my days at the restaurant were pretty full; for the first time in my life I had little leisure.
The restaurant was a success from the start, and Priya was fussy. He was always bursting into the kitchen with one of those big menus in his hand, saying in English, 'Prestige job, Santosh, prestige.' I didn't mind. 1 liked to feel I had to do things perfectly; I felt I was earning my freedom. Though I was in hiding, and though I worked every day until midnight, I felt I was much more in charge of myself than I had ever been.
Many of our waiters were Mexicans, but when we put turbans on them they could pass. They came and went, like the Indian staff. I didn't get on with these people. They were frightened and jealous of one another and very treacherous. Their talk amid the biryanis and the pillaus1 was all of papers and green cards. They were always about to get green cards or they had been cheated out of green cards or they had just got green cards. At first I didn't know what they were talking about. When I understood I was more than depressed.
I understood that because I had escaped from my employer I had made myself illegal in America. At any moment I could be denounced, seized, jailed, deported, disgraced. It was a complication. I had no green card; I didn't know how to set about getting one; and there was ho one I could talk to.
I felt burdened by my secrets. Once I had none; now I had so many. I couldn't tell Priya I had no green card. I couldn't tell him I had broken faith with my old employer and dishonoured myself with a hubshi woman and lived in fear of retribution. I couldn't tell him that I was afraid to leave the restaurant and that nowadays when I saw an Indian I hid from him as anxiously as the Indian hid from me. I would have felt foolish to confess. With Priya, right from the start, I had pretended to be strong; and I wanted it to remain like that. Instead, when we talked now, and he grew philosophical, I tried to find bigger causes for being sad. My mind fastened on to these causes, and the effect of this was that my sadness became like a sickness of the soul.
It was worse than being in the apartment, because now the responsibility was mine and mine alone. I had decided to be free, to act for myself. It pained me to think of the exhilaration I had felt during the days of the fire; and I felt mocked when I remembered that in the early days of my escape I had thought I was in charge of myself.
The year turned. The snow came and melted. I was more afraid than ever of going out. The sickness was bigger than all the causes. I saw the future as a hole into which I was dropping. Sometimes at night when I awakened my body would burn and I would feel the hot perspiration break all over.
I leaned on Priya. He was my only hope, my only link with what was real.
1. 'Biryanis' and 'piilaus': Indian dishes.
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2746 / V. S. NAIPAUL
He went out; he brought back stories. He went out especially to eat in the restaurants of our competitors.
He said, 'Santosh, I never believed that running a restaurant was a way to God. But it is true. I eat like a scientist. Every day I eat like a scientist. 1 feel I have already renounced.'
This was Priya. This was how his talk ensnared me and gave me the bigger causes that steadily weakened me. I became more and more detached from the men in the kitchen. When they spoke of their green cards and the jobs they were about to get I felt like asking them: Why? Why?
And every day the mirror told its own tale. Without exercise, with the sickening of my heart and my mind, I was losing my looks. My face had become pudgy and sallow and full of spots; it was becoming ugly. I could have cried for that, discovering my good looks only to lose them. It was like a punishment for my presumption, the punishment I had feared when I bought the green suit.
Priya said, 'Santosh, you must get some exercise. You are not looking well. Your eyes are getting like mine. What are you pining for? Are you pining for Bombay or your family in the hills?'
But now, even in my mind, I was a stranger in those places.
Priya said one Sunday morning, 'Santosh, I am going to take you to see a Hindi movie today. All the Indians of Washington will be there, domestics and everybody else.'
I was very frightened. I didn't want to go and I couldn't tell him why. He insisted. My heart began to beat fast as soon as I got into the car. Soon there were no more houses with gas-lamps in the entrance, just those long wide burnt-out hubshi streets, now with fresh leaves on the trees, heaps of rubble on bulldozed, fenced-in lots, boarded-up shop windows, and old smoke-stained signboards announcing what was no longer true. Cars raced along the wide roads; there was life only on the roads. I thought I would vomit with fear.
I said, 'Take me back, sahib.'
I had used the wrong word. Once I had used the word a hundred times a day. But then I had considered myself a small part of my employer's presence, and the word was not servile; it was more like a name, like a reassuring sound, part of my employer's dignity and therefore part of mine. But Priya's dignity could never be mine; that was not our relationship. Priya I had always called Priya; it was his wish, the American way, man to man. With Priya the word was servile. And he responded to the word. He did as I asked; he drove me back to the restaurant. I never called him by his name again.
I was good-looking; I had lost my looks. I was a free man; I had lost my freedom.
One of the Mexican waiters came into the kitchen late one evening and said, 'There is a man outside who wants to see the chef.'
No one had made this request before, and Priya was at once agitated. 'Is he an American? Some enemy has sent him here. Sanitary-anitary, healthealth, they can inspect my kitchens at any time.'
'He is an Indian,' the Mexican said.
I was alarmed. I thought it was my old employer; that quiet approach was like him. Priya thought it was a rival. Though Priya regularly ate in the restaurants of his rivals he thought it unfair when they came to eat in his. We both went to the door and peeked through the glass window into the dimly lit dining-room.
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ONE OUT OF MANY / 273 1
'Do you know that person, Santosh?'
