The Apocalypse Codex

Johnny’s driver does not head for the regular parking. After a brief word with one of the attendants he turns down a side road and drives around to the back of a building the size of a cinema multiplex. There’s a loading bay, fenced off and guarded by cops, bundled up in cold weather gear and stamping their feet to stay warm. One of them holds up a hand.

“O’Neil, FBI.” The missionary holds out an ID badge. “Special guest for the reverend.”

“Let me see.” The window beside Johnny retracts, admitting a flurry of snow and a scalpel-sharp breeze. The cop glances at him, incurious. “Okay, go to bay two. I’ll call ahead.” His voice is rough and glottal, his cheeks slightly distended. Johnny gives no outer sign that he recognizes the host inside the officer’s mouth.

The missionary nods, then drives towards the designated parking spot. It’s inside the fence, behind a motorized gate. The engine stops. “Follow me, sir? I am to bring you to his holiness. We must hurry: the feasting of the body and blood of Christ is about to begin.”

15. BLACK BAG JOB

WE’RE DRIVING THROUGH SNOW DESCENDING IN THICK, BLANKETING sheets across the street so that Persephone must follow the tire tracks of other cars and trucks. Overhead, the sky has darkened to the color of unpolished iron, gray-black with a hint of rust when the snowfall lightens enough to see it. We’re heading for darkness at noon. The trees are sodden mounds of white, rearing up out of the twilight around us as we drive uphill, along a narrowing trail through the outer fringes of a forest.

Seen with my eyes closed, it’s a very different picture. The patterns in the darkness (random firing of nerves in my retinas) glow oddly greenish, following the curves of the landscape. But beyond the hills ahead of us there is a waterfall of light, greenish-blue—a bilious tint I’ve seen before in the phosphorescent gaze of walking corpses— fountaining into the sky in a vast geyser of unconstrained power. Something has ripped a hole in the fabric of reality, and a chaotic flux of raw information is bleeding in through it. I know it’s not an artifact of my eyesight because the glowing patterns don’t move when I turn my head. It’s unpleasant to watch, so much so that after a minute of staring at it I have to open my eyes again.

“There is a fence and a gate coming up in a quarter of a kilometer,” Persephone warns me. “There are probably cameras. If you have any useful ideas…?”

“Pull over,” I say. This is where some of the tools I signed out of the armory back home might come in handy.

Persephone stops the car, and I rummage in my go-bag. It takes me a while to find what I’m looking for: a small pouch containing a wizened, stumpy gray claw, and a cigarette lighter. I rummage around some more and come up with a small, battered tin: an electronics geek survival kit stuffed full of wires, diodes, capacitors, and bits’n’pieces. The breadboard is already configured, just waiting for me to connect the miniature Hand of Glory to it via a cable clip and plug in a nine-volt battery, then light the thing. I unroll the grounding strap and plug it into the dashboard cigarette lighter. “All set.”

“Neat,” Persephone observes warmly. “I didn’t know they came that small.”

“Ever wondered why there are so many one-legged pigeons around Trafalgar Square?” You don’t really need a hand from a hanged murderer to make one: like so many pre-modern magics, there’s plenty of room for optimization tweaks. I hook up the battery. “Once this lights off we should be good for about three to five minutes of invisibility. But it smokes and stinks of burning rotted pigeon, and if you turn up the aircon too high you’ll risk blowing it out.”

“When you’re ready.” She fiddles with the climate control, redirecting the warm air towards our feet and turning up the fan. Then she drives on.

I don’t need to be told: I flick the lighter and set fire to the mummified claw. It fizzles and sends up a plume of acrid, smelly smoke, and a green LED lights on the board. “Three minutes.”

Persephone doesn’t answer. There’s a fence alongside the road, three meters high and topped with rolled razor wire—casual visitors clearly not welcome. We follow it around a curve and then there is indeed a gate in the fence, overlooked by a pole with what might be the black plastic dome of a CCTV camera on top. Right now it’s buried under a shroud of snow. Luckily for us, the gate is open. Maybe they just couldn’t be bothered shutting it, with all the traffic to the church? I hope that’s what it is. Otherwise, we’re in big trouble.

Persephone turns through the gate, onto a single-track road that is almost entirely covered in snow. There’s an unpleasant lurch as the back wheels let go, but she calmly turns into the skid and regains control before we end up in the ditch. Then we’re driving up the path to the compound, albeit slowly, following the almost-buried tire tracks.

“Let’s hope we don’t run into anyone coming the other way,” I opine.

“We won’t.” She sounds very certain. “They’re all in the New Life Church or the compound ahead. This is Schiller’s big day. That tells me.” I blink and see what she’s nodding at. It’s just around the next hillside.

I reach into my bag and rummage around for the camera, pull it out, and hit the power button while pointing it at the floor and keeping my finger well away from the shutter release. It pings a cheery tune as it boots, then the screen darkens for a few unpleasant seconds. I’m about to swear and pop the battery compartment—I think it may have crashed—when Pinky’s lethal firmware comes up, showing a live view of my kneecaps with an angry red gunsight superimposed. Eek! I turn it off hastily. Okay, so it takes ten seconds to boot from cold to full readiness. That’s a lot longer than the ordinary camera firmware takes. I should have driven out of town and found somewhere discreet to practice with it before relying on it in a hostile situation, but it’s too late for tears now.

“That’s for your tourist snaps?” she asks.

I nod. “It’s a basilisk gun.” Her violent flinch would be gratifying if she didn’t nearly lose control of the car. “Don’t worry, I turned it off. Until we need it…” I thread my wrist through the lanyard. Dammit, why do they make these things right-handed? My upper arm still aches; it’s going to be painful if I have to use it in anger.

“Oka-ay…” She unkinks slightly. “We are about five minutes from the buildings. There is a high street with three smaller roads crossing it. I think we are looking for the church. You may want to keep that for later.”

She takes one hand off the wheel for long enough to point to the miniature Hand of Glory. I sniff, and immediately wish I hadn’t. “Agreed.” I blow on it hard, turning my face away before I inhale. It stops burning, but a hideous smoke trail that stinks of burning fingernails rises from the claws. “Are we—”

We turn a bend, leave the trees behind us, and we’re there.

I’m not sure quite what I was expecting. The Branch Davidian compound at Waco, perhaps? But GPM isn’t poor, isn’t marginal or ascetic, and Ray Schiller is no David Koresh. The layout is more like the residential quarters on a military base: a long, straight boulevard with low buildings set to either side, manicured hedges fronting rows of curtained windows, and a church with a steeple at the far end of the road. It’s half-deserted right now, going by the empty car parks covered in snow outside closed doors. Probably most of the folks who work here commute in from Colorado Springs.

I’m glad there’s virtually nobody about. The fewer people on hand, the less chance I’ll fuck up and kill someone by mistake. Or worse, not kill someone, by mistake.

I blink, trying to cop a brief sense of where everything is in here. There’s a pale green haze in my lap—the complaints department is leaking like crazy on the other side—and what looks like heaps and drifts of green slime all around us: the uncanny residue of its occult origins adhering to the snowfall. The buildings are limned in violet, until I look towards the church at the end which is shining with a harsh emerald light—and the building next to it is on fire, a harsh cuprous glare of raw power that shines through doors and windows, leaching through the concrete. “The building next to the church—”

“I’m on it. That’s Schiller’s residence, I think.”

She drives forward two blocks and parks carelessly, opens the driver’s door, and bails out in front of the church. A gust of freezing air slams into me; I swear, turn my camera on, pick up the pizza box and my phone, and