Shall we go and put you it?”
Halfway across the Atlantic, Huw falls into a troubled sleep, cuddled restlessly in her first-class berth. Sitting up front in ambassador class, the judge mutters darkly to herself, occasionally glancing nervously over her shoulder in the direction of Huw and her passenger. Far above them, the cloud whirls in its orbit, tasting the meat with its mutifarious sensory apparati, holding its ineffable internal squabbles, thinking its ineffable thoughts, muttering in RF and gravity and eigenstate. Now there’s someone to talk to downstairs, signals synchronized by the beat of Huw’s passenger, it grows positively voluble: catching up with the neighborhood gossip, chuckling and chattering in many voices about the antics of those lovable but dim dreaming apes who remain below.
Huw dreams she’s back at Sandra Lal’s house, in the aftermath of that memorable party that started this whole thing off. Only she’s definitely
Bonnie nods, and makes a weird warbling singsong noise in the back of her throat. It soothes Huw, and she can feel an answering song rising from the ambassador. “No, don’t worry about me,” Huw murmurs. “I’ll be all right. We’ll get together sometime; I just have some loose ends to tie up first.”
And the funny thing is that even inside her dream, she believes it.
Parole Board
History repeats itself: first as tragedy, then as farce.
Huw has been home for almost two weeks, going through the motions of a life that made sense to her earlier self but now seems terminally mired in arbitrary constraints. There is the pottery to tend, kilns to clean, extruders to manage, and a windmill with a squeaky bearing that wants periodic seeing to. There is a nineteenth-century terraced house to clean, for in the absence of electricity, there are no labor-saving robots. Newly reembodied, Huw is her own servant, and succeeds for a time in losing herself in manual labor. It’s better than confronting what s/he’s been through head-on.
Grief piles up like unread mail, dusty and suffocating.
The tech jury stint was brief—a few days aboard the airship to Tripoli, then a couple of days of acute terror; half a week unconscious or inebriated on a blimp bound for the neverglades, and then a mercifully short stay in the nightmarish land of the left-behind—but it has punctuated the steady flatline graph of Huw’s life with the infinitely steep spike of a personal singularity. Following her return home—ejected from the judge’s jet somewhere in the icy-cold stratosphere above Monmouth, falling terrified for fully thirty seconds before the parachute opened—she battled with the twin depressions of jet lag and mourning. The latter she has more experience of, her parents’ one true legacy: finding and so rapidly losing Bonnie hurts like hell, and acquiring a mild case of gender dysphoria is just the icing on top.
Jet lag, however, is something she has only read about in the yellowing pages of last-century travel romances. And so, after a couple of days of 3 a.m. fry-ups and unaccountable sleepiness at noon, she attempts to slot herself back into her old life and bash her broken circadian rhythm onto British summer time. Nothing makes for a good night’s sleep like hard physical labor, and so it is that she comes to be putting in hard overtime in the kitchen garden one afternoon when she hears the distant brassy clang of the front door bell.
“Whutfuck
“Wotcher, babe!”
“
Ade beams at her cheerfully: “You the new Huw, eh? Nice jubblies, mate: they suit you. I should do something about the hairdo though. And the mud. ’Ere, I thought you should have this.” He proffers a slightly grubby, dog-eared paper envelope.
“
“Sure thing, babe. Don’t forget to call!” Ade says, then legs it for his Hertz rental bicycle patiently balancing itself in the road outside. He pedals like mad, presumably not convinced that Huw doesn’t have a shotgun or arbalest or some similar anachronistic contraption.
Huw stares after him, heart thudding so hard, it makes her vision jitter. She clenches the envelope. It’s stiff:
While the kettle is heating, she is at a loose end for a few unwelcome moments. Huw has diligently avoided having time to think ever since she got home, because the slightest attempt at probing her memories gives her screaming hysterics: she—
For a couple of seconds she holds the sealed envelope beside the sewage-gas burner under the kettle and watches the envelope begin to singe and brown. But then ashe pulls it back: What if it’s not from Ade? Who else might want to write her a letter? Sandra? If there’s one person she hates more than Ade right now, it’s Sandra. But if she burns the letter, she’ll never know for sure—
The flap rips under the pressure of her sharpened thumbnail.
Huw screams and dumps the kettle, shoving the card straight into the blue-hot jet of flame. But the gesture is futile: it’s made not from murdered trees but some exotic and indestructible synthetic fiber, and all the heat does is make the print on the letter fluoresce—that, and burn Huw’s fingers.
Huw is holding her right hand under the cold-water tap and swearing when there’s another a knock at the door.
“Who is it?” she calls down the hall.
“It’s the Singularity,” a booming voice calls.
“What do you want?”
“Everything is different now!”
“I don’t want any.”
“If I could just have a moment of your time?” It takes a lot of skill to make a stentorian voicejob emit a credible wheedle, but the bell ringer at the door had clearly practiced it to an art.