of people and a grave obstacle to any attempt to organize peace on this planet.”

—Albert Einstein in a letter, 1954; from Paul Blanshard, American Freedom and Catholic Power, New Jersey: Greenwood Publishing, 1984, Chapter 2.

“His [Einstein] was not a life of prayer and worship. Yet he lived by a deep faith—a faith not capable of rational foundation—that there are laws of Nature to be discovered. His lifelong pursuit was to discover them. His realism and his optimism are illuminated by his remark: ‘Subtle is the Lord, but malicious He is not’ (Raffiniert ist der Herrgott aber boshaft ist er nicht). When asked by a colleague what he meant by that, he replied: ‘Nature hides her secret because of her essential loftiness, but not by means of ruse’ (Die Natur verbirgt ihr Geheimnis durch die Erhabenheit ihres Wesens, aber nicht durch List).”

—Abraham Pais, Subtle Is the Lord: The Science and the Life of Albert Einstein, Oxford University Press, New York, 1982.

“However, Einstein’s God was not the God of most other men. When he wrote of religion, as he often did in middle and later life, he tended to adopt the belief of Alice’s Red Queen that ‘words mean what you want them to mean,’ and to clothe with different names what to more ordinary mortals—and to most Jews—looked like a variant of simple agnosticism. Replying in 1929 to a cabled inquiry from Rabbi Goldstein of New York, he said that he believed ‘in Spinoza’s God who reveals himself in the harmony of all that exists, not in a God who concerns himself with the fate and actions of men.’ And it is claimed that years later, asked by Ben-Gurion whether he believed in God, ‘even he, with his great formula about energy and mass, agreed that there must be something behind the energy.’ No doubt. But much of Einstein’s writing gives the impression of belief in a God even more intangible and impersonal than a celestial machine minder, running the universe with indisputable authority and expert touch. Instead, Einstein’s God appears as the physical world itself, with its infinitely marvelous structure operating at atomic level with the beauty of a craftsman’s wristwatch, and at stellar level with the majesty of a massive cyclotron. This was belief enough. It grew early and rooted deep. Only later was it dignified by the title of cosmic religion, a phrase which gave plausible respectability to the views of a man who did not believe in a life after death and who felt that if virtue paid off in the earthly one, then this was the result of cause and effect rather than celestial reward. Einstein’s God thus stood for an orderly system obeying rules which could be discovered by those who had the courage, imagination, and persistence to go on searching for them. It was to this past which he began to turn his mind soon after the age of twelve. The rest of his life everything else was to seem almost trivial by comparison.”

—Ronald W. Clark, Einstein: The Life and Times, New York: World Publishing, 1971, pp. 19–20.

“That a man can take pleasure in marching in formation to the strains of a band is enough to make me despise him. He has only been given his big brain by mistake; a backbone was all he needed. This plague-spot of civilization ought to be abolished with all possible speed.”

“A hundred times every day I remind myself that my inner and outer life depend on the labors of other men, living and dead, and that I must exert myself in order to give in the measure as I have received and am still receiving.”

—Albert Einstein

GEORGE ORWELL

From A Clergyman’s Daughter

Kierkegaard’s famous “leap of faith” suffers from the huge moral and practical disadvantage that it cannot be made only once, but has to be performed again and again. George Orwell (1903–1950) believed that the decline of religion, and especially the decline of the belief in personal immortality, required us to evolve a post-theistic basis for morality. Here, in his first novel, A Clergyman’s Daughter, we see his protagonist Dorothy, her lonely mind upon a knife-edge as she discovers that the “leap” suffers from acutely diminishing returns.

Kneeling, with head bent and hands clasped against her knees, she set herself swiftly to pray for forgiveness before her father should reach her with the wafer. But the current of her thoughts had been broken. Suddenly it was quite useless attempting to pray; her lips moved, but there was neither heart nor meaning in her prayers. She could hear Proggett’s boots shuffling and her father’s clear low voice murmuring “Take and eat,” she could see the worn strip of red carpet beneath her knees, she could smell dust and eau-de-Cologne and mothballs; but of the Body and Blood of Christ, of the purpose for which she had come here, she was as though deprived of the power to think. A deadly blankness had descended upon her mind. It seemed to her that actually she could not pray. She struggled, collected her thoughts, uttered mechanically the opening phrases of a prayer; but they were useless, meaningless—nothing but the dead shells of words. Her father was holding the wafer before her in his shapely, aged hand. He held it between finger and thumb, fastidiously, somehow distastefully, as though it had been a spoon of medicine. His eye was upon Miss Mayfill, who was doubling herself up like a geometrid caterpillar, with many creakings, and crossing herself so elaborately that one might have imagined that she was sketching a series of braid frogs on the front of her coat. For several seconds Dorothy hesitated and did not take the wafer. She dared not take it. Better, far better to step down from the altar than to accept the sacrament with such chaos in her heart!

Then it happened that she glanced sidelong, through the open south door. A momentary spear of sunlight had pierced the clouds. It struck downwards through the leaves of the limes, and a spray of leaves in the doorway gleamed with a transient, matchless green, greener than jade or emerald or Atlantic waters. It was as though some jewel of unimaginable splendour had flashed for an instant, filling the doorway with green light, and then faded. A flood of joy ran through Dorothy’s heart. The flash of living colour had brought back to her, by a process deeper than reason, her peace of mind, her love of God, her power of worship. Somehow, because of the greenness of the leaves, it was again possible to pray. O all ye green things upon the earth, praise ye the Lord! She began to pray, ardently, joyfully, thankfully. The wafer melted upon her tongue.

JOHN BETJEMAN

In Westminster Abbey

If the Church of England ever had a national bard after George Herbert, that bard was certainly John Betjeman, whose love of architecture and liturgy was expressed in numerous (and humorous) works of near- devotion. However, he was not blind to the absurdity and self-centeredness of personal prayer, as this gentle but biting little satire, written in 1940, will show.

Let me take this other glove off     As the vox humana swells, And the beauteous fields of Eden Bask beneath the Abbey bells.     Here, where England’s statesmen lie, Listen to a lady’s cry. Gracious Lord, oh bomb the Germans.     Spare their women for Thy Sake, And if that is not too easy
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