathless—and gave the boy a hard look; his body faintly visible, even in the darkness. “What the hell are you doing here?”
