The Granny’s mother had always been distant, but everything she’d done could be interpreted as kindness. The selkie was a different beast. Her shoulders were broad; the hard winter fat made her sleek in her dress.
She had finished the smokies.
“I am she and not the dead,” the selkie said. She pointed her big forefinger at the husband.
“He is the dead.”
The world emptied out for the Granny and then rushed back in: this is what the house and the baby had been telling her and trying to tell her and she had been refusing to know.
She remembered waking this morning with the baby near and the wives cooing from the wallpaper. The construct was in the bed next to her as it had been for weeks. A construct she had asked the house to make. And she had asked the house to alter her perceptions until she could feel it beside her and not know it for what it was. It had been real enough to argue with her, drive her crazy the way
“A sister of my other sister’s sister I would not trust told of eating his bones,” the selkie said. “I did not eat. I did not see.”
He had left a long and heartfelt message. He was old, felt alone, could no longer see his place in the world. He had spent a long afternoon searching out and erasing his backups. He was tired.
“I knew when he came into the water. He was a god apart from the gods who made us. But we sisters knew him. We would not eat of him.”
The Dead Mother rose up within the selkie, spoke again, “We are widows in the world. Sarah, Sarah, Sarah.”
Outside of her, the baby was crying. The baby: another orphan.
The Granny accessed the house’s backup circuitry, set apart from the house’s mind, and sent a message to Malik. She wanted out, wanted escape, wanted a car—but only for her, not the baby. Malik had been expecting her call. He had known, too. He asked her again to bring her baby but she would not. They came to an understanding and later there would be contracts; later, codicils.
The Granny opened her memories and remembered her insanity when she found he was gone. The wives, the baby, the house, even her mother were grief-stricken. The Granny had ignored them. Before his body was located, when the house could only say that his vital signs had ceased, she had shone a DNA stick over every surface in the house looking for something, anything, she could use to build a new husband.
The husband had walked, simply walked, pockets full of stones, into the ever-rising sea. He had collected rocks and pebbles for as long as she’d known him. There were bowls of them in every room. He wouldn’t let the house move until the farmers had gathered every rock he had marked for collection. She cursed the chips of slate, quartz, granite, soft sandstone, obsidian, basalt, andesite porphyry, foliated granite gneiss, biotite schist. She cursed the memories that persisted and the house sneaked a tranquilizer needle out of her chair. She pushed herself away from it and forced the house to bend to her will.
“Damn you,” she said to the selkie, to the Dear Dead Mother.
The wives had gone into the crib the house had made for the baby, had wrapped her in the Granny’s cape, were rocking her. “Never alone,” they said to her. “One of us,” one said. “Unnameable one,” they whispered.
The house walked the simulacrum of the husband out of the room. The wives tried to show the Granny the funeral she had missed, but she ignored it. The selkie remained quiet.
“Open the box,” the Granny told the house. “Let them do whatever the blue hell they want with my mother’s body. Lenkya’s in charge now.”
She left the room, leaving her new baby (so easy to do: she was her mother’s daughter) and her sister- wives, but the children appeared beside her.
“Ariadne, Perce, Ignored Girl. Poor little mice. Trapped here with no mothers and no one but the house to care. Lenkya will take better care of you. I shall miss you, little hellions.”
“Granny, we want to go with you!” said Perce, and he was knuckling tears from his eyes. The Granny could see Ariadne twisting the skin above his elbow, making him cry.
“A,” she warned. “Come on then, the three of you.”
She led them to the kitchen and told them she would teach them how to make toffee. The smell of burning sugar brought back memories of her own grandmother. Her grandfather had died in the Shortages.
She sent the littlest part of herself to the Hague (she didn’t want to miss a second of the baking) to wrap up what she could, to resign, and to recommend they hire someone from her own house to replace her. She would be on the fence at the best in Malik’s house, maybe even on the other side.
She felt rich and foolish taking time to make this dessert. The house flipped the replicator on and she nudged it off. She knew the children would enjoy the house’s toffee just as much as hers. But this was not about the physical making. This was memories and the future and the children looking at her and their own glassed memories and all of them remembering that the last time they saw the Granny, they had made toffee.
The house showed her an old Alfa Romeo floating outside the front door and Malik stepping out. The Granny was touched he’d come himself. Her ugly dog leapt out after him.
The children, faces smeared with toffee, hardly noticed her leaving. She whispered a good-bye message to the baby and told the house to deliver it later. She promised that her mother, the baby’s Grandmother, would be a better mother than she, the Missing Mother, could ever have been.
The house opened the front door and she let herself out. She spat out the house’s access keys, dropped them through the letterbox. Patted the door as she closed it. She’d miss her old house. She walked toward Malik but had to look back. The selkie was watching her from a window.
The baby was frantically sending her questions but the Granny forwarded them to the selkie. Her mother would be revivified by the day’s end and would see that the Granny had broken. She would bring up the baby and take on the house. Once her mother was sure Malik was satisfied with the deal, she might bring the house back to the island.
Lenkya sent a good-bye note with attachments from the house and wives as well as a copy of her original house contract with the appropriate clause highlighted that showed the Granny now had no rights to access the house or its inhabitants. The Granny was reading it and getting into Malik’s car when the house drew in its anchors and took off.
The Granny gave Malik a piece of toffee as he drove back to his estate. The toffee was good. Later, memory would say it had been the best the children had ever had.
YOUNGER WOMEN
Karen Joy Fowler
Jude knows that her daughter Chloe has a boyfriend. She knows this even though Chloe is fifteen and not talking. If Jude were to ask, Chloe would tell Jude that it’s none of her business and to stop being such a snoop. (Well, if you want to call it snooping to go through Chloe’s closets, drawers, and backpack on a daily basis, check the history on her cell phone and laptop, check the margins of her textbooks for incriminating doodles, friend her on Facebook under a pseudonym so as to access her page—hey, if you want to call that snooping, then, guilty as charged. The world’s a dangerous place. Isn’t getting less so. Any mother will tell you that.)
So there’s no point asking Chloe. She talks about him to her Facebook friends—his name is Eli—but the boy himself never shows. He doesn’t phone; he doesn’t email; he doesn’t text. Sometimes at night Jude wakes up with the peculiar delusion that he’s in the house, but when she checks, Chloe is always in her bed, asleep and alone. The less Jude finds out the more uneasy she becomes.
One day she decides to go all in. “Bring that boy you’re seeing to dinner this weekend,” she tells Chloe, hoping Chloe won’t wonder how she knows about him or, if she does, will chalk it up to mother’s intuition. “I’ll make pasta.”
“I’d rather die,” Chloe says.
Chloe’s Facebook friends are all sympathy. Their mothers are nosy pains-in-the-butt, too. Her own mother died when Jude was twenty-three, and Jude misses her terribly, but she remembers being fifteen. Once when she’d been grounded, which also meant no telephone privileges, her mother had left the house and Jude had called her
