though. “The truth was that Gladys had a problem watching Ida raise her child,” said Mary Thomas-Strong, whose mother was a close friend of Ida’s. “Ida could be strict and controlling. She felt she knew what was right. She was a professional mother, in a sense. She wanted to have her way with Norma Jeane and it was hard for Gladys to be on the sidelines. Therefore, she moved back to Hollywood determined to visit the baby every weekend. She was back and forth a lot.” In a 1930 census the Bolenders and Gladys were reported to live all in the same household.

Adding to Gladys’s bewilderment at this time was the arrival of her mother, Della, who returned from India with malaria. Her “husband” Charles Grainger decided not to come back to the States with her, leaving most people to believe that their relationship was over. Della was delusional and sick with a fever for many weeks. It took a terrible toll on her.

In summer of 1927, Della walked across the street from her home to the Bolenders’ with the intention of seeing Norma Jeane. She banged on the front door, but Ida didn’t want to let her into the house. It’s unknown why Ida took this position, but she may have felt that Della was out of control and a danger to the baby. Indeed, Della broke the door’s glass with her elbow and let herself in. The family history has it that she confronted Ida and said she believed that Norma Jeane was dead and that no one had told her or Gladys. Alarmed and not knowing how to handle the situation, Ida let Della see Norma Jeane sleeping in her crib. She went to get Della a glass of water and when she returned she found Della smothering the baby with a pillow. “Ida became almost hysterical,” said one friend of Gladys’s in the telling of the story. “She grabbed the child. Della said that the baby’s pillow had slipped and she was simply readjusting it. But Ida was very upset and demanded that Della leave the house.” Marilyn Monroe —and even the Bolenders—would tell variations of this story many times over the years.

“Ida and Wayne called the police,” said Mary Thomas-Strong. “When they came, they found a very mixed-up Della babbling incoherently. With Norma Jeane crying in her bedroom, and Ida shouting accusations at Della, it was such a chaotic scene the police didn’t know what to do about it. So they escorted Della back to her house and left her there. What they should have done was taken her to a hospital.”

For a long time, Della had been filled with an aching sadness. Now it was not only more acute but had also turned into abject anger directed at whoever happened to be in the room with her—and unfortunately, that was usually Gladys, who had recently moved in with her mother to care for her. After a battery of tests, it was determined that Della was suffering from a weakened heart, and probably heart disease as well. Of course, that diagnosis certainly did not account for her many years of unpredictable behavior, which had started back when she gave birth to her children. Once she began taking the prescribed medication, things went from bad to worse. Her swift decline reminded some family members of the sudden descent into madness that had been suffered by Della’s late husband, Otis. Gladys couldn’t help but fear the worst. The horrifying likelihood was that the same thing that had happened to her father was now afflicting her mother.

A few nights after Gladys moved into the house with her, Della came rushing into her bedroom screaming that Charles Grainger had broken into the house and raped her. Gladys didn’t even have to check the property to verify that Grainger wasn’t on it—she just knew he wasn’t. However, there was no calming Della that night. A couple of days later, she started to complain that the local butcher had put shards of glass in her ground beef. Then, a week later, on August 1, Della took a turn for the worse, so much so that Gladys and Grace had to rush her back to the doctor. “He said there was no doubt about it, Della needed to be institutionalized,” said Mary Thomas- Strong. “Gladys couldn’t believe it. She wasn’t going to allow it. But then the strangest thing happened.”

According to the family’s history, handed down a generation, on August 3 mother and daughter were having a silent and contemplative meal at the kitchen table. Perhaps Gladys was trying to sort through her emotions, maybe attempting to divine how she might proceed with her mother. Over the years, Della had become Gladys’s most loyal confidante. After all, mother and daughter shared the same kinds of mental problems, and often one would have to convince the other that the voices being “heard” were not real, that the people “watching” were imaginary. How could Gladys say goodbye to Della now? In her absence, who would be there for her? She had already lost her three children, and now her mother, this woman sitting across from her with an empty look in her eyes? Gladys couldn’t accept it, especially with the knowledge that when her father had been sent to a similar place, he never returned. His fate had rarely left her thoughts, especially during the last couple of weeks.

