Mockingbird

DAY ONE HUNDRED FIVE

The prison buildings are, I believe, the most ancient structures I have ever seen. There are five of them, built of large green-painted blocks of stone, with dirty windows with rusted bars on them. I have only been in two of the five buildings—the dormitory with the barred cells where I sleep, and the shoe factory building where I work in the mornings. I do not know what is in the other three buildings. One of them, which sits a bit apart from the others, seems to be even older than the rest, and its windows have been boarded up, like the summer house in Angel on a String, with Gloria Swanson. I have walked over to this building during the after-lunch exercise period and looked at it more closely. Its stones are covered with a smooth, wet moss, and its big metal doors are always locked.

Around all of the buildings is a very high double fence of thick wire mesh, once painted red but now faded to pink. There is a gateway in the fence through which we pass to work in the fields. There are four moron robot guards at this gateway at all times. As we pass through on our way to work they check the metal bands that are permanently fastened to our wrists before we are let through.

I was given a five-minute orientation lecture by the warden—a large, beefy Make Six—when I first was issued my uniforms. Among other things he explained that if a prisoner left without having his wristbands deactivated by the guards the bands would become like white-hot wires and would burn his hands off at the wrists if he did not return to within the gates immediately.

The bands are narrow and tight; they are made of an extremely hard, dull, silvery metal. I do not know how they were put on. They were around my wrists when I awoke in prison.

I think it is near to wintertime, because the air outside is cold. But the field around the plants is heated somehow, and the sun continues to shine. The ground is warm beneath my feet as I fertilize the obscene plants, and yet the air is cold on my body. And the stupid music never stops, never malfunctions, and the robots stare and stare. It is like a dream.

DAY ONE HUNDRED SIXTEEN

It has been eleven days since I have written anything about my life. I would have lost count of the days if I had not thought to make a crayon mark on the wall every evening after supper. The marks are under the huge TV screen that fills up most of the back wall of my cell, and which my chair, bolted to the floor, permanently faces. I can see the marks now when I raise my head from the paper on the drawing board in my lap; they look like a design of neat gray stripes on the wall, under the TV.

I am losing interest in writing. I feel, sometimes, that if I do not get my books back or see any more silent films I will forget how to read and will not want to write.

Belasco has not been back since the first night. I suppose it is because the computer has not forgotten to lock the doors after supper. After I make the mark on the wall I always check the door and it is always locked.

I do not think of Mary Lou all of the time, as I once did. I do not think of very much at all. I take my sopors and smoke my dope and watch erotic fantasies and death fantasies in life-sized three dimensions on the TV and go to sleep early.

The same shows are repeated every eight or nine days on the TV, or I can watch Self-improvement and Rehabilitation shows from a file of thirty recorded BB’s that are issued to each prisoner at his orientation. But I do not play the BB’s. I watch whatever is on. I am not interested in watching television shows; I only watch television.

This is enough writing. I am tired of it.

DAY ONE HUNDRED NINETEEN

There was a storm this afternoon, while we were at work out in the field. For a long time the robot guards seemed confused by the wind and the heavy rain and they did not call to us when we found ourselves standing at the edge of the cliff with rain blowing on our bodies, staring at the sky and ocean. The sky would go quickly from gray to black and back to gray again. Lightning kept flashing in it almost constantly. And below us the ocean pounded and roared. Its waves would inundate the beach and slap heavily at the base of the cliff and then recede for only a moment before they would be back—dark, almost black, foaming, loud.

All of us watched, and no one tried to speak. The noise, of thunder and of the ocean, was deafening.

And then, as it began to quiet down a bit, we all turned and began to head back toward the dormitory. And as I was walking through the Protein 4 field and the rain, gentler now, was still hitting my face and my drenched clothing, I realized that I was cold and shivering and suddenly these words came into my mind:

O Western wind, when wilt thou blow,
That the small rain down can rain?
Christ! That my love were in my arms
And I in my bed again!

And I fell down on my knees in the field and wept, dumbly, for Mary Lou and for the life that I had, for a time, lived, when my mind and my imagination were, so briefly, alive.

There were no guards near. Belasco came back for me. He helped me up silently and, with his arm around me, helped me back into the dormitory. We did not speak to each other until I was at the open door of my cell. Then he took his arm away from me and looked me in the face. His eyes were grave, and reassuring. “Hell, Bentley,” he said, “I think I know how you feel.” Then he slapped me gently on the shoulder and turned and walked to his cell.

I stood leaning against the cold steel bars and watched the other prisoners, their hair wet and their clothing drenched, walk back to their cells. I wanted to put my arm around each of them. Whether I knew their names or not, they were, all of them, my friends.

DAY ONE HUNDRED TWENTY-ONE

I got into the boarded-up building today.

It was simple. I was out in the gravel yard between buildings during the exercise period after lunch. I saw two robot guards walk up the steps to the building, unlock the door, and go inside. After a few moments they came out, each carrying a box of the kind our toilet paper comes in. They carried their boxes over toward the dormitory building. The door stayed open. I went in.

Inside, the floors were of Permoplastic. The walls were of some other material, filthy and crumbling, and there was very little light since the windows were boarded up. I walked quickly through dark hallways, opening doors.

Some of the rooms were empty; others had things like soap and paper towels and toilet paper and food trays, stacked up on shelves. I took a stack of paper towels, for this journal. And then I saw a dim and faded sign over a pair of double doors at the end of a hall. It was the only other sign with writing I had ever seen except for