all, that coolness was the emanation of her undisturbed and tranquil eyes. They were not phlegmatic: a continuing spark glowed far within them, not ardently, but steadily and inscrutably, like the fixed stars in winter.
Mr. Valentine Corliss, of Paris and Naples, removed his white-ribboned straw hat and bowed as no one had ever bowed in that doorway. This most vivid salutation—accomplished by adding something to a rather quick inclination of the body from the hips, with the back and neck held straight expressed deference without affecting or inviting cordiality. It was an elaborate little formality of a kind fancifully called “foreign,” and evidently habitual to the performer.
It produced no outward effect upon the recipient. Such self-control is unusual.
“Is Mr. Madison at home? My name is Valentine Corliss.”
“He is at home.” She indicated an open doorway upon her right. “Will you wait in there?”
“Thank you,” said Mr. Corliss, passing within. “I shall be–-” He left the sentence unfinished, for he was already alone, and at liberty to reflect upon the extraordinary coolness of this cool young woman.
The room, with its closed blinds, was soothingly dark after the riotous sun without, a grateful obscurity which was one of two attractions discovered in it by Mr. Corliss while he waited. It was a depressing little chamber, disproportionately high, uncheered by seven chairs (each of a different family, but all belonging to the same knobby species, and all upholstered a repellent blue), a scratched “inlaid table,” likewise knobby, and a dangerous looking small sofa—turbulent furniture, warmly harmonious, however, in a common challenge to the visitor to take comfort in any of it. A once-gilt gas chandelier hung from the distant ceiling, with three globes of frosted glass, but undeniable evidence that five were intended; and two of the three had been severely bitten. There was a hostile little coal-grate, making a mouth under a mantel of imitation black marble, behind an old blue-satin fire-screen upon which red cat-tails and an owl over a pond had been roughly embroidered in high relief, this owl motive being the inspiration of innumerable other owls reflected in innumerable other ponds in the formerly silver moonlight with which the walls were papered. Corliss thought he remembered that in his boyhood, when it was known as “the parlour” (though he guessed that the Madison family called it “the reception room,” now) this was the place where his aunt received callers who, she justifiably hoped, would not linger. Altogether, it struck him that it might be a good test-room for an alienist: no incipient lunacy would remain incipient here.
There was one incongruity which surprised him—a wicker waste-paper basket, so nonsensically out of place in this arid cell, where not the wildest hare-brain could picture any one coming to read or write, that he bestowed upon it a particular, frowning attention, and so discovered the second attractive possession of the room. A fresh and lovely pink rose, just opening full from the bud, lay in the bottom of the basket.
There was a rustling somewhere in the house and a murmur, above which a boy’s voice became audible in emphatic but undistinguishable complaint. A whispering followed, and a woman exclaimed protestingly, “Cora!” And then a startlingly pretty girl came carelessly into the room through the open door.
She was humming “Quand I’ Amour Meurt” in a gay preoccupation, and evidently sought something upon the table in the centre of the room, for she continued her progress toward it several steps before realizing the presence of a visitor. She was a year or so younger than the girl who had admitted him, fairer and obviously more plastic, more expressive, more perishable, a great deal more insistently feminine; though it was to be seen that they were sisters. This one had eyes almost as dark as the other’s, but these were not cool; they were sweet, unrestful, and seeking; brilliant with a vivacious hunger: and not Diana but huntresses more ardent have such eyes. Her hair was much lighter than her sister’s; it was the colour of dry corn-silk in the sun; and she was the shorter by a head, rounder everywhere and not so slender; but no dumpling: she was exquisitely made. There was a softness about her: something of velvet, nothing of mush. She diffused with her entrance a radiance of gayety and of gentleness; sunlight ran with her. She seemed the incarnation of a caressing smile.
She was point-device. Her close, white skirt hung from a plainly embroidered white waist to a silken instep; and from the crown of her charming head to the tall heels of her graceful white suede slippers, heels of a sweeter curve than the waist of a violin, she was as modern and lovely as this dingy old house was belated and hideous.
Mr. Valentine Corliss spared the fraction of a second for another glance at the rose in the waste-basket.
The girl saw him before she reached the table, gave a little gasp of surprise, and halted with one hand carried prettily to her breast.
“Oh!” she said impulsively; “I BEG your pardon. I didn’t know there was–- I was looking for a book I thought I–-“
She stopped, whelmed with a breath-taking shyness, her eyes, after one quick but condensed encounter with those of Mr. Corliss, falling beneath exquisite lashes. Her voice was one to stir all men: it needs not many words for a supremely beautiful “speaking-voice” to be recognized for what it is; and this girl’s was like herself, hauntingly lovely. The intelligent young man immediately realized that no one who heard it could ever forget it.
“I see,” she faltered, turning to leave the room; “it isn’t here—the book.”
“There’s something else of yours here,” said Corliss.
“Is there?” She paused, hesitating at the door, looking at him over her shoulder uncertainly.
“You dropped this rose.” He lifted the rose from the waste-basket and repeated the bow he had made at the front door. This time it was not altogether wasted.
“I?”
“Yes. You lost it. It belongs to you.”
“Yes—it does. How curious!” she said slowly. “How curious it happened to be THERE!” She stepped to take it from him, her eyes upon his in charming astonishment. “And how odd that–-” She stopped; then said quickly:
“How did you know it was MY rose?”
“Any one would know!”
Her expression of surprise was instantaneously merged in a flash of honest pleasure and admiration, such as only an artist may feel in the presence of a little masterpiece by a fellow-craftsman.
Happily, anticlimax was spared them by the arrival of the person for whom the visitor had asked at the door, and the young man retained the rose in his hand.
Mr. Madison, a shapeless hillock with a large, harassed, red face, evidently suffered from the heat: his gray hair was rumpled back from a damp forehead; the sleeves of his black alpaca coat were pulled up to the elbow above his uncuffed white shirtsleeves; and he carried in one mottled hand the ruins of a palm-leaf fan, in the other a balled
