grounds during the hours of darkness.
Other men were at every adjacent street corner. A rat could not have got through unobserved.
Tyler and Bentley took seats at a table facing the door. The police car in which they had arrived stood at the curb, with the chauffeur at the wheel, the motor humming softly.
“Timkins,” said Bentley, addressing the private secretary who stood in the most distant corner of the room, his eyes fearfully fixed on the street door, “how was Mr. Hervey captured?”
“I was accompanying him to his car, sir,” replied the young man, “when a dapper fellow in a chauffeur’s uniform confronted us on the sidewalk. He stood as stiff and straight as a soldier. He didn’t say a word. He just looked at Mr. Hervey. Mr. Hervey stopped because the man was blocking the sidewalk. I looked into the chauffeur’s eyes. They seemed utterly dead. I shivered. I’d have sworn the man had no soul, now that I look back at it. Suddenly he lashed out with his fist, striking Mr. Hervey on the jaw. Mr. Hervey started to fall. The man caught him under the arms and tossed him into the tonneau of a limousine at the curb. The car was away before I could summon the police.”
Bentley nodded.
“Which way did the car go?” he demanded.
“Downtown, at top speed,” replied Timkins.
Bentley turned to Tyler.
“The Stuyvesant exchange is downtown,” he said. “Now Timkins says that the kidnaper’s car went downtown. And the naked man was killed in the Flatiron Building, which is well downtown in its turn. Tyler, fill all the area covered by the Stuyvesant exchange with plain-clothes men. Telephone Headquarters to see whether a stolen limousine has been reported from somewhere in the area. Barter wouldn’t have cars of his own for fear they could be traced. He’ll use stolen cars when he uses cars at all. And he had his puppet pick up the limousine close to his hideout.”
Tyler nodded and quickly spoke into the telephone on the table at his elbow.
The telephone reminded Bentley of Ellen Estabrook.
When Tyler had finished issuing pointed instructions Bentley called the residence of the Estabrooks in Astoria, Long Island.
Carl Estabrook answered the telephone.
“Is Ellen all right?” asked Bentley. “May I speak to her?”
Carl Estabrook’s answering gasp came plainly over the wire.
“Are you crazy, Lee?” he asked. “Not ten minutes ago you telephoned Ellen and told her to meet you near the arch in Washington Square. I asked her if she was sure the voice was yours, and she was….”
But Bentley, white-faced, had already clicked up the receiver.
“Tyler,” he said, “Ellen Estabrook, my fiancee, is walking into a trap. It’s Barter again. He’d know how to imitate my voice well enough to fool Ellen. It would be simple enough for a man like him. He probably had that long conversation with me at headquarters to make sure he hadn’t forgotten the timbre and pitch of my voice… and to hear how it sounded over the telephone. Please have plain-clothes men pick up Ellen in Washington Square. And that, Tyler, if you’ll notice, is also downtown.”
Bentley felt that he would go mad with anxiety as he awaited some news from the plain-clothes men Tyler had ordered to look for Ellen Estabrook.
He had asked Tyler to issue rather unusual instructions to the plain-clothes men around the Hervey residence. They were to make no attempt to halt anyone who might approach the house, but were to permit no one to depart. It was a weak plan, but knowing the supreme egotism of Barter, Bentley felt that the old scientist would deliberately accept such a challenge. He wouldn’t mind risking the loss of a minion.
“He controls his puppets from his hideout, Tyler,” Bentley explained, “and won’t hesitate to send them into danger since it can’t touch him. And he watches every move they make, too. He’s made some television adaptation of his own. I’ll wager, if he so desires, he can see us sitting here right now, even perhaps hear what we say. I can fancy hearing him chuckle, and Tyler…?”
“Yes?”
“I can see old man Hervey on an operating table with Barter bending over him, working fiendishly. Behind Barter are cages of apes.”
“But how could he transport apes to his hideout?”
“He could manage to smuggle anything anywhere. Money paves the way to any accomplishment, Tyler. We needn’t concern ourselves with how he does it, but with the fact that he must surely have apes in his hideout.”
There came suddenly an imperious ringing of the doorbell.
Bentley and Tyler leaped to their feet, their hands streaking for their automatics which they had placed within easy reach on the table. Side by side they sprang for the door, and flung it open.
A chill of horror ran through Bentley.
“Mother of God!” cried Tyler.
“Mr. Hervey!” shrieked Timkins. The secretary, noting the figure which toppled so grimly into the room, fainted. The thud of his body followed the thud of the old man’s body to the floor.
In that first moment of overwhelming terror, all three men noted that Hervey’s skull-pan was missing.
“Look after details here, Tyler!” cried Bentley, quickly recovering himself. “I’m after whoever brought the old man home.”
Bentley was racing down the path for the street, where a man in chauffeur’s uniform was hurling himself into a limousine, while bullets from half a dozen plain-clothes men, racing to head him off, sang about his ears. But the stranger gained the driver’s seat and the limousine was away like a shot. The police car was rolling as Bentley leaped upon the running board, then eased in beside the driver.
“Don’t stop for anything!” cried Bentley. “Keep that car in sight!”
The car headed downtown at breakneck speed.
CHAPTER V
To Broadway’s Horror
Bentley would never forget that nightmarish ride downtown. It was a dream as terrifying and ghastly as had been his experience in the African jungles when he had been Manape. Added to the utter fear of the ride was his fear for the safety of Ellen Estabrook. Caleb Barter, so far, was utterly invincible. It seemed he could not be beaten or outwitted in any way. But Bentley set his lips tightly.
Caleb Barter must have some weak spot in his insane armor, some way by which he could be reached and destroyed—and Bentley swore to himself that it would be he who would find that weak spot.
The limousine ahead was going at dangerous speed. The police chauffeur beside Bentley crouched low over the wheel as he drove. His eyes never left the speeding limousine. People on the sidewalks stared in astonishment as the two cars flashed downtown.
The leading car sped on, the driver obviously expecting ways to open in the last second before threatened collision. He passed cars on the left and the right. There were times when his wheels were up on the curb as he went through lanes between cars and sidewalks. He was determined to go through.
Only Bentley understood that the driver ahead was an automaton, a man whose brain did not know the meaning of fear. He knew that from his hideout Caleb Barter was directing the flight of the escaping car. He could fancy the old man of the apple-red cheeks, sitting in a chair in his hideout, his hands in the air as though they gripped the wheel of a car, sweat breaking forth on his cheeks as he guided his puppet through the press of cars.
But by now in that uncanny way that sometimes happens the streets were being cleared as if by magic before the flight of one whom all observers must have thought a madman. Only Bentley knew that the driver ahead was not a madman.
