less marked. Here and there were patches almost transparent—certainly translucent. The whole chest, cover and all, was wrought with hundreds, perhaps thousands, of minute hieroglyphics, seemingly in an endless series. Back, front, sides, edges, bottom, all had their quota of the dainty pictures, the deep blue of their colouring showing up fresh and sharply edge in the yellow stone. It was very long, nearly nine feet; and perhaps a yard wide. The sides undulated, so that there was no hard line. Even the corners took such excellent curves that they pleased the eye. 'Truly,' I said, 'this must have been made for a giant!'
'Or for a giantess!' said Margaret.
This sarcophagus stood near to one of the windows. It was in one respect different from all the other sarcophagi in the place. All the others in the house, of whatever material—granite, porphyry, ironstone, basalt, slate, or wood—were quite simple in form within. Some of them were plain of interior surface; others were engraved, in whole or part, with hieroglyphics. But each and all of them had no protuberances or uneven surface anywhere. They might have been used for baths; indeed, they resembled in many ways Roman baths of stone or marble which I had seen. Inside this, however, was a raised space, outlined like a human figure. I asked Margaret if she could explain it in any way. For answer she said:
'Father never wished to speak about this. It attracted my attention from the first; but when I asked him about it he said: 'I shall tell you all about it some day, little girl—if I live! But not yet! The story is not yet told, as I hope to tell it to you! Some day, perhaps soon, I shall know all; and then we shall go over it together. And a mighty interesting story you will find it—from first to last!' Once afterward I said, rather lightly I am afraid: 'Is that story of the sarcophagus told yet, Father?' He shook his head, and looked at me gravely as he said: 'Not yet, little girl; but it will be—if I live—if I live!' His repeating that phrase about his living rather frightened me; I never ventured to ask him again.'
Somehow this thrilled me. I could not exactly say how or why; but it seemed like a gleam of light at last. There are, I think, moments when the mind accepts something as true; though it can account for neither the course of the thought, nor, if there be more than one thought, the connection between them. Hitherto we had been in such outer darkness regarding Mr. Trelawny, and the strange visitation which had fallen on him, that anything which afforded a clue, even of the faintest and most shadowy kind, had at the outset the enlightening satisfaction of a certainty. Here were two lights of our puzzle. The first that Mr. Trelawny associated with this particular curio a doubt of his own living. The second that he had some purpose or expectation with regard to it, which he would not disclose, even to his daughter, till complete. Again it was to be borne in mind that this sarcophagus differed internally from all the others. What meant that odd raised place? I said nothing to Miss Trelawny, for I feared lest I should either frighten her or buoy her up with future hopes; but I made up my mind that I would take an early opportunity for further investigation.
Close beside the sarcophagus was a low table of green stone with red veins in it, like bloodstone. The feet were fashioned like the paws of a jackal, and round each leg was twined a full-throated snake wrought exquisitely in pure gold. On it rested a strange and very beautiful coffer or casket of stone of a peculiar shape. It was something like a small coffin, except that the longer sides, instead of being cut off square like the upper or level part were continued to a point. Thus it was an irregular septahedron, there being two planes on each of the two sides, one end and a top and bottom. The stone, of one piece of which it was wrought, was such as I had never seen before. At the base it was of a full green, the colour of emerald without, of course, its gleam. It was not by any means dull, however, either in colour or substance, and was of infinite hardness and fineness of texture. The surface was almost that of a jewel. The colour grew lighter as it rose, with gradation so fine as to be imperceptible, changing to a fine yellow almost of the colour of 'mandarin' china. It was quite unlike anything I had ever seen, and did not resemble any stone or gem that I knew. I took it to be some unique mother-stone, or matrix of some gem. It was wrought all over, except in a few spots, with fine hieroglyphics, exquisitely done and coloured with the same blue-green cement or pigment that appeared on the sarcophagus. In length it was about two feet and a half; in breadth about half this, and was nearly a foot high. The vacant spaces were irregularly distributed about the top running to the pointed end. These places seemed less opaque than the rest of the stone. I tried to lift up the lid so that I might see if they were translucent; but it was securely fixed. It fitted so exactly that the whole coffer seemed like a single piece of stone mysteriously hollowed from within. On the sides and edges were some odd-looking protuberances wrought just as finely as any other portion of the coffer which had been sculptured by manifest design in the cutting of the stone. They had queer-shaped holes or hollows, different in each; and, like the rest, were covered with the hieroglyphic figures, cut finely and filled in with the same blue-green cement.