Suddenly, in a moment of surprising lucidity, Della looked up from her plate and stared at her daughter with sad eyes. “You must let me go, Gladys,” she said earnestly. “It’s time for me to go. I want to go.” Mother and daughter looked intently at each other for a long, infinitely heartbreaking moment. Then, as the tears began to roll down Gladys’s face, Della went back to her meal.

On August 4, 1927, Della Monroe was taken to the Norwalk State Hospital. Nineteen days later, on August 23, she died. She was buried in the Rose Hill Cemetery in Whittier, California, next to her first husband, Otis. She was just fifty-one.

Living with the Bolenders

By the time she was three, in 1929, Norma Jeane Mortensen was an extraordinarily pretty girl with honey blonde curls and baby blue eyes. Hers was a face that somehow seemed perfect, as if carved from pale, polished marble. It was difficult for anyone to just pass her by without taking notice. Interestingly, despite all of the confusion around her during these early years, she seemed remarkably well-adjusted to her life at the Bolenders’. She was not unhappy. “We treated her like our own child,” Ida Bolender said in 1966, “because we loved her.” However, in years to come, writers would paint a very bleak picture of this time in Marilyn’s life.

“I guess there was an effort to sensationalize things,” says Nancy Jeffrey, the only surviving member of the foster Bolender siblings. “Because of the way things turned out for Norma Jeane, every one of her biographers over the years has wanted to make it sound like it was awful at our home, but I’m the only one of us still alive and I can tell you that it wasn’t. Norma Jeane was happy in our home. It was a loving family, just a happy home full of children. Mother was very industrious, too. She made all of our clothes for us. She loved us beyond words and she hung on to us. She didn’t want anything to happen to us. Whenever we left the house, I don’t care where we were going, she would say, ‘Stop just for a second,’ and she would then say a quick prayer for our safety.”

Of course, a big part of the problem was that Marilyn constantly referred to her impoverished background when she became famous, and very often made the circumstances of her first seven years seem much worse than they were. Jeffrey says that when Ida was alive, she was “very upset” by the mischaracterizations of Norma Jeane’s time in the Bolender household.

On Ida and Wayne Bolender’s two-acre agricultural property in Hawthorne, they raised chickens and goats and grew vegetables. “We grew up on fresh tomatoes, corn on the cob, watermelon, green beans, and squash,” recalls Nancy Jeffrey. “We also had trees that were full of plums, apples, and lemons. There was one huge fig tree that Norma Jeane and Lester—our foster brother who was the only one Mother and Daddy actually adopted—loved to climb. They would drag blankets up there and make a fort for themselves. We also had chickens and rabbits, and Daddy even bought a goat because a couple of us were allergic to cow’s milk as little children. It wasn’t necessary to go to the store often, but on those occasions when we did go Daddy would drive us in his Model T Ford and we would wait in the car while Mother shopped. We played guessing games of the surrounding sights, sang favorite songs, or Daddy would tell us stories. Another childhood memory was that on rainy days we had to stay in the house, so we would make a fort under the dining room table, leaning the top of the chairs around it for rooms. Then we would cover it all with blankets. Mother even let us eat lunch under there at times. Norma Jeane loved that.”

The house itself, at 459 East Rhode Island Street, * was small and cramped, a ramshackle- looking structure in the middle of what must have seemed to little children to be… nowhere. During the seven years Norma Jeane would live there, quite a few children came and went, but there were five foster children who were there most, if not all, of the time: the aforementioned Lester, plus Mumsy, Alvina, Noel, and Nancy. “Around the time of the Depression, a lot of parents simply didn’t have the resources to care for their own children,” recalls Nancy Jeffrey, “so they would drop them off in foster homes until they were ready to take proper care of them. It was a common thing.” From all accounts, Norma Jeane got along well with all of her foster siblings, especially with Lester, who was two months younger.

Wayne Bolender was an amiable and openhearted fellow who was pleasant to everyone and had always

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