confounded with his soul, and with him I pass from one condition to another. But why that? I know nothing about it? But he who wrote Beethoven's 'Kreutzer Sonata' knew well why he found himself in a certain condition. That condition led him to certain actions, and for that reason to him had a meaning, but to me none, none whatever. And that is why music provokes an excitement which it does not bring to a conclusion. For instance, a military march is played; the soldier passes to the sound of this march, and the music is finished. A dance is played; I have finished dancing, and the music is finished. A mass is sung; I receive the sacrament, and again the music is finished. But any other music provokes an excitement, and this excitement is not accompanied by the thing that needs properly to be done, and that is why music is so dangerous, and sometimes acts so frightfully.
'In China music is under the control of the State, and that is the way it ought to be. Is it admissible that the first comer should hypnotize one or more persons, and then do with them as he likes? And especially that the hypnotizer should be the first immoral individual who happens to come along? It is a frightful power in the hands of any one, no matter whom. For instance, should they be allowed to play this 'Kreutzer Sonata,' the first presto,—and there are many like it,—in parlors, among ladies wearing low necked dresses, or in concerts, then finish the piece, receive the applause, and then begin another piece? These things should be played under certain circumstances, only in cases where it is necessary to incite certain actions corresponding to the music. But to incite an energy of feeling which corresponds to neither the time nor the place, and is expended in nothing, cannot fail to act dangerously. On me in particular this piece acted in a frightful manner. One would have said that new sentiments, new virtualities, of which I was formerly ignorant, had developed in me. 'Ah, yes, that's it! Not at all as I lived and thought before! This is the right way to live!'
'Thus I spoke to my soul as I listened to that music. What was this new thing that I thus learned? That I did not realize, but the consciousness of this indefinite state filled me with joy. In that state there was no room for jealousy. The same faces, and among them HE and my wife, I saw in a different light. This music transported me into an unknown world, where there was no room for jealousy. Jealousy and the feelings that provoke it seemed to me trivialities, nor worth thinking of.
'After the presto followed the andante, not very new, with commonplace variations, and the feeble finale. Then they played more, at the request of the guests,—first an elegy by Ernst, and then various other pieces. They were all very well, but did not produce upon me a tenth part of the impression that the opening piece did. I felt light and gay throughout the evening. As for my wife, never had I seen her as she was that night. Those brilliant eyes, that severity and majestic expression while she was playing, and then that utter languor, that weak, pitiable, and happy smile after she had finished,—I saw them all and attached no importance to them, believing that she felt as I did, that to her, as to me, new sentiments had been revealed, as through a fog. During almost the whole evening I was not jealous.
'Two days later I was to start for the assembly of the Zemstvo, and for that reason, on taking leave of me and carrying all his scores with him, Troukhatchevsky asked me when I should return. I inferred from that that he believed it impossible to come to my house during my absence, and that was agreeable to me. Now I was not to return before his departure from the city. So we bade each other a definite farewell. For the first time I shook his hand with pleasure, and thanked him for the satisfaction that he had given me. He likewise took leave of my wife, and their parting seemed to me very natural and proper. All went marvellously. My wife and I retired, well satisfied with the evening. We talked of our impressions in a general way, and we were nearer together and more friendly than we had been for a long time.'
CHAPTER XXIV.
'Two days later I started for the assembly, having bid farewell to my wife in an excellent and tranquil state of mind. In the district there was always much to be done. It was a world and a life apart. During two days I spent ten hours at the sessions. The evening of the second day, on returning to my district lodgings, I found a letter from my wife, telling me of the children, of their uncle, of the servants, and, among other things, as if it were perfectly natural, that Troukhatchevsky had been at the house, and had brought her the promised scores. He had also proposed that they play again, but she had refused.
'For my part, I did not remember at all that he had promised any score. It had seemed to me on Sunday evening that he took a definite leave, and for this reason the news gave me a disagreeable surprise. I read the letter again. There was something tender and timid about it. It produced an extremely painful impression upon me. My heart swelled, and the mad beast of jealousy began to roar in his lair, and seemed to want to leap upon his prey. But I was afraid of this beast, and I imposed silence upon it.
'What an abominable sentiment is jealousy! 'What could be more natural than what she has written?' said I to myself. I went to bed, thinking myself tranquil again. I thought of the business that remained to be done, and I went to sleep without thinking of her.
'During these assemblies of the Zemstvo I always slept badly in my strange quarters. That night I went to sleep directly, but, as sometimes happens, a sort of sudden shock awoke me. I thought immediately of her, of my physical love for her, of Troukhatchevsky, and that between them everything had happened. And a feeling of rage compressed my heart, and I tried to quiet myself.
''How stupid!' said I to myself; 'there is no reason, none at all. And why humiliate ourselves, herself and myself, and especially myself, by supposing such horrors? This mercenary violinist, known as a bad man,—shall I think of him in connection with a respectable woman, the mother of a family, MY wife? How silly!' But on the other hand, I said to myself: 'Why should it not happen?'
'Why? Was it not the same simple and intelligible feeling in the name of which I married, in the name of which I was living with her, the only thing I wanted of her, and that which, consequently, others desired, this musician among the rest? He was not married, was in good health (I remember how his teeth ground the gristle of the cutlets, and how eagerly he emptied the glass of wine with his red lips), was careful of his person, well fed, and not only without principles, but evidently with the principle that one should take advantage of the pleasure that offers itself. There was a bond between them, music,—the most refined form of sensual voluptuousness. What was there to restrain them? Nothing. Everything, on the contrary, attracted them. And she, she had been and had remained a mystery. I did not know her. I knew her only as an animal, and an animal nothing can or should restrain. And now I remember their faces on Sunday evening, when, after the 'Kreutzer Sonata,' they played a passionate piece, written I know not by whom, but a piece passionate to the point of obscenity.
''How could I have gone away?' said I to myself, as I recalled their faces. 'Was it not clear that between them everything was done that evening? Was it not clear that between them not only there were no more obstacles, but that both—especially she—felt a certain shame after what had happened at the piano? How weakly, pitiably, happily she smiled, as she wiped the perspiration from her reddened face! They already avoided each other's eyes, and only at the supper, when she poured some water for him, did they look at each other and smile imperceptibly.'
'Now I remember with fright that look and that scarcely perceptible smile. 'Yes, everything has happened,' a voice said to me, and directly another said the opposite. 'Are you mad? It is impossible!' said the second voice.
'It was too painful to me to remain thus stretched in the darkness. I struck a match, and the little yellow- papered room frightened me. I lighted a cigarette, and, as always happens, when one turns in a circle of inextricable contradiction, I began to smoke. I smoked cigarette after cigarette to dull my senses, that I might not see my contradictions. All night I did not sleep, and at five o'clock, when it was not yet light, I decided that I could stand this strain no longer, and that I would leave directly. There was a train at eight o'clock. I awakened the keeper who was acting as my servant, and sent him to look for horses. To the assembly of Zemstvo I sent a message that I was called back to Moscow by pressing business, and that I begged them to substitute for me a member of the Committee. At eight o'clock I got into a tarantass and started off.'
