And again 1 am reminded by dipping into newspapers and novels and biographies that when a woman speaks to women she should have something very unpleasant up her sleeve. Women are hard on women. Women dislike women. Women?but are you not sick to death of the word? I can assure you that I am. Let us agree, then, that a paper read by a woman to women should end with something particularly disagreeable.

But how does it go? What can I think of? The truth is, I often like women. I like their unconventionality. I like their subtlety. I like their anonymity. I like?but 1 must not run on in this way. That cupboard there,?you say it holds clean table-napkins only; but what if Sir Archibald Bodkin6 were concealed among them? Let me then adopt a sterner tone. Have I, in the preceding words, conveyed to you sufficiently the warnings and reprobation of mankind? I have told you the very low opinion in which you were held by Mr Oscar Browning. I have indicated what Napoleon once thought of you and what Mussolini thinks now. Then, in case any of you aspire to fiction, I have copied out for your benefit the advice of the critic about courageously acknowledging the limitations of your sex. I have referred to Professor X and given prominence to his statement that women are intellectually, morally and physically inferior to men. I have handed on all that has come my way without going in search of it, and here is a final warning?from Mr John Langdon Davies.7 Mr John Langdon Davies warns women 'that when children cease to be altogether desirable, women cease to be altogether necessary.' I hope you will make a note of it.

How can I further encourage you to go about the business of life? Young women, I would say, and please attend, for the peroration is beginning, you are, in my opinion, disgracefully ignorant. You have never made a discovery of any sort of importance. You have never shaken an empire or led an army into battle. The plays of Shakespeare are not by you, and you have never introduced a barbarous race to the blessings of civilisation. What is your excuse? It is all very well for you to say, pointing to the streets and squares and forests of the globe swarming with black and white and coffee-coloured inhabitants, all busily engaged in traffic and enterprise and love-making, we have had other work on our hands. Without our doing, those seas would be unsailed and those fertile lands a desert. We have borne and bred and washed

6. British director of public prosecutions who 7. A Short History of Women, by John Langdon decided to ban James Jovces's Ulysses for obscenity Davies [Woolf's note], in 1922.

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A ROOM OF ONE'S OWN / 2151

and taught, perhaps to the age of six or seven years, the one thousand six hundred and twenty-three million human beings who are, according to statistics, at present in existence, and that, allowing that some had help, takes time.

There is truth in what you say?I will not deny it. But at the same time may I remind you that there have been at least two colleges for women in existence in England since the year 1866; that after the year 1880 a married woman was allowed by law to possess her own property; and that in 1919?which is a whole nine years ago?she was given a vote? May I also remind you that the most of the professions have been open to you for close on ten years now? When you reflect upon these immense privileges and the length of time during which they have been enjoyed, and the fact that there must be at this moment some two thousand women capable of earning over five hundred a year in one way or another, you will agree that the excuse of lack of opportunity, training, encouragement, leisure and money no longer holds good. Moreover, the economists are telling us that Mrs Seton has had too many children. You must, of course, go on bearing children, but, so they say, in twos and threes, not in tens and twelves.

Thus, with some time on your hands and with some book learning in your brains?you have had enough of the other kind, and are sent to college partly, I suspect, to be uneducated?surely you should embark upon another stage of your very long, very laborious and highly obscure career. A thousand pens are ready to suggest what you should do and what effect you will have. My own suggestion is a little fantastic, 1 admit; I prefer, therefore, to put it in the form of fiction.

1 told you in the course of this paper that Shakespeare had a sister; but do not look for her in Sir Sidney Lee's8 life of the poet. She died young?alas, she never wrote a word. She lies buried where the omnibuses now stop, opposite the Elephant and Castle. Now my belief is that this poet who never wrote a word and was buried at the crossroads still lives. She lives in you and in me, and in many other women who are not here tonight, for they are washing up the dishes and putting the children to bed. But she lives; for great poets do not die; they are continuing presences; they need only the opportunity to walk among us in the flesh. This opportunity, as I think, it is now coming within your power to give her. For my belief is that if we live another century or so?I am talking of the common life which is the real life and not of the little separate lives which we live as individuals?and have five hundred a year each of us and rooms of our own; if we have the habit of freedom and the courage to write exactly what we think; if we escape a little from the common sitting- room and see human beings not always in their relation to each other but in relation to reality; and the sky, too, and the trees or whatever it may be in themselves; if we look past Milton's bogey,9 for no human being should shut out the view; if we face the fact, for it is a fact, that there is no arm to cling to, but that we go alone and that our relation is to the world of reality and not only to the world of men and women, then the opportunity will come and the dead poet who was Shakespeare's sister will put on the body which she has so often laid down. Drawing her life from the lives of the unknown who were her

8. Biographer and Shakespeare scholar (1859? ate subordination of Eve to Adam in Paradise Lost, 1926), author of Life of William Shakespeare was and often still is held to be (not altogether (1898). accurately) what the present age calls a male chau9. Milton, with his unhappy first marriage, his vinist. campaign for freedom of divorce, and his deliber

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2 2152 / VIRGINIA WOOLF

forerunners, as her brother did before her, she will be born. As for her coming without that preparation, without that effort on our part, without that determination that when she is born again she shall find it possible to live and write her poetry, that we cannot expect, for that would be impossible. But I maintain that she would come if we worked for her, and that so to work, even in poverty and obscurity, is worth while.

1929

Professions for Women1

When your secretary invited me to come here, she told me that your Society is concerned with the employment of women and she suggested that I might tell you something about my own professional experiences. It is true I am a woman; it is true I am employed; but what professional experiences have I had? It is difficult to say. My profession is literature; and in that profession there are fewer experiences for women than in any other, with the exception of the stage?fewer, I mean, that are peculiar to women. For the road was cut many years ago?by Fanny Burney, by Aphra Behn, by Harriet Martineau,2 by Jane Austen, by George Eliot?many famous women, and many more unknown and forgotten, have been before me, making the path smooth, and regulating my steps. Thus, when I came to write, there were very few material obstacles in my way. Writing was a reputable and harmless occupation. The family peace was not broken by the scratching of a pen. No demand was made upon the family purse. For ten and sixpence one can buy paper enough to write all the plays of Shakespeare?if one has a

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