Darkness Visible

W.C.’s recognition of his son’s potential was crucial to Styron’s development as a writer, especially as W.C., an engineer at the Newport News Shipbuilding and Drydock Company, provided financial support while his son wrote his first novel, Lie Down in Darkness (1951). Published when Styron was twenty-six years old, Lie Down in Darkness was a critical and commercial success, and the culmination of years spent perfecting his manuscript. Shortly after the book’s publication, however, Styron was recalled to military service as a reservist during the Korean War. His experience at a training camp in North Carolina later became the source material for his anti-war novella The Long March (1953), which Norman Mailer proclaimed “as good an eighty pages as any American has written since the war, and I really think it’s much more than that.”

Starting in 1952, after his service in the reserves, Styron lived in Europe for two years, where he was a founding member, with George Plimpton and Peter Matthiessen, of The Paris Review. He also met and married his wife, Rose, with whom he went on to have four children. Styron’s second major novel, Set This House on Fire (1960), drew upon his time in Europe. He spent years preparing and writing the subsequent novel, The Confessions of Nat Turner (1967), which became his most celebrated—and most controversial—work. Published at the height of the civil rights movement, the novel won the Pulitzer Prize and was hailed as a complex and sympathetic portrait of Turner, though it was criticized by some who objected to a white author interpreting the thoughts and actions of the black leader of a slave revolt. Styron followed with another bestseller, Sophie’s Choice (1979), the winner of the 1980 National Book Award. The novel, which was made into an Academy Award-winning film of the same name, borrowed from Styron’s experience at McGraw-Hill as well as his interest in the psychological links between the Holocaust and American slavery.

In 1982, Styron published his first compilation of essays, This Quiet Dust. Three years later he was beset by a deep clinical depression, which he wrote about in his acclaimed memoir Darkness Visible (1990). The book traces his journey from near-suicide to recovery. His next book, A Tidewater Morning (1993), was perhaps his most autobiographical work of fiction. It recalled three stories of the fictional Paul Whitehurst, one of which depicted Whitehurst’s mother’s death when he was a young boy, an event that mirrored Pauline Styron’s death when Styron was thirteen years old. The book was Styron’s last major work of fiction. He spent the remainder of his life with Rose, writing letters and dividing his time between Roxbury, Connecticut, and Martha’s Vineyard. William Styron died of pneumonia on November 1, 2006.

William Styron in 1926 at ten months old. He was an only child, born in a seaside hospital in Newport News, Virginia. As an adult, Styron would describe his childhood as happy, secure, and relatively uneventful.

The Elizabeth Buxton Hospital in Newport News, Virginia, in 1927, two years after William Styron’s birth. Styron was born on the second floor, delivered by Dr. Joseph T. Buxton, whose daughter, Elizabeth, would become Styron’s stepmother in 1941.

The house where Styron grew up, in Newport News, Virginia, and where he lived with his family from 1925 until he was fifteen. Styron’s youth in Newport News instilled in him a sense of the tangibility of history that would later form the bedrock of many of his novels.

The photo from Styron’s sophomore-year high school yearbook, taken in 1939. He did poorly in school that year, earning mostly Cs and Ds and getting in trouble for disobedience. His father sent him to Christchurch boarding school in Virginia in 1940 to finish his last two years of high school, hoping the change would make Styron more focused and disciplined.

As a youth, Styron worked at the Hilton Village Movie Theater in Newport News. It was in this theater that he first saw movies such as The Hunchback of Notre Dame and The Grapes of Wrath, which sparked his lifelong interest in film. Today, the building, above, is home to the Peninsula Community Theatre, which presents musicals, dramas, and children’s plays.

It was while traveling as the manager of his high school football team that William Styron, top left in the photograph above, first saw the historical marker commemorating the 1831 Nat Turner slave rebellion that would ultimately inspire his Pulitzer Prize-winning novel, The Confessions of Nat Turner.

Styron as a young Marine circa 1944. In training at Parris Island, South Carolina, Styron proved to be a subpar marksman because of a congenital cataract in his right eye, a condition he did not report when enlisting in the military. Determined to avoid getting discharged, the right-handed Styron learned to shoot his M1 rifle left-handed so he could use his left eye as his shooting eye.

In a January 24, 1951, letter to his father, Styron says of his recently completed first novel, “now … I can truthfully feel that I’ve not only written a novel, but a good novel, perhaps even a really fine novel … and I hope it gives some people a pleasure in inverse proportion to the pain it’s caused me in the writing.”

The first galleys of Lie Down in Darkness, 1951, signed by the author. Styron based the novel’s matriarch, Helen Loftis, on his stepmother, Elizabeth Buxton, whom he depicted as a self-righteous, angry, intolerant woman. Other characters in the novel were collages of people Styron had known in his youth.

In a letter to his father dated April 8, 1953, Styron says, “I think it will probably interest you further to know that I am going to get myself married to [a] girl named Rose … suffice it to say that she’s the girl from whose presence I get the greatest sense of well-being and fulfillment that I’ve ever had.”

The announcement of Styron’s wedding to Rose Burgunder at the Campidoglio in Rome on May 4, 1953. The couple spent the early days of their marriage in Ravello, above the Amalfi Coast of southern Italy, hiking, playing tennis, swimming in the ocean, reading, writing, and hosting friends.

The Styron and Peyton families at the Styron home in Connecticut in 1960. Styron named the character Peyton Loftis in Lie Down in Darkness after these close family friends. In front are Thomas Styron, William Styron, Susanna Styron, and Paola Styron. Rose Styron stands behind William on the left.

Styron later in life, when he spent much time outdoors on long walks with Rose or his dogs. His health deteriorated gradually until his death in 2006.

Copyright

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher.

copyright 1990 by William Styron

copyright renewed 2010 by the Estate of William Styron

All photographs courtesy of the Duke University Archives, except photograph of Styron in later years,