The Mammoth Book of Modern Ghost Stories

Location:  Grampound, Cornwall.

Time:  October, 1903.

Eyewitness Description:  “Something seemed to rush up the stairs and past me; a strange, dull smell came from the passage: I know that there fell on me a sort of giddiness and horror, and I went back into the room with hands outstretched, like Elymas the sorcerer, seeking someone to guide me . . .”

Author:  Arthur Christopher Benson (18 62–1925) was one of M. R. James’ closest friends at Cambridge and like him wrote only a handful of ghost stories, notably “The House at Treheale” which he read at the Christmas gathering in 1903. One of three writing sons of E. W. Benson, an Archbishop of Canterbury, Arthur trained as a teacher and after a period as a housemaster at Eton moved to Cambridge in 1903 where he was later appointed Master of Magdalene College. A curiously nervous and melancholic man, he loved music and its use in this story of a musician whose personality is warped by his contact with the supernatural is also interesting because Benson composed the words for a number of songs including “Land of Hope and Glory” for Edward Elgar’s Pomp and Circumstance march. It is known that he wrote a number of other ghost stories – several of which were read to his university friends – but the manuscripts disappeared after his death. Had they survived they would surely have enhanced his reputation as an equal of M. R. James.

It was five o’clock in the afternoon of an October day that Basil Netherby’s letter arrived. I remember that my little clock had just given its warning click, when the footsteps came to my door; and just as the clock began to strike, came a hesitating knock. I called out, “Come in,” and after some fumbling with the handle there stepped into the room I think the shyest clergyman I have ever seen. He shook hands like an automaton, looking over his left shoulder; he would not sit down, and yet looked about the room, as he stood, as if wondering why the ordinary civility of a chair was not offered him; he spoke in a husky voice, out of which he endeavoured at intervals to cast some viscous obstruction by loud hawkings; and when, after one of these interludes, he caught my eye, he went a sudden pink in the face.

However, the letter got handed to me; and I gradually learnt from my visitor’s incoherent talk that it was from my friend Basil Netherby; and that he was well, remarkably well, quite a different man from what he had been when he came to Treheale; that he himself (Vyvyan was his name) was curate of St Sibby. Treheale was the name of the house where Mr Netherby lived. The letter had been most important, he thought, for Mr Netherby had asked him as he was going up to town to convey the letter himself and to deliver it without fail into Mr Ward’s own hands. He could not, however, account (here he turned away from me, and hummed, and beat his fingers on the table) for the extraordinary condition in which he was compelled to hand it to me, as it had never, so far as he knew, left his own pocket; and presently with a gasp Mr Vyvyan was gone, refusing all proffers of entertainment, and falling briskly down – to judge from the sounds which came to me – outside my door.

I, Leonard Ward, was then living in rooms in a little street out of Holborn – a poor place enough. I was organist of St Bartholomew’s, Holborn; and I was trying to do what is described as getting up a connection in the teaching line. But it was slow work, and I must confess that my prospects did not appear to me very cheerful. However, I taught one of the Vicar’s little daughters, and a whole family, the children of a rich tradesman in a neighbouring street, the piano and singing, so that I contrived to struggle on.

Basil Netherby had been with me at the College of Music. His line was composing. He was a pleasant, retiring fellow, voluble enough and even rhetorical in tete-a-tete talk with an intimate; but dumb in company, with an odd streak of something – genius or eccentricity – about him which made him different from other men. We had drifted into an intimacy, and had indeed lodged together for some months. Netherby used to show me his works – mostly short studies – and though I used to think that they always rather oddly broke down in unexpected places, yet there was always an air of aiming high about them, an attempt to realize the ideal.

He left the College before I did, saying that he had learnt all he could learn and that now he must go quietly into the country somewhere and work all alone – he should do no good otherwise. I heard from him fitfully. He was in Wales, in Devonshire, in Cornwall; and then some three months before the day on which I got the letter, the correspondence had ceased altogether; I did not know his address, and was always expecting to hear from him.

