Shall we go and put you it?”

Halfway across the Atlantic, Huw falls into a troubled sleep, cuddled restlessly in her first-class berth. Sitting up front in ambassador class, the judge mutters darkly to herself, occasionally glancing nervously over her shoulder in the direction of Huw and her passenger. Far above them, the cloud whirls in its orbit, tasting the meat with its mutifarious sensory apparati, holding its ineffable internal squabbles, thinking its ineffable thoughts, muttering in RF and gravity and eigenstate. Now there’s someone to talk to downstairs, signals synchronized by the beat of Huw’s passenger, it grows positively voluble: catching up with the neighborhood gossip, chuckling and chattering in many voices about the antics of those lovable but dim dreaming apes who remain below.

Huw dreams she’s back at Sandra Lal’s house, in the aftermath of that memorable party that started this whole thing off. Only she’s definitely she—wearing her new body, aware of it but comfortable in it at the same time. She’s in the kitchen, chewing over epistemology with Bonnie. A sense of sadness spills over her, but Bonnie laughs at something, waving—Bonnie is male, this time—at the window. Then he holds out his hand to Huw. Huw walks into his embrace and they hold each other for a long time. Bonnie doesn’t say anything, but his question is clear in Huw’s head as she leans her chin on his shoulder. “Not yet,” Huw says. “I’m not ready for that. Not till I’ve kicked Ade’s butt halfway into orbit and cleared it with the judge. They’re making you a saint, did you know that?”

Bonnie nods, and makes a weird warbling singsong noise in the back of her throat. It soothes Huw, and she can feel an answering song rising from the ambassador. “No, don’t worry about me,” Huw murmurs. “I’ll be all right. We’ll get together sometime; I just have some loose ends to tie up first.”

And the funny thing is that even inside her dream, she believes it.

Parole Board

History repeats itself: first as tragedy, then as farce.

Huw has been home for almost two weeks, going through the motions of a life that made sense to her earlier self but now seems terminally mired in arbitrary constraints. There is the pottery to tend, kilns to clean, extruders to manage, and a windmill with a squeaky bearing that wants periodic seeing to. There is a nineteenth-century terraced house to clean, for in the absence of electricity, there are no labor-saving robots. Newly reembodied, Huw is her own servant, and succeeds for a time in losing herself in manual labor. It’s better than confronting what s/he’s been through head-on.

Grief piles up like unread mail, dusty and suffocating.

The tech jury stint was brief—a few days aboard the airship to Tripoli, then a couple of days of acute terror; half a week unconscious or inebriated on a blimp bound for the neverglades, and then a mercifully short stay in the nightmarish land of the left-behind—but it has punctuated the steady flatline graph of Huw’s life with the infinitely steep spike of a personal singularity. Following her return home—ejected from the judge’s jet somewhere in the icy-cold stratosphere above Monmouth, falling terrified for fully thirty seconds before the parachute opened—she battled with the twin depressions of jet lag and mourning. The latter she has more experience of, her parents’ one true legacy: finding and so rapidly losing Bonnie hurts like hell, and acquiring a mild case of gender dysphoria is just the icing on top.

Jet lag, however, is something she has only read about in the yellowing pages of last-century travel romances. And so, after a couple of days of 3 a.m. fry-ups and unaccountable sleepiness at noon, she attempts to slot herself back into her old life and bash her broken circadian rhythm onto British summer time. Nothing makes for a good night’s sleep like hard physical labor, and so it is that she comes to be putting in hard overtime in the kitchen garden one afternoon when she hears the distant brassy clang of the front door bell.

“Whutfuck wheep,” she says, the ambassador adding an unwelcome loop of metallic feedback by way of punctuation as she straightens up, plunges the rake point-down into the edge of the Romanesco broccoli patch, and shambles toward the back door. “I mean, who—” She scuffs the soles of her boots on the front step before crossing the kitchen floor and entering the hallway “—the fuck is visiting at—” and into the front porch. “—this time of—” She opens the door.

“Wotcher, babe!”

Aaargh!” Huw nearly trips over as she takes a step back: “You, you vomitous streak of bat piss! What the fuck are you doing here?”

Ade beams at her cheerfully: “You the new Huw, eh? Nice jubblies, mate: they suit you. I should do something about the hairdo though. And the mud. ’Ere, I thought you should have this.” He proffers a slightly grubby, dog-eared paper envelope.

You ...” Huw steams at Ade: in her old testosterone-enhanced body, she’d have taken a swing at him, but the old physical aggression is dialed down somewhat and anyway, envelope. “Fucking get off my land!”

“Sure thing, babe. Don’t forget to call!” Ade says, then legs it for his Hertz rental bicycle patiently balancing itself in the road outside. He pedals like mad, presumably not convinced that Huw doesn’t have a shotgun or arbalest or some similar anachronistic contraption.

Huw stares after him, heart thudding so hard, it makes her vision jitter. She clenches the envelope. It’s stiff: must be a card. She steps backwards jerkily, nearly goes arse-over-tit on her own front porch, closes and carefully dead bolts the door, then retreats to the kitchen for a bracing cup of tea.

While the kettle is heating, she is at a loose end for a few unwelcome moments. Huw has diligently avoided having time to think ever since she got home, because the slightest attempt at probing her memories gives her screaming hysterics: she—no, he—first volunteered for tech jury service to keep the godvomit nightmares out, to (she flinches from this thought) maybe find some sense of closure for thedesolation that’s been with her since her parents abandoned her for the cloud all those decades ago. (Committed suicide, part of her insists. Transcended the meatpuppet show, a traitor impulse adds. Either way, Huw wasn’t willing to follow them at the time.) Only now it’s hard to tell who was right and who was wrong. All she knows for sure is that Ade knowingly sent Bonnie into a situation that would kill her. And Huw has come to loathe Ade with a visceral hatred she hasn’t hitherto experienced.

For a couple of seconds she holds the sealed envelope beside the sewage-gas burner under the kettle and watches the envelope begin to singe and brown. But then ashe pulls it back: What if it’s not from Ade? Who else might want to write her a letter? Sandra? If there’s one person she hates more than Ade right now, it’s Sandra. But if she burns the letter, she’ll never know for sure—

The flap rips under the pressure of her sharpened thumbnail.

Your application for cosmological triage jury service has been provisionally accepted. To activate your application, present this card in person to ...

Huw screams and dumps the kettle, shoving the card straight into the blue-hot jet of flame. But the gesture is futile: it’s made not from murdered trees but some exotic and indestructible synthetic fiber, and all the heat does is make the print on the letter fluoresce—that, and burn Huw’s fingers.

Huw is holding her right hand under the cold-water tap and swearing when there’s another a knock at the door.

“Who is it?” she calls down the hall.

“It’s the Singularity,” a booming voice calls.

“What do you want?”

“Everything is different now!”

“I don’t want any.”

“If I could just have a moment of your time?” It takes a lot of skill to make a stentorian voicejob emit a credible wheedle, but the bell ringer at the door had clearly practiced it to an art.

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