Days of Blood & Starlight

guilt churned in her stomach like a live thing. She wanted to pull her sister’s head into her lap, comb out her tangled cinnamon-stick hair with her fingers, and sing to her, not the Warlord’s ballad but something sweet, with no one dying in it. But all she did was murmur, “It’s morning, Sara, time to get up.”

A whimper. “I can’t.”

“You can.” Sveva tried to sound cheerful, but a desperate panic was building in her. Sarazal was really sick. What if she… No. Sveva slammed the thought shut. That couldn’t happen. “Of course you can. Mama will be watching for us.”

But Sarazal only whimpered again and tried to nestle deeper into the bracken, and Sveva didn’t know what to do. Her sister was always the one bossing and planning and coaxing. Maybe she should let her sleep a little longer, she thought, let the feversbane work.

If it was feversbane. What if it wasn’t? What if it was doing more harm than good?

That’s what Sveva was worrying over when the voice came from behind her. No snapping twigs gave warning—it was just there, almost in her ear, stabbing icy jolts of fright all through her. “You have to go.”

Sveva whirled around, brandishing her too-big knife, and there was Rath. The Dashnag boy with his long white fangs, he was half in the shadow and half out, and for all that he was still a boy, he was just so big. Sveva’s gasp was long and unsteady, a reeling drag of terror. Rath gave her a long look, and Sveva could read no expression on his beast face. He had a tiger’s head and cat eyes that caught the light and silvered. He was a hunter, a stalker, an eater of flesh. She could outrun him easily, she knew that… except that she couldn’t, because if she were running, it would mean she had left Sarazal behind.

“What are you doing here?” she cried. “Were you following us?”

Rath’s voice came from low in his throat. “I was looking for the revenants,” he said. “But they’re gone, and I wouldn’t count on them saving you twice.”

Was that a threat? “You leave us alone,” she said, putting herself in front of Sarazal.

Rath made an impatient sound. “Not from me,” he said. “If you were watching the sky, you’d know.”

“What?” Sveva’s heart drummed. “What do you mean?”

“Angels are coming. Soldiers, not slavers. If you want to live, it’s time to go.”

Angels. Sveva’s hatred kindled. “We’re hidden here,” she said. The leaf cover of the damsel canopy would be unbroken green from above, leagues and leagues of it. Two Dama girls were like two acorns. “They’ll never see us.”

“They don’t need to see you to kill you,” said Rath. “Look for yourself.” He indicated an opening in the brush that Sveva knew gave way to a little rise and a ridge, with a view out onto the sweep of the hills. She glanced at Sarazal, who was sleeping again, her lips moving and eyelids fluttering with unhappy dreams. Rath made another impatient sound, and Sveva went. She moved sideways, her cloven hooves dancing and anxious, and when she was past him she burst into speed and leapt up the rise.

She saw smoke.

Across the valley, between themselves and their way home, some half-dozen plumes of ink-black smoke rose from the forest at intervals. Licks of vivid fire were discernible below, and above, shimmering in the air like heat mirages: seraphim.

They were going to burn them out. Burn this land. Burn the world.

Stunned, she came back to Rath. “Did you see?” he asked.

“Yes,” she spat, angry. Angry with him, as if it were his fault. Anger was better than the panic that pulsed just beneath it. She stooped to gather her sister to her feet, but Sarazal resisted.

“No,” she said, her voice small as a child’s. “I can’t, I can’t.”

Sveva had never seen her sister like this. She tried to draw her upright. “Come on,” she said. “Sarazal. You can. You have to.”

But Sarazal shook her head. “Svee, please.” Her face crumpled; her eyes squeezed tight. “It hurts.” It was the first time she had admitted the pain, and her voice was a whisper from a deep place, long and pleading. “Go,” she said. “You know I can’t. I won’t blame you. No one will. Svee, Svee, maybe you are the fastest in the world.” She tried to smile. Svee was Sveva’s baby name; it cut her to the heart to hear it. “So run!” Sarazal cried.

And Sveva shook her. “I’ll lie down and die with you, do you hear me? Is that what you want? Mama will be so mad at you!” Her voice sounded shrill, cruel. She just had to get her sister moving. “And don’t even try to say you would leave me. I know you wouldn’t, and I won’t, either!”

And Sarazal did try to rise, but she cried out as soon as she put weight on her swollen leg, and sank back down. “I can’t,” she whispered. Her fevered eyes were wide with terror.

Then Rath sprang. Sveva had half forgotten him. She didn’t see the start of the leap, only its finish, when he came down on the bracken before them, impossibly light for his bulk, and grabbed Sarazal up, one big arm hooked under her sleek deer belly, her human torso pulled tight to his shoulder. Sarazal gasped, going rigid with pain and fear, and Rath said nothing. Another leap and he was moving again, away from the oncoming fire and the shimmer of angels without even a backward glance at Sveva.

After one numb pulse of surprise, she followed him. 

22 The Tooth Phantom

“But why teeth?” Mik asked Zuzana. “I don’t get it.”

Zuzana, marching up the sidewalk ahead of him, stopped dead and whirled to face him. He was pulling her giant marionette on its wheeled cart and had to lurch to a halt to avoid running her over. She stood there tiny and imperious, a pout and a scowl vying for dominance of her expression. She said, “I don’t know why. That’s not the point. The point is that she was here. In Prague.”

She left the rest unsaid, the pout winning out so that for a moment she looked unguardedly wounded. Karou—the “Tooth Phantom,” as they were calling her, little guessing that she and “the Girl on the Bridge” were one and the same—had apparently, at some point in her string of crimes, hit the National Museum. The local news had featured a curator shining a penlight into the jaws of a slightly moth-eaten Siberian tiger.

“As you see, she didn’t take the fangs—only the molars,” the man had said, defensive. “That’s why we didn’t notice. We have no reason to look inside specimens’ mouths.”

Clearly, the Phantom was Karou. Even if the glimpse of footage wasn’t enough to positively identify her, Zuzana had a resource that the various police forces of the world did not: her friend’s sketchbooks. They were piled in a corner of Mik’s room, all ninety of them. From the time Karou was old enough to hold a pencil, she had been drawing this story of monsters and mystical doorways and teeth. Always teeth.

Mik’s question was a good one: Why? Well, Zuzana had no idea. Right now, however, that was not her primary concern.

“How could she be here and not come see us?” she demanded. One eyebrow was up, cool and furious, and her scowl muscled her pout into submission. In her platform boots and vintage tutu, with her face upturned and fierce, in doll makeup with pink-dot cheeks and fluttery foil lashes, she looked every inch the “rabid fairy” that Karou had dubbed her.

Mik reached out to cup her shoulders. “We don’t know what’s going on with her. Maybe she was in a hurry. Or she was being followed. I mean, it could be anything, right?”

“That’s what pisses me off the most,” Zuzana said. “That it could be anything, and I know nothing. I’m her best friend. Why won’t she let me know what she’s doing?”

“I don’t know, Zuze,” said Mik, his voice soft. “She said she feels happy. That’s good, right?”

They were poised at the verge of the Charles Bridge on their way to stake out their spot for the day’s performances. They’d gotten a late start this morning and the medieval bridge was fast filling with artists and musicians, not to mention more than a fair share of the world’s apocalyptic weirdos. Anxiously, Mik watched an old-man jazz band trundle by carrying battered instrument cases.