I took up the letter from the place where Mr Vyvyan had laid it down; it was a bulky envelope; and it was certainly true that, as Mr Vyvyan had said, the packet was in an extraordinary condition. One of the corners was torn off, with a ragged edge that looked like the nibbling of mice, and there were disagreeable stains both on the front and the back, so that I should have inferred that Mr Vyvyan’s pocket had been filled with raspberries – the theory, though improbable, did not appear impossible. But what surprised me most was that near each of the corners in front a rough cross of ink was drawn, and one at the back of the flap.

I had little doubt, however, that Mr Vyvyan had, in a nervous and absent mood, harried the poor letter into the condition in which I saw it, and that he had been unable to bring himself to confess to the maltreatment.

I tore the letter open – there fell out several pages of MS. music, and a letter in which Basil, dating from Treheale, and writing in a bold firm hand – bolder and firmer, I thought, than of old – said that he had been making a good deal of progress and working very hard (which must account for his silence), and he ventured to enclose some of his last work which he hoped I would like, but he wanted a candid opinion. He added that he had got quarters at a delightful farmhouse, not far from Grampound. That was all.

Stay! That was not all. The letter finished on the third side; but, as I closed it, I saw written on the fourth page, very small, in a weak loose hand, and as if scribbled in a ferocious haste, as a man might write (so it came oddly into my head) who was escaped for a moment from the vigilance of a careful gaoler, a single sentence. “Vyvyan will take this; and for God’s sake, dear Leonard, if you would help a friend who is on the edge (I dare not say of what), come to me tomorrow, UNINVITED. You will think this very strange, but do not mind that – only come – unannounced, do you see . . .”

The line broke off in an unintelligible flourish. Then on each corner of the last page had been scrawled a cross, with the same ugly and slovenly haste as the crosses on the envelope.

My first thought was that Basil was mad; my next thought that he had drifted into some awkward situation, fallen under some unfortunate influence – was perhaps being blackmailed – and I knew his sensitive character well enough to feel sure that whatever the trouble was it would be exaggerated ten times over by his lively and apprehensive mind. Slowly a situation shaped itself. Basil was a man, as I knew, of an extraordinary austere standard of morals, singularly guileless, and innocent of worldly matters.

Someone, I augured, some unscrupulous woman, had, in the remote spot where he was living, taken a guileful fancy to my poor friend, and had doubtless, after veiled overtures, resolved on a bolder policy and was playing on his sensitive and timid nature by some threat of nameless disclosures, some vile and harrowing innuendo.

I read the letter again – and still more clear did it seem to me that he was in some strange durance, and suffering under abominable fears. I rose from my chair and went to find a time-table, that I might see when I could get to Grampound, when again a shuffling footstep drew to my door, an uncertain hand knocked at the panel, and Mr Vyvyan again entered the room. This time his confusion was even greater, if that were possible, than it had previously been. He had forgotten to give me a further message; and he thereupon gave me a filthy scrap of paper, nibbled and stained like the envelope, apologized with unnecessary vehemence, uttered a strangled cough and stumbled from the room.

It was difficult enough to decipher the paper, but I saw that a musical phrase had been written on it; and then in a moment I saw that it was a phrase from an old, extravagant work of Basil’s own, a Credo which we had often discussed together, the grim and fantastic accompaniment of the sentence “He descended into hell.”

This came to me as a message of even greater urgency, and I hesitated no longer. I sat down to write a note to the father of my family of pupils, in which I said that important business called me away for two or three days. I looked out a train, and found that by catching the 10 o’clock limited mail I could be at Grampound by 6 in the morning. I ordered a hasty dinner and I packed a few things into a bag, with an oppressive sense of haste. But, as generally happens on such occasions, I found that I had still two or three hours in hand; so I took up Netherby’s music and read it through carefully.

Certainly he had improved wonderfully in handling; but what music it was! It was like nothing of which I had