Aaaiiieee

At last, he stepped up into the light. Here, the staircase and the painted papier-mache ended. The walls, floor and ceiling of the Tunnel were again of mortared stone. The new light was of an intoxicating, unmistakable quality…a kind of light he hadn’t seen in perhaps a year.

It was sunlight.

And with it, even more intoxicating, the smell of fresh air. Vegetation warmed by a summer sun. There could no longer be a mere desert above him. The sunlight and fresh air came from four evenly spaced windows in the ceiling over his head, just out of reach of his outstretched arms when he tried to jump to touch them. These open windows were covered with heavy iron bars, too close together for him to squeeze through even if he could spring high enough to grab hold of them, but they permitted the sun’s gold (late afternoon, early morning?) light to filter through, a sweet-smelling breeze to waft between. And now he knew that it was intermittent rain coming into the Tunnel through these openings, and trickling down the stairs, that had caused the damage to the papier-mache, returning it to the formless mush it had started out as.

Scanning around him for some forgotten tool or other item with which to pry loose the bars from one of the windows (should he even be able to climb up the blocks of the wall to reach them), Noon glanced back the way he had come. He heard one eerie, far-off wail from the pursuing lone Foeti, like the shriek of a hawk. There were no bird cries outside the four rectangular openings in the roof, but he did think he heard the shh-shh- shhing of sawing, sizzling insect noises in tall grass.

His eyes were drawn back to the damaged papier-mache of the staircase he had mounted. The improved light made the newspapers it was composed of more legible. He saw part of a birth announcement page here, a column of obituaries there. One portion of the ruined top step in particular drew him closer. He crouched, cocked his head to examine it, at last broke that piece free in his hands to lift to his face.

It was not merely letters or words that showed on the newsprint, this time, but a halftone photograph of a house. Was it from a real estate page? Did it illustrate the scene of some crime? The caption was partially torn away, revealing only the words: “…in the house at 101 Ada Street.”

However truncated, the caption made Noon’s heart spasm. Even before he had read it, he had thought the house resembled his own ancient domicile…through whose moldering floor he had plummeted into this unsuspected underworld. The photograph seemed to portray his home back in some older time, perhaps, when its wood was sturdier, its paint not yet worn away. If not his home, one very much in the same style. But the fragment of caption spelled it out beyond any doubt. The address it gave was definitely his own.

His maple tree, growing so close to the house that its roots must have begun separating the very stones of the foundation, was missing from the picture, a mere sapling in its place. Was the picture so old that the sapling was the maple tree, in its infancy? Or…could this picture be of his house since he had fallen into the Tunnel? Repaired, repainted, resold? The damaging tree cut down, and replaced with a new one?

A fresh headache was brewing like a storm in his poor stretched skull; he could ponder the photograph no longer, and slipped it into a pocket of his ragged trousers to examine again later on. For now, he wanted to concentrate on getting up to, and through, those metal bars over the four ceiling windows. He aligned himself directly below the first of the windows, and could hear more distinctly the sounds of insects in high, sun-yellowed summer grass. Bent blades of this grass even dangled down between the bars along the window’s edges. But as he stood there, inhaling, tilting his chin toward the fragrant air, a much cooler breeze washed over him. It was chilly, in fact, and caused him to look toward the windows spaced farther ahead. He found himself wandering forward.

Noon stopped below the next of the four windows. His battered shoes crunched in a scattered heap of brown, dead leaves. A few brighter, more recently fallen leaves lay amongst them. He knelt, picked one up, twirled it by its stem. It was a maple leaf, and it was in fiery shades of orange and yellow. As he gazed straight upward, Noon thought he could hear tree branches rustling. The air had taken on a subtly different fragrance, and it had grown cooler. As he faced above him, he saw a fresh leaf slip between the bars, and come spiraling lazily down like a stingray gliding through water. A fresh, red and gold leaf from a maple tree.

