10 With holier light! that thou to woman's claim And man's, mightst join beside the angel's grace Of a pure genius sanctified from blame, Till child and maiden pressed to thine embrace To kiss upon thy lips a stainless fame.

1844

To George Sand

A Recognition

True genius, but true woman! dost deny The woman's nature with a manly scorn, And break away the gauds0 and armlets worn ornaments By weaker women in captivity?

5 Ah, vain denial! that revolted cry Is sobbed in by a woman's voice forlorn,? Thy woman's hair, my sister, all unshorn Floats back dishevelled strength in agony, Disproving thy man's name: and while before

10 The world thou burnest in a poet-fire, We see thy woman-heart beat evermore Through the large flame. Beat purer, heart, and higher, Till God unsex thee on the heavenly shore Where unincarnate0 spirits purely aspire! disembodied

1844

1. Pen name of the French Romantic novelist Amandine-Aurore-Lucile Dudevant (1804?1876), famous for her unconventional ideas and behavior. Barrett Browning discovered Sand's writing while an invalid, 'a prisoner,' and asserts that Sand, together with Balzac, 'kept the colour in my life.' A defender of Sand's genius to less-sympathetic friends critical of Sand's morality, Barrett Browning writes to her friend Mary Russell Mitford (a novelist and dramatist) that Sand 'is eloquent as a fallen angel.. . A true woman of genius!?but of a womanhood tired of itself, and scorned by her, while she bears it burning above her head.'

2. A Roman spectacle that might include such entertainment as fights between humans and lions.

 .

108 4 / ELIZABETH BARRETT BROWNING

From Sonnets from the Portuguese

21

Say over again, and yet once over again,

That thou dost love me. Though the word repeated

Should seem 'a cuckoo song,'1 as thou dost treat it,

Remember, never to the hill or plain,

5 Valley and wood, without her cuckoo strain

Comes the fresh Spring in all her green completed.

Beloved, I, amid the darkness greeted

By a doubtful spirit voice, in that doubt's pain

Cry, 'Speak once more?thou lovest!' Who can fear

io Too many stars, though each in heaven shall roll,

Too many flowers, though each shall crown the year?

Say thou dost love me, love me, love me?toll

The silver iterance!0?only minding, Dear, repetitionTo love me also in silence with thy soul.

22 When our two souls stand up erect and strong,

Face to face, silent, drawing nigh and nigher,

Until the lengthening wings break into fire

At either curved point?what bitter wrong

5 Can the earth do to us, that we should not long

Be here contented? Think. In mounting higher,

The angels would press on us and aspire

To drop some golden orb of perfect song

Into our deep, dear silence. Let us stay

io Rather on earth, Beloved,?where the unfit

Contrarious moods of men recoil away

And isolate pure spirits, and permit

A place to stand and love in for a day,

With darkness and the death-hour rounding it.

32 The first time that the sun rose on thine oath

To love me, I looked forward to the moon

To slacken all those bonds which seemed too soon

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