Coarse salt....................0 0 3/4
A bushel of charcoal...............0 4
A quart of dried vegetables............0 3
Three quarts of potatoes..............0 2
Dips........................0 3 1/4
Thread and needles.................0 2 1/2
______
2 7
To save charcoal, Mother Bunch prepared soup only two or three times a week at most, on a stove that stood on the landing of the fourth story. On other days she ate it cold. There remained nine or ten pence a week for clothes and lodging. By rare good fortune, her situation was in one respect an exception to the lot of many others. Agricola, that he might not wound her delicacy, had come to a secret arrangement with the housekeeper, and hired a garret for her, just large enough to hold a small bed, a chair, and a table; for which the sempstress had to pay five shillings a year. But Agricola, in fulfilment of his agreement with the porter, paid the balance, to make up the actual rent of the garret, which was twelve and sixpence. The poor girl had thus about eighteenpence a month left for her other expenses. But many workwomen, whose position is less fortunate than hers, since they have neither home nor family, buy a piece of bread and some other food to keep them through the day; and at night patronize the 'twopenny rope,' one with another, in a wretched room containing five or six beds, some of which are always engaged by men, as male lodgers are by far the most abundant. Yes; and in spite of the disgust that a poor and virtuous girl must feel at this arrangement, she must submit to it; for a lodging-house keeper cannot have separate rooms for females. To furnish a room, however meanly, the poor workwoman must possess three or four shillings in ready money. But how save this sum, out of weekly earnings of a couple of florins, which are scarcely sufficient to keep her from starving, and are still less sufficient to clothe her? No! no! The poor wretch must resign herself to this repugnant cohabitation; and so, gradually, the instinct of modesty becomes weakened; the natural sentiment of chastity, that saved her from the 'gay life,' becomes extinct; vice appears to be the only means of improving her intolerable condition; she yields; and the first 'man made of money,' who can afford a governess for his children, cries out against the depravity of the lower orders! And yet, painful as the condition of the working woman is, it is relatively fortunate. Should work fail her for one day, two days, what then? Should sickness come—sickness almost always occasioned by unwholesome food, want of fresh air, necessary attention, and good rest; sickness, often so enervating as to render work impossible; though not so dangerous as to procure the sufferer a bed in an hospital —what becomes of the hapless wretches then? The mind hesitates, and shrinks from dwelling on such gloomy pictures.
This inadequacy of wages, one terrible source only of so many evils, and often of so many vices, is general, especially among women; and, again this is not private wretchedness, but the wretchedness which afflicts whole classes, the type of which we endeavor to develop in Mother Bunch. It exhibits the moral and physical condition of thousands of human creatures in Paris, obliged to subsist on a scanty four shillings a week. This poor workwoman, then, notwithstanding the advantages she unknowingly enjoyed through Agricola's generosity, lived very miserably; and her health, already shattered, was now wholly undermined by these constant hardships. Yet, with extreme delicacy, though ignorant of the little sacrifice already made for her by Agricola, Mother Bunch pretended she earned more than she really did, in order to avoid offers of service which it would have pained her to accept, because she knew the limited means of Frances and her son, and because it would have wounded her natural delicacy, rendered still more sensitive by so many sorrows and humiliations.
But, singular as it may appear, this deformed body contained a loving and generous soul—a mind cultivated even to poetry; and let us add, that this was owing to the example of Agricola Baudoin, with whom she had been brought up, and who had naturally the gift. This poor girl was the first confidant to whom our young mechanic imparted his literary essays; and when he told her of the charm and extreme relief he found in poetic reverie, after a day of hard toil, the workwoman, gifted with strong natural intelligence, felt, in her turn, how great a resource this would be to her in her lonely and despised condition.
One day, to Agricola's great surprise, who had just read some verses to her, the sewing-girl, with smiles and blushes, timidly communicated to him also a poetic composition. Her verses wanted rhythm and harmony, perhaps; but they were simple and affecting, as a non-envenomed complaint entrusted to a friendly hearer. From that day Agricola and she held frequent consultations; they gave each other mutual encouragement: but with this exception, no one else knew anything of the girl's poetical essays, whose mild timidity made her often pass for a person of weak intellect. This soul must have been great and beautiful, for in all her unlettered strains there was not a word of murmuring respecting her hard lot: her note was sad, but gentle—desponding, but resigned; it was especially the language of deep tenderness—of mournful sympathy—of angelic charity for all poor creatures consigned, like her, to bear the double burden of poverty and deformity. Yet she often expressed a sincere free-spoken admiration of beauty, free from all envy or bitterness; she admired beauty as she admired the sun. But, alas! many were the verses of hers that Agricola had never seen, and which he was never to see.
The young mechanic, though not strictly handsome, had an open masculine face; was as courageous as kind; possessed a noble, glowing, generous heart, a superior mind, and a frank, pleasing gayety of spirits. The young girl, brought up with him, loved him as an unfortunate creature can love, who, dreading cruel ridicule, is obliged to hide her affection in the depths of her heart, and adopt reserve and deep dissimulation. She did not seek to combat her love; to what purpose should she do so? No one would ever know it. Her well known sisterly affection for Agricola explained the interest she took in all that concerned him; so that no one was surprised at the extreme grief of the young workwoman, when, in 1830, Agricola, after fighting intrepidly for the people's flag, was brought bleeding home to his mother. Dagobert's son, deceived, like others, on this point, had never suspected, and was destined never to suspect, this love for him.
Such was the poorly-clad girl who entered the room in which Frances was preparing her son's supper.
'Is it you, my poor love,' said she; 'I have not seen you since morning: have you been ill? Come and kiss me.'
The young girl kissed Agricola's mother, and replied: 'I was very busy about some work, mother; I did not wish to lose a moment; I have only just finished it. I am going down to fetch some charcoal—do you want anything while I'm out?'
'No, no, my child, thank you. But I am very uneasy. It is half-past eight, and Agricola is not come home.' Then she added, after a sigh: 'He kills himself with work for me. Ah, I am very unhappy, my girl; my sight is quite going. In a quarter of an hour after I begin working, I cannot see at all—not even to sew sacks. The idea of being a burden to my son drives me distracted.'
'Oh, don't, ma'am, if Agricola heard you say that—'
'I know the poor boy thinks of nothing but me, and that augments my vexation. Only I think that rather than leave me, he gives up the advantages that his fellow-workmen enjoy at Hardy's, his good and worthy master— instead of living in this dull garret, where it is scarcely light at noon, he would enjoy, like the other workmen, at very little expense, a good light room, warm in winter, airy in summer, with a view of the garden. And he is so fond of trees! not to mention that this place is so far from his work, that it is quite a toil to him to get to it.'
'Oh, when he embraces you he forgets his fatigue, Mrs. Baudoin,' said Mother Bunch; 'besides, he knows how you cling to the house in which he was born. M. Hardy offered to settle you at Plessy with Agricola, in the building put up for the workmen.'
'Yes, my child; but then I must give up church. I can't do that.'
'But—be easy, I hear him,' said the hunchback, blushing.
A sonorous, joyous voice was heard singing on the stairs.
