Drugs and the tubes siphoning the liquid out of my guts and into plastic bags had eased my pain and I did drift off every once in a while. But nurses and orderlies came and woke me quite regularly to take my signs and measure my temperature.

At one moment I would be awake in the chill quiet of that hospital with a view out the window of the Con Edison building and the Zeckendorf Towers at Union Square visible over the low buildings of Greenwich Village.

In the next, I’d be looking at a computer screen that showed a map of the old Village — a vivid 1950s touristy affair with cartoon painters in berets and naked models, beatnik kids playing guitars in Washington Square and Dylan Thomas with drinks in both hands at the bar of the White Horse Inn.

Awake again in the dark, I waited, listened, half expecting the old nun to reappear. Instead what I got was a moment’s glimpse of the white-haired cop who had watched me get beaten. He looked at me now with the same deadpan.

5.

I came out of a doze, awakened by a gaggle of bright-eyed young residents. “Mr. Bowes,” one of them, a woman with an Indian accent, said, “we were all amazed by the x-rays of your intestines. It was the talk of the morning rounds.”

“Why?” I asked.

“Because of the blockage they were extremely distended. You came very close to having a rupture which would have been very bad. You could easily have died.” All of them, a small Asian woman, a tall rather dizzy-looking blond American boy, and a laid-back black man nodded their agreement and stared at me fascinated.

“How did this happen?” I wanted to know.

“We believe it was from twenty-three years ago when you had cancer and they removed part of your colon,” she said. “After all this time, the stitching began to unravel and adhered to the other side of your intestines.”

Other doctors appeared: the gastroenterological resident spoke to me, my own internist popped in. They told me that I was out of immediate danger. Sometimes the blockage eased all by itself. Sometimes it required surgery. The surgeon would see me the next day.

My bedside phone had now been connected. I made some calls. People came by, friends and family, old flames and godchildren. They brought flowers and disposable razors, my CD player, a notebook, they gave me backrubs and went out and asked questions at the nurse’s station. They established my presence, showed the world that I was someone who was loved and cared for.

Margaret Yang came and sat for a while, talked to my sister Lee who was visiting, about this unique old hospital and how they were all devoted to it. I wanted to hang on to everyone, nurses, friends, family who was there in the bright daylight.

They had brought me the Dowland CD. The countertenor sang:

Part we must though now I die, Die I do to part with you.

Gradually on that lovely spring day with the sun pouring down on the old bricks of the Village, twilight gave way tonight. Lights in the hospital dimmed, the halls got quiet.

When I was operated on for cancer it was uptown at Mt. Sinai. The ward I was in overlooked Central Park and at night in the intensity of my illness and fear and the drugs inside me, I saw lights passing amid the leafless winter trees.

And I imagined an alternate world called Capricorn where people dying of cancer in this world appeared to the population as glowing apparitions.

The night before that operation, I awoke with the feeling I was falling through the furniture, through the floor, and into Capricorn.

Remembering that, I saw a picture of myself, ethereal and floating amid a stand of winter trees in a hospital bed. The white-haired cop was showing it to me on a screen.

“When we spotted that we knew you were in no way run-of-the-mill,” he said. “Our seeing you like this confirmed an initial report from when you were in this place as a kid with a busted head and no memory. Someone spoke to you and said you had an uneasy relationship with death and the potential to see more than the world around you.”

6.

Some people have the gift of being perfect hospital visitors. The flowers my friend Mark brought the next morning looked like a Flemish still life, his conversation was amusing and aimless.

He sat beside my bed that morning and I told him about a book I’d once written.

“The first things I wrote after I had cancer was a fantasy novel called Feral Cell. In it, people dying of cancer in this world are worshipped in an adjacent world named Capricorn. They call our world ‘Cancer’ and call themselves the ‘Capri.’

“The faithful among them find ways of bringing a few people who are doomed on our world over to theirs. To prevent us from drifting back here, we are dressed in the skins of deceased Capri, drink their blood, which is called the Blood of the Goat, and are objects of awe.

“But there are others on that world — decadent aristocrats, of course — who hunt us. They throw silver nets over us and drag us down. They skin us and drain our blood and use those things to cross into this world.”

“That must almost have made getting sick worthwhile,” he said.

“The future New York City I depicted in the book — turn of the third millennium Manhattan — was all open- air drug markets and rival gangs of roller skaters and skateboarders clashing in the streets. What we got, of course, was gentrification and Disneyland.

“A lot of being sick is like one long nightmare. In my Capricorn everything was terror and magic. At night, patients in a children’s cancer ward could be seen floating amid the trees of a sacred grove.”

Mark walked with me as I pushed my IV stand around the floor. One of the hall windows overlooked Seventh Avenue. Outside on a glorious day in spring, traffic flowed south past the Village Vanguard jazz club.

“The low buildings make it look like the 1950s,” Mark said.

“Time travel,” I said.

It was a quiet Sunday. Later that afternoon, my godchild Antonia was giving me a backrub. Suddenly a dark-haired woman, not tall but with great presence and wearing a red dress suit, appeared. She introduced herself as the one who would be my surgeon if the intestinal blockage didn’t ease. And I knew that it hadn’t and wouldn’t and that she would operate on me.

As night came and friends and family had departed, I thought of Jimmy when he was a patient at this hospital. Jimmy had been a friend of mine in the years of AIDS terror. He designed and constructed department store window displays.

Since I’d first known him he talked about the little people inside his head, the ones he relied on for his ideas.

“Last night they put on this show with fireflies and ice floes. Perfect for Christmas in July,” he’d say. “Sadly, what I’m looking for is ideas for Father’s Day which is, as always, a wilderness of sports shirts and fishing tackle.”

Just before Jimmy died in this very hospital, I came into his room and found him in tears.

“They’re all sprawled on the stage dead,” he told me.

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