Another icy breeze rushed over him. It came from farther ahead, and Noon went onwards, the skin of his bare arms turning to gooseflesh.

He had taken only a few steps when he realized that the broad white blotch directly underneath this window was not sunlight on the floor. It was snow.

Noon stepped into the crunching patch of snow, and into a silvery shaft of light that was like a solid column of frozen air. Above him, he saw only a blank gray sky between the bars, but a few stray flakes found their way through, drifted down, one of them alighting on his forehead as if in a frail attempt to soothe the agony distending his cranium, undoing his skull’s sutures.

He knew what he would see next before he even walked over to the fourth window and raised his eyes toward it. Gilded dusk or dawn light beamed down, and the breeze was warmer and smelled of green growing things. Spring…

Had there been a fifth window, would it look out upon summer again? A sixth, autumn? And on…and on?

A slim arm thrust itself abruptly between the bars, its fingers grasping down at him futilely. Though it could not possibly have reached him, still Noon flinched violently. It looked like a woman’s arm. He had seen woman-like creatures in the Tunnel before, but this was out of the Tunnel. Could it be a person like himself, trying to rescue rather than hurt him?

Something, an instinct, made Noon look behind him. He saw another arm straining down through the ice- encrusted bars of the third window. This arm, however, was little more than bones held together with frozen ligaments, blue tendons.

Beyond that, yet another arm reached down through the second window, causing brittle leaves to fall between the bars. This arm, it appeared from where he was standing, was horribly black and decomposed, its skin sloughing away. And further on, a fourth arm clutched at thin air, writhing madly like a snake that had been run over by an automobile, flipping impossibly in both directions at the elbow joint. This limb was discolored, beginning to rot, but not yet as corrupted as the one which caused autumn leaves to trickle down.

Each arm, despite its stage of decay, moved in an identical manner…right down to every jerk or twist of the wrist, every spider-like convulsion of the fingers…

And each hand wore an identical, thin gold wedding band, like the one his mother had inherited from her mother, and which had in turn been given to Noon to place on his own bride’s finger on their wedding day. But no daughter of hers would ever wear it, since his wife had expired (and her child along with her) during labor. She wore the ring still, in the velvet-lined jewelry box of her casket…

No—even if he could reach those high windows, Noon knew this was not a good place to escape to. If he should bellow for help, who knew what other terrors might join this/these clutching being/beings.

He continued on his way.

Soon, the varied shafts of sunlight were lost behind him, as were the sound of insects, the smell of autumn leaves and clean snow. Transient impressions, ephemeral, already mere wispy memories swallowed by darkness.

The Tunnel was now nothing but raw, dry earth beneath his feet, to either side and above, like the burrow of a giant animal or a titanic ant hill. For a time, he felt his way through absolute darkness. Something long and feathery—a centipede?—flowed across his hand as it moved along the dirt wall. But a suggestion of light showed ahead of him, and soon he no longer had to run his hand across the wall. The light grew…grew enough for him to see the changes that next shaped the character of the Tunnel.

The walls, ceiling, floor were still mostly of dirt, but not entirely. A section of the floor was covered with a long, irregular patch of faded linoleum which lay fairly flat across the hard-packed dirt. Its edges were broken, irregularly torn. The linoleum had repeating flowery patterns on it. Across the ceiling were scattered patches of white cork tiles, apparently anchored directly into the dirt. And on the earthen walls, again in patchy areas, were hung sheets of old wallpaper, buckling and water-stained, drooping over themselves…tacked directly into the earth without benefit of a wooden or plaster understructure.

A lamp with a crystal shade hung from the ceiling. Its wiring must have run straight into the dirt, as well. The dark spots in the bottom of the shade were doubtless insect carcasses. There were further signs that this part of the Tunnel had been adapted for habitation. Noon approached a table and set of chairs. There were three place settings; two for adults and a bowl for a child. The child’s chair was a high chair. Crusted bits of food—or were