In the Night Room

He went back and started over. Someone calling himself Cyrax had been rooting through his past and using what he found there to send these crazy e-mails. Tim could see no other explanation. Cyrax had already appointed himself as guide, so let him make the next move. Since without full addresses these e-mail conversations could be only one-way, he would make the next move anyhow. When Cyrax showed himself again, Tim would decide how he wanted to respond. He could always start deleting any e-mail that came without an @ sign and domain name.

He remembered the astonishing sight of his sister, a little Alice in Wonderland girl leaning forward to hurl the words Listen to us at him, and for the first time connected April’s command with the e- mails. An uncontrollable shiver went through his body. Helplessly, he looked at the computer, squatting on his desk like a sleek black toad. From below it, the voices of the dead bubbled up to print their inchoate words on the screen, one after another, emerging from a bottomless well.

He had to get outside.

But when Tim Underhill left his building to walk aimlessly down Grand, then turn left on Wooster Street, then right on Broome, his hands in the pockets of his still-damp Burberry, his head covered by his still-damp WBGO cap, he felt no release from the phantoms that had driven him into the streets. In the passing cars, the drivers scowled like the officers of the secret police in a totalitarian state; on the sidewalks, the people who passed gazed downward, sloping along mute and alone.

Down Crosby he went, that street of cobblestones and sudden windy spaces, now as empty as it had been twenty years before, when he had first moved into the neighborhood. Loneliness suddenly bit into him, and he welcomed it back, for the loneliness was a true part of him, real, not a fearful phantom.

A few days before, Tim had been leafing through his volume of Emily Dickinson’s letters, and for some reason a phrase from one of the “Master” letters—written to a man never identified—came into his head: I used to think when I died—I could see you—so I died as fast as I could. It had been a long time since he had loved someone that way. This gloomy recognition came to him wrapped in the unhappiness that seemed to leak from every blank window and closed door on the street. Underhill tried to reject it and the unhappiness both. Because he thought he would fail, he failed, and loneliness and sorrow thickened around him.

Something set him off, and after that he was, for all purposes, back in his generation’s war. Phoorow, phoorow, Private Philip Footler had been the trigger. Gliding toward him, shifting back, sliding under his defenses, a particularly unhappy vision had flooded Tim’s mind, whether or not he could actually see it at any given moment. Tim Underhill had been something like six feet from Phoorow’s grotesque separation from himself. It had been granted him to witness every one of the four or five seconds it had taken the boy to die—reaching down to pull his body back into connection, his mouth opening and closing like that of an infant seeking the nipple. Tim was grateful not to have seen Phoorow’s eyes.

He longed for the reassuring sound of other people’s voices. He could have gone to the Fireside—okay, not the Fireside, but any one of the little bars and restaurants scattered throughout his village: for over the previous two decades that was what the territory bounded by West Broadway, Broome Street, Broadway, and Canal Street had inevitably become: his hometown, the one place where he felt truly comfortable.

He turned around, and a hint of movement caught his eye. On a street where only he was in motion, the idea of movement seemed a little spooky. Tim Underhill turned back, then spun his head again, scanning the sidewalks and the anonymous facades. It was as if the street had been evacuated, specifically for the purpose of stranding him in it.

Thin, foggy, impenetrable veils hung like sheets of cloud-colored iron at both ends of the block. The ordinary sounds of the city were muted and distant, walled out. If he looked hard at the cobblestones, he thought, he would see unreality’s slick, cartoonish sheen. Everything that had happened to him over the past two days had been designed to get him here, to this empty block on a false Crosby Street.

Now it had happened for real, Tim thought. His mind had rolled past its own edge. Even the gray air seemed to resist him as he turned around once again to face north: uptown, the direction that would take him back to Broome Street. And as he turned, he thought he detected a hint of movement closer to him than the first time. Tim scanned the storefronts and windows and this time really noticed that every one of them was dark. The hypothetical movement had been off to his right and behind the large plate-glass windows of a vanished art gallery. He looked more closely at the window and saw only the murk of an empty room.

Once, the gallery had been dedicated to minimalist installations that featured simulated body parts, piles of dirt, and reams of text. Behind the scrim of the dirty enormous window, the bare walls receded into darkness. When he shifted his glance to the cloud-gate at the top end of Crosby, something in the gloom at the rear of the empty gallery revealed itself, then slid back into invisibility. Whatever it was had been looking at him. He snapped his head back and stared into the window. Then he moved forward across the sidewalk, bringing more of the interior into view.

At the far end of the room, a dim shape materialized out of the darkness and seemed to move forward, matching his movements.

Jeez, he thought, stung by a recollection, didn’t I write this somewhere?

He took another reluctant step forward. In either mockery or challenge, the figure inside matched him again. In the darkness and obscurity at the back of the immense room, its shape, which was not human, seemed to waver, swelling and shifting like smoke. A long, wide body lowered itself a few inches, as if crouching. There was the suggestion of ears. A silvery pair of eyes swam into view and focused intently on him. A kind of blunt force streamed toward him. Tim gasped and stepped back. He felt as though he had been pinned by a pair of flashlights. Unrelenting and soulless, made entirely of will and antipathy, the creature’s eyes hung in the gloomy air.

He found himself moving backward and off the sidewalk, into the middle of the cobbled street. It seemed important not to turn his back.

Knowing that his terror was ridiculous did nothing to tame it. He continued to move across the street, eyes locked with the creature’s, pushed himself up onto the far sidewalk, and whirled to sprint north toward Broome Street. Around him, the atmosphere tingled and snapped. He once again became aware of the rain. Before he had taken two long strides, a door opened in what had seemed a blank wall, and a couple emerged from a tall iron- fronted building. The world around him had solidified into its old unreliable self. He reached Broome with the sense of having broken through an invisible but palpable barrier.

Because the people who had reappeared on the sidewalk were staring at him, he slowed his pace. By the time he was crossing Broadway, he had brought himself down to a walk. His heart was knocking in his chest, and he could hear his own ragged breathing. A pair of shiny young men with rain-resistant hair turned their heads to see how much trouble he was in.

“I’m okay,” he said.

The young men snapped their heads forward and began walking a little faster, leaking disdain.

Strange, how normal the world seemed to him now, after Crosby Street. Those young men, what would they say if they knew he was getting e-mail from dead classmates? No more. Underhill was turning his back on all that nonsense. He resolved to concentrate on his work. From here on out, he would delete, unread, all e-mails without domain names. He wanted order and productivity.

He reached this decision with the sense of having established the ground rules for the next six months of his life. He would create a clearing, and in that clearing, free of uncertainty and disorder, he would write his book. Within imagination’s protective confines, he would set his heroine in motion. She was supposed to be in emotional extremity, not he. He needed to get in balance again.

With this resolve in mind, Tim turned the corner of Wooster and Grand, looked through the drizzle to the entrance of his building, and noticed a tall man in jeans and a hooded sweatshirt emerging through the open door. Oh, no, he thought, without being entirely certain why he should react this way. Then he looked more closely beneath the edge of the hood and saw what part of him had already registered, the face of Jasper Kohle. Kohle was grinning at him.

Tim stopped moving. For a second or two, Kohle’s face seemed to slide over its bones, and the bones themselves to shift. All that remained steady was the grin. Kohle’s face disappeared when his body turned, and he began to move in a deliberate slow jog toward West Broadway, where a wet young woman with green hair and facial piercings slouched past a steady stream of cars.

“Hey!” Tim shouted. “What are you doing?”

Kohle jogged around the corner, and Tim followed. For a moment he saw Kohle’s back moving purposefully