On the other side of the great sarcophagus stood another small table of alabaster, exquisitely chased with symbolic figures of gods and the signs of the zodiac. On this table stood a case of about a foot square composed of slabs of rock crystal set in a skeleton of bands of red gold, beautifully engraved with hieroglyphics, and coloured with a blue green, very much the tint of the figures on the sarcophagus and the coffer. The whole work was quite modern.
But if the case was modern what it held was not. Within, on a cushion of cloth of gold as fine as silk, and with the peculiar softness of old gold, rested a mummy hand, so perfect that it startled one to see it. A woman's hand, fine and long, with slim tapering fingers and nearly as perfect as when it was given to the embalmer thousands of years before. In the embalming it had lost nothing of its beautiful shape; even the wrist seemed to maintain its pliability as the gentle curve lay on the cushion. The skin was of a rich creamy or old ivory colour; a dusky fair skin which suggested heat, but heat in shadow. The great peculiarity of it, as a hand, was that it had in all seven fingers, there being two middle and two index fingers. The upper end of the wrist was jagged, as though it had been broken off, and was stained with a red-brown stain. On the cushion near the hand was a small scarab, exquisitely wrought of emerald.
'That is another of Father's mysteries. When I asked him about it he said that it was perhaps the most valuable thing he had, except one. When I asked him what that one was, he refused to tell me, and forbade me to ask him anything concerning it. 'I will tell you,' he said, 'all about it, too, in good time—if I live!''
'If I live!' the phrase again. These three things grouped together, the Sarcophagus, the Coffer, and the Hand, seemed to make a trilogy of mystery indeed!
At this time Miss Trelawny was sent for on some domestic matter. I looked at the other curios in the room; but they did not seem to have anything like the same charm for me, now that she was away. Later on in the day I was sent for to the boudoir where she was consulting with Mrs. Grant as to the lodgment of Mr. Corbeck. They were in doubt as to whether he should have a room close to Mr. Trelawny's or quite away from it, and had thought it well to ask my advice on the subject. I came to the conclusion that he had better not be too near; for the first at all events, he could easily be moved closer if necessary. When Mrs. Grant had gone, I asked Miss Trelawny how it came that the furniture of this room, the boudoir in which we were, was so different from the other rooms of the house.
'Father's forethought!' she answered. 'When I first came, he thought, and rightly enough, that I might get frightened with so many records of death and the tomb everywhere. So he had this room and the little suite off it— that door opens into the sitting-room—where I slept last night, furnished with pretty things. You see, they are all beautiful. That cabinet belonged to the great Napoleon.'
'There is nothing Egyptian in these rooms at all then?' I asked, rather to show interest in what she had said than anything else, for the furnishing of the room was apparent. 'What a lovely cabinet! May I look at it?'
'Of course! with the greatest pleasure!' she answered, with a smile. 'Its finishing, within and without, Father says, is absolutely complete.' I stepped over and looked at it closely. It was made of tulip wood, inlaid in patterns; and was mounted in ormolu. I pulled open one of the drawers, a deep one where I could see the work to great advantage. As I pulled it, something rattled inside as though rolling; there was a tinkle as of metal on metal.
'Hullo!' I said. 'There is something in here. Perhaps I had better not open it.'
'There is nothing that I know of,' she answered. 'Some of the housemaids may have used it to put something by for the time and forgotten it. Open it by all means!'
I pulled open the drawer; as I did so, both Miss Trelawny and I started back in amazement.
There before our eyes lay a number of ancient Egyptian lamps, of various sizes and of strangely varied shapes.
We leaned over them and looked closely. My own heart was beating like a trip-hammer; and I could see by the heaving of Margaret's bosom that she was strangely excited.
Whilst we looked, afraid to touch and almost afraid to think, there was a ring at the front door; immediately afterwards Mr. Corbeck, followed by Sergeant Daw, came into the hall. The door of the boudoir was open, and when
