began to go without makeup, something she hadn’t done for many years. Her toned-down appearance may have helped her land the precise position she sought. She was hired as a nanny for a well-off couple, Margaret and John “Jack” Cohen, on the outskirts of town. This job would not simply be a way for her to survive financially, it would afford her the opportunity to become the kind of woman she hoped her ex-husband would approve of, a woman worthy of being called a mother.

The Cohens were a happily married couple, and their daughter, Norma Jeane, was a well-behaved three- year-old child. The new Gladys was, in this family’s mind, the ideal caretaker, treating their daughter as if she were her own. However, Gladys’s only goal was to one day regain custody of her own children.

Months later, when she believed her transformation had been completed, she knocked on the Bakers’ front door. Her mother-inlaw answered, with only a few awkward words spoken through the crack in the door. When her ex-husband appeared, he asked Gladys to come into the house. As she entered, she saw a wide-eyed little girl standing by the kitchen. However, before Gladys even had a chance to say hello, the youngster’s grandmother grabbed the girl and disappeared with her into another room.

Gladys’s meeting with Jasper was strained, her attempts to present herself as an improved woman falling on deaf ears. Jasper was firm in his position that she would not get the children back, no matter what she said or did to convince him that she had changed. She asked if she could at least visit them. Jasper said she could see Berniece, but not little Jackie. After months of being in agonizing pain, the boy was now in a hospital and there was no telling how long he would have to remain there. Jasper reminded Gladys that her neglect was primarily to blame for the child’s desperate condition. Devastated, Gladys then spent a short time with Berniece before her ex-mother- in-law asked her to leave.

Now, back in the home of the perfect family with the perfect child, things felt different to her. She no longer saw the Cohens as role models. In fact, their very existence seemed to mock her inability to change, to truly alter the woman she had once been and become someone new, someone respectable. “Each idyllic day with that family was another dagger in Gladys’s broken heart,” says a cousin of hers interviewed for this book. “She couldn’t help but mourn the loss of what once was, what could have been.”

While Gladys did her best to appear as though nothing out of the ordinary had occurred during her weekend away—supposedly with her aunt—her sinking mood made that impossible. As had happened so many times in her past, she slipped into the dark place that was by now all too familiar to her. The progress she had made, the many joyful scenarios she had imagined, the hope she once had—all of it was gone. The “new” Gladys Baker was dying a slow death.

The First Norma Jeane

It’s been written in countless Marilyn Monroe biographies that Gladys Baker’s baby, Norma Jeane, was named after the actress Jean Harlow. However, this can’t be true, since Jean Harlow’s real name was Harlean Carpenter and wasn’t changed until 1928, two years after Gladys gave birth. Other accounts have it that the child was named after another actress, Norma Shearer. Still others insist it was Norma Talmadge. None of this is true. In the 1960s, Gladys explained the derivation to Rose Anne Cooper, a young nurse’s aide at the Rock Haven Sanitarium.

After her failed attempt to regain custody of Jackie and Berniece, Gladys returned to the Cohen household. The Cohens’ three-year-old daughter whom Gladys had been helping to raise for the last year was named… Norma Jeane. It would be with this little girl that Gladys would finally achieve what had been expected of her with her own children. Each and every day of the year she was with her, Gladys made it her priority to see to it that the tot was nourished, entertained—loved. However, after Gladys’s return from Flat Lick without her own children, things began to shift. In the simplest terms, her mind had begun to fail her. She was just twenty- three.

When Gladys’s problem became apparent to the Cohens, they were alarmed, and with good reason. Here’s the story, as passed down in the Cohen family:

One evening after a dinner date, Mr. and Mrs. Cohen found their child alone in the nursery. She was hysterical and the sheets were soiled, suggesting that she’d been left unattended for quite some time. When they finally found Gladys, she was crouched on the floor behind a grand piano, her knees pulled in to her chest. Her eyes were closed as she spoke quietly to herself. She was visibly upset, tears streaming down her cheeks. After a moment, she looked at Mrs. Cohen and said, “Are they gone?”

“Is who gone, Gladys?” replied the missus.

“The men.”

Gladys then explained that she had seen a group of men sneaking about the house for the previous few days, but she didn’t want to worry her employers.

At first the couple were deeply concerned for their own safety. However, as Gladys continued to describe her experiences, they began to have a new concern: their nanny’s sanity.

Gladys told of odd happenings that were beyond reason. She said she went to retrieve something from a cabinet under the kitchen counter and found there was a man lying inside it. Another man had walked into an upstairs bathroom, she said, and when she finally got the nerve to follow him in there, he was nowhere to be found.

The Cohens had a problem on their hands—a problem that needed to be dealt with quickly.

Gladys Baker lasted a few more days—though never alone with the child—before her employers made her termination official. At that time Gladys was weaving in and out of lucidity, appearing at one moment to be just fine, and the next claiming that she heard a voice. Indeed, there were many voices—but the voices were never really there.

Gladys’s dismissal was a civilized procedure, with the Cohens claiming they no longer needed a nanny.

But what about little Norma Jeane? The child had been the only constant for Gladys while she was in Kentucky during this very difficult time, and she couldn’t bear the thought of leaving her. For a time, as she later told Rose Anne Cooper, she considered taking Norma Jeane back to Los Angeles with her to start a new life. However, she couldn’t bring herself to do it. She had experienced the misery of losing her own children and said she couldn’t inflict that kind of pain on Margaret Cohen.

After packing her things the night before she was to depart the household, Gladys recalled that she sat in her room alone. Her minimal belongings now stuffed into a tattered satchel, she crept down the dark hallway and quietly let herself into the nursery. She sat on Norma Jeane’s bed and stroked the child’s hair. She then kissed her on the forehead before tucking her back in. After gathering the rest of her things in the dark of night, Gladys Baker then disappeared from the Cohen family’s life.

Jim’s Ultimatum

But we only have two rooms here,” Jim told Norma Jeane when he was told that Gladys would be staying with them. “Where are we going to put her?”

“Um…”

Jim took a quick look around the house. Something didn’t seem quite right. There were no flowers in the vase on the table, and he knew Norma Jeane loved keeping them there to add color to the small surroundings. There were no magazines on the coffee table, and he knew she liked their guests to have something to thumb through while she fetched coffee for them. In fact, the place looked as if no one was really living there. As he scanned the room, his eye caught a framed photograph of Norma Jeane on the wall, one that he recognized as having been taken by Andre de Dienes. Of course, this did not make him happy. When he walked over to a closet to hang up his coat, he opened the door to a surprise. There, hanging on a rod, were just a couple of dresses. On the floor, a few pairs of shoes. Obviously, Norma Jeane and Gladys were not living in that house. “What is going on here?” he

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