Toporoff raised his head and smiled, as if Nekhludoff's question gave him pleasure. 'That I cannot tell. All I can say is that the interests of the people guarded by us are so important that too great a zeal in matters of religion is not so dangerous or so harmful as the indifference which is now spreading—'
'But how is it that in the name of religion the very first demands of righteousness are violated—families are separated?'
Toporoff continued to smile patronisingly, evidently thinking what Nekhludoff said very pretty. Anything that Nekhludoff could say he would have considered very pretty and very one-sided, from the height of what he considered his far-reaching office in the State.
'It may seem so from the point of view of a private individual,' he said, 'but from an administrative point of view it appears in a rather different light. However, I must bid you good-bye, now,' said Toporoff, bowing his head and holding out his hand, which Nekhludoff pressed.
'The interests of the people! Your interests is what you mean!' thought Nekhludoff as he went out. And he ran over in his mind the people in whom is manifested the activity of the institutions that uphold religion and educate the people. He began with the woman punished for the illicit sale of spirits, the boy for theft, the tramp for tramping, the incendiary for setting a house on fire, the banker for fraud, and that unfortunate Lydia Shoustova imprisoned only because they hoped to get such information as they required from her. Then he thought of the sectarians punished for violating Orthodoxy, and Gourkevitch for wanting constitutional government, and Nekhludoff clearly saw that all these people were arrested, locked up, exiled, not really because they transgressed against justice or behaved unlawfully, but only because they were an obstacle hindering the officials and the rich from enjoying the property they had taken away from the people. And the woman who sold wine without having a license, and the thief knocking about the town, and Lydia Shoustova hiding proclamations, and the sectarians upsetting superstitions, and Gourkevitch desiring a constitution, were a real hindrance. It seemed perfectly clear to Nekhludoff that all these officials, beginning with his aunt's husband, the Senators, and Toporoff, down to those clean and correct gentlemen who sat at the tables in the Ministry Office, were not at all troubled by the fact that that in such a state of things the innocent had to suffer, but were only concerned how to get rid of the really dangerous, so that the rule that ten guilty should escape rather than that one innocent should be condemned was not observed, but, on the contrary, for the sake of getting rid of one really dangerous person, ten who seemed dangerous were punished, as, when cutting a rotten piece out of anything, one has to cut away some that is good.
This explanation seemed very simple and clear to Nekhludoff; but its very simplicity and clearness made him hesitate to accept it. Was it possible that so complicated a phenomenon could have so simple and terrible an explanation? Was it possible that all these words about justice, law, religion, and God, and so on, were mere words, hiding the coarsest cupidity and cruelty?
CHAPTER XXVIII.
THE MEANING OF MARIETTE'S ATTRACTION.
Nekhludoff would have left Petersburg on the evening of the same day, but he had promised Mariette to meet her at the theatre, and though he knew that he ought not to keep that promise, he deceived himself into the belief that it would not be right to break his word.
'Am I capable of withstanding these temptations?' he asked himself not quite honestly. 'I shall try for the last time.'
He dressed in his evening clothes, and arrived at the theatre during the second act of the eternal Dame aux Camelias, in which a foreign actress once again, and in a novel manner, showed how women die of consumption.
The theatre was quite full. Mariette's box was at once, and with great deference, shown to Nekhludoff at his request. A liveried servant stood in the corridor outside; he bowed to Nekhludoff as to one whom he knew, and opened the door of the box.
All the people who sat and stood in the boxes on the opposite side, those who sat near and those who were in the parterre, with their grey, grizzly, bald, or curly heads—all were absorbed in watching the thin, bony actress who, dressed in silks and laces, was wriggling before them, and speaking in an unnatural voice.
Some one called 'Hush!' when the door opened, and two streams, one of cool, the other of hot, air touched Nekhludoff's face.
Mariette and a lady whom he did not know, with a red cape and a big, heavy head-dress, were in the box, and two men also, Mariette's husband, the General, a tall, handsome man with a severe, inscrutable countenance, a Roman nose, and a uniform padded round the chest, and a fair man, with a bit of shaved chin between pompous whiskers.
Mariette, graceful, slight, elegant, her low-necked dress showing her firm, shapely, slanting shoulders, with a little black mole where they joined her neck, immediately turned, and pointed with her face to a chair behind her in an engaging manner, and smiled a smile that seemed full of meaning to Nekhludoff.
The husband looked at him in the quiet way in which he did everything, and bowed. In the look he exchanged with his wife, the master, the owner of a beautiful woman, was to be seen at once.
When the monologue was over the theatre resounded with the clapping of hands. Mariette rose, and holding up her rustling silk skirt, went into the back of the box and introduced Nekhludoff to her husband.
The General, without ceasing to smile with his eyes, said he was very pleased, and then sat inscrutably silent.
'I ought to have left to-day, had I not promised,' said
Nekhludoff to Mariette.
'If you do not care to see me,' said Mariette, in answer to what his words implied, 'you will see a wonderful actress. Was she not splendid in the last scene?' she asked, turning to her husband.
The husband bowed his head.
'This sort of thing does not touch me,' said Nekhludoff. 'I have seen so much real suffering lately that—'
'Yes, sit down and tell me.'
The husband listened, his eyes smiling more and more ironically. 'I have been to see that woman whom they have set free, and who has been kept in prison for so long; she is quite broken down.'
'That is the woman I spoke to you about,' Mariette said to her husband.
'Oh, yes, I was very pleased that she could be set free,' said the husband quietly, nodding and smiling under his moustache with evident irony, so it seemed to Nekhludoff. 'I shall go and have a smoke.'
Nekhludoff sat waiting to hear what the something was that Mariette had to tell him. She said nothing, and did not even try to say anything, but joked and spoke about the performance, which she thought ought to touch Nekhludoff. Nekhludoff saw that she had nothing to tell, but only wished to show herself to him in all the splendour of her evening toilet, with her shoulders and little mole; and this was pleasant and yet repulsive to him.
The charm that had veiled all this sort of thing from Nekhludoff was not removed, but it was as if he could see what lay beneath. Looking at Mariette, he admired her, and yet he knew that she was a liar, living with a husband who was making his career by means of the tears and lives of hundreds and hundreds of people, and that she was quite indifferent about it, and that all she had said the day before was untrue. What she wanted—neither he nor she knew why—was to make him fall in love with her. This both attracted and disgusted him. Several times, on the point of going away, he took up his hat, and then stayed on.
But at last, when the husband returned with a strong smell of tobacco in his thick moustache, and looked at Nekhludoff with a patronising, contemptuous air, as if not recognising him, Nekhludoff left the box before the door was closed again, found his overcoat, and went out of the theatre. As he was walking home along the Nevski, he could not help noticing a well-shaped and aggressively finely-dressed woman, who was quietly walking in front of him along the broad asphalt pavement. The consciousness of her detestable power was noticeable in her face and the whole of her figure. All who met or passed that woman looked at her. Nekhludoff walked faster than she did and, involuntarily, also looked her in the face. The face, which was probably painted, was handsome, and the woman looked at him with a smile and her eyes sparkled. And, curiously enough, Nekhludoff was suddenly reminded
