The Year's Best Science Fiction, Volume 29

Both ladies stopped talking. Svea thought a silent question inward, and the dala horse intercepted it, softened it, and carried it to Linnea:

What?

“Nobody cares about Gunther! Nobody asks what he wants.”

The dala horse carried her words to Svea, and then whispered to little Linnea: “That was well said.” It had been many centuries since Svea had inhabited human flesh. She did not know as much about people as she once had. In this respect, Europa had her at a disadvantage.

Svea, Linnea, and the dala horse all bent low to look within Gunther. Europa did not try to prevent them. It was evident that she believed they would not like what they saw.

Nor did they. The troll’s mind was a terrible place, half-shattered and barely functional. It was in such bad shape that major aspects of it had to be hidden from Linnea. Speaking directly to his core self, where he could not lie to her, Svea asked: What is it you want most?

Gunther’s face twisted in agony. “I want not to have these terrible memories.”

All in an instant, the triune lady saw what had to be done. She could not kill another land’s citizen. But this request she could honor. In that same instant, a pinpoint-weight of brain cells within Gunther’s mind were burnt to cinder. His eyes flew open wide. Then they shut. He fell motionless to the ground.

Europa screamed.

And she was gone.

* * *

Big as she was, and knowing where she was going, and having no reason to be afraid of the roads anymore, it took the woman who was Svea and to a lesser degree the dala horse and to an even lesser degree Linnea no time at all to cross the mountain and come down on the other side. Singing a song that was older than she was, she let the miles and the night melt beneath her feet.

By mid-morning she was looking down on Godastor. It was a trim little settlement of red and black wooden houses. Smoke wisped up from the chimneys. One of the buildings looked familiar to Linnea. It belonged to her Far-Mor.

“You are home, tiny one,” Svea murmured, and, though she had greatly enjoyed the sensation of being alive, let herself dissolve to nothing. Behind her, the dala horse’s voice lingered in the air for the space of two words: “Live well.”

Linnea ran down the slope, her footprints dwindling in the snow and at their end a little girl leaping into the arms of her astonished grandmother.

In her wake lumbered Linnea’s confused and yet hopeful pet troll, smiling shyly.

THE WAY IT WORKS OUT AND ALL by Peter S. Beagle

Peter S. Beagle was born in New York City in 1939. Although not prolific by genre standards, he has published a number of well-received fantasy novels, at least two of which, A Fine and Private Place and The Last Unicorn, were widely influential and are now considered to be classics of the genre. In fact, Beagle may be the most successful writer of lyrical and evocative modern fantasy since Bradbury, and is the winner of two Mythopoeic Fantasy Awards and the Locus Award, as well as having often been a finalist for the World Fantasy Award.

Beagle’s other books include the novels The Folk of the Air, The Innkeeper’s Song, and Tamsin. His short fiction has appeared in places as varied as The Magazine of Fantasy & Science Fiction, The Atlantic Monthly, Seventeen, and Ladies’ Home Journal, and has been collected in The Rhinoceros Who Quoted Nietzsche and Other Odd Acquaintances, Giant Bones, The Line Between, and We Never Talk About My Brother. He won the Hugo Award in 2006 and the Nebula Award in 2007 for his story “Two Hearts.” He has written the screenplays for several movies, including the animated adaptations of The Lord of the Rings and The Last Unicorn; the libretto of an opera, The Midnight Angel; the fan-favorite Star Trek: The Next Generation episode “Sarek”; and a popular autobiographical travel book, I See By My Outfit.

His most recent works are the new collection, Mirror Kingdoms: The Best of Peter S. Beagle, and two long-awaited new novels, Summerlong and I’m Afraid You’ve Got Dragons.

Here he gives us a loving homage to the late Avram Davidson which features a closely observed and affectionately drawn Davidson as one of the protagonists (the other being Beagle himself), and which draws upon the mythology of one of Davidson’s best novels, Masters of the Maze, where all of time and space is connected by strange subspace tunnels that can be blundered into anywhere, even on a New York City street, even in the mens’ room at Grand Central Terminal.

In the ancient, battered, altogether sinister filing cabinet where I stash stuff I know I’ll lose if I keep it anywhere less carnivorous, there is a manila folder crammed with certain special postcards—postcards where every last scintilla of space not taken by an image or an address block has been filled with tiny, idiosyncratic, yet perfectly legible handwriting, the work of a man whose only real faith lay in the written word (emphasis on the written). These cards are organized by their postmarked dates, and there are long gaps between most of them, but not all: thirteen from March of 1992 were mailed on consecutive days.

A printed credit in the margin on the first card in this set identifies it as coming from the W. G. Reisterman Co. of Duluth, Minnesota. The picture on the front shows three adorable snuggling kittens. Avram Davidson’s message, written in his astonishing hand, fills the still-legible portion of the reverse:

March 4, 1992

Estimado Dom Pedro del Bronx y Las Lineas subterraneos D, A, y F, Grand High Collector of Revenues both Internal and External for the State of North Dakota and Points Beyond:

He always addressed me as “Dom Pedro.”

Maestro!

I write you from the historic precincts of Darkest Albany, where the Erie Canal turns wearily around and trudges back to even Darker Buffalo. I am at present engaged in combing out the utterly disheveled files of the New York State Bureau of Plumbing Designs, Devices, Patterns and Sinks, all with the devious aim of rummaging through New York City’s dirty socks and underwear, in hope of discovering the source of the

There is more—much more—but somewhere between his hand and my mailbox it had been rendered illegible by large splashes of something unknown, perhaps rain, perhaps melting snow, perhaps spilled Stolichnaya, which had caused the ink of the postcard to run and smear. Within the blotched and streaky blurs I could only detect part of a word which might equally have read phlox or physic, or neither. In any case, on the day the card arrived even that characteristic little was good for a chuckle, and a resolve to write Avram more frequently, if his address would just stay still.

But then there came the second card, one day later.

March 5, 1992

Intended solely for the Hands of the Highly Esteemed and Estimated Dom Pedro of the Just As Highly

Esteemed North Bronx, and for such further Hands as he may Deem Worthy, though his taste in Comrades and Associates was Always Rotten, as witness:

Your Absolute Altitude, with or without mice.…

I am presently occupying the top of a large, hairy quadruped, guaranteed by a rather shifty-eyed person to be of the horse persuasion, but there is no persuading it to do anything but attempt to scrape me off against trees, bushes, motor vehicles and other horses. We are proceeding irregularly across the trackless wastes