“He IS attractive,” continued Richard feebly. “I think he has a great deal of what people call `magnetism’: he’s the kind of man who somehow makes you want to do what he wants you to. He seems a manly, straightforward sort, too—so far as one can tell—and when he came to me with his scheme I was strongly inclined to go into it. But it is too big a gamble, and I can’t, though I was sorry to disappoint him myself. He was perfectly cheerful about it and so pleasant it made me feel small. I don’t wonder at all that Cora likes him so much. Besides, he seems to understand her.”
Laura looked very grave. “I think he does,” she said slowly.
“And then he’s `different,’” said Richard. “He’s more a `man of the world’ than most of us here: she never saw anything just like him before, and she’s seen US all her life. She likes change, of course. That’s natural,” he said gently. “Poor Vilas says she wants a man to be different every day, and if he isn’t, then she wants a different man every day.”
“You’ve rather taken Ray Vilas under your wing, haven’t you?” asked Laura.
“Oh, no,” he answered deprecatingly. “I only try to keep him with me so he’ll stay away from downtown as much as possible.”
“Does he talk much of Cora?”
“All the time. There’s no stopping him. I suppose he can’t help it, because he thinks of nothing else.”
“Isn’t that rather—rather queer for you?”
“`Queer’?” he repeated.
“No, I suppose not!” She laughed impatiently. “And probably you don’t think it’s `queer’ of you to sit here helplessly, and let another man take your place–-“
“But I don’t `let’ him, Laura,” he protested.
“No, he just does it!”
“Well,” he smiled, “you must admit my efforts to supplant him haven’t–-“
“It won’t take any effort now,” she said, rising quickly. Valentine Corliss came into their view upon the sidewalk in front, taking his departure. Seeing that they observed him, he lifted his hat to Laura and nodded a cordial good- day to Lindley. Then he went on.
Just before he reached the corner of the lot, he encountered upon the pavement a citizen of elderly and plain appearance, strolling with a grandchild. The two men met and passed, each upon his opposite way, without pausing and without salutation, and neither Richard nor Laura, whose eyes were upon the meeting, perceived that they had taken cognizance of each other. But one had asked a question and the other had answered.
Mr. Pryor spoke in a low monotone, with a rapidity as singular as the restrained but perceptible emphasis he put upon one word of his question.
“I got you in the park,” he said; and it is to be deduced that “got” was argot. “You’re not DOING anything here, are you?”
“No!” answered Corliss with condensed venom, his back already to the other. He fanned himself with his hat as he went on. Mr. Pryor strolled up the street with imperturbable benevolence.
“Your coast is cleared,” said Laura, “since you wouldn’t clear it yourself.”
“Wish me luck,” said Richard as he left her.
She nodded brightly.
Before he disappeared, he looked back to her again (which profoundly surprised her) and smiled rather disconsolately, shaking his head as in prophecy of no very encouraging reception indoors. The manner of this glance recalled to Laura what his mother had once said of him. “Richard is one of those sweet, helpless men that some women adore and others despise. They fall in love with the ones that despise them.”
An ostentatious cough made her face about, being obviously designed to that effect; and she beheld her brother in the act of walking slowly across the yard with his back to her. He halted upon the border of her small garden of asters, regarded it anxiously, then spread his handkerchief upon the ground, knelt upon it, and with thoughtful care uprooted a few weeds which were beginning to sprout, and also such vagrant blades of grass as encroached upon the floral territory. He had the air of a virtuous man performing a good action which would never become known. Plainly, he thought himself in solitude and all unobserved.
It was a touching picture, pious and humble. Done into coloured glass, the kneeling boy and the asters— submerged in ardent sunshine—would have appropriately enriched a cathedral: Boyhood of Saint Florus the Gardener.
Laura heartlessly turned her back, and, affecting an interest in her sleeve, very soon experienced the sensation of being stared at with some poignancy from behind. Unchanged in attitude, she unravelled an imaginary thread, whereupon the cough reached her again, shrill and loud, its insistence not lacking in pathos.
She approached him, driftingly. No sign that he was aware came from the busied boy, though he coughed again, hollowly now—a proof that he was an artist. “All right, Hedrick,” she said kindly. “I heard you the first time.”
He looked up with utter incomprehension. “I’m afraid I’ve caught cold,” he said, simply. “I got a good many weeds out before breakfast, and the ground was damp.”
Hedrick was of the New School: everything direct, real, no striving for effect, no pressure on the stroke. He did his work: you could take it or leave it.
“You mustn’t strain so, dear,” returned his sister, shaking her head. “It won’t last if you do. You see this is only the first day.”
Struck to the heart by so brutal a misconception, he put all his wrongs into one look, rose in manly dignity, picked up his handkerchief, and left her.
Her eyes followed him, not without remorse: it was an exit which would have moved the bass-violist of a theatre orchestra. Sighing, she went to her own room by way of the kitchen and the back-stairs, and, having locked her door, brought the padlocked book from its hiding-place.
