'This is your regular station, this booth?'
She gave me a little bounce, big smile. 'Yeah. Sometimes you get lucky, huh?'
'Sometimes.'
'Which one is your car?' she asked, leaning over again, looking out the window.
'The gray one.'
'The Lincoln?'
'Yeah.'
'Oh, you must be in a
'Good enough.'
'This one isn't so good. I start at the breakfast shift and work right through to six. That's when I get off.'
'I'll remember.'
'See that you do, honey.' Dropping the check on the table, walking away, giving me a last look at what I'd be missing if I wasn't around at six.
The diner's jukebox was time-warped. Patti LaBelle. 'I Sold My Heart to the Junkman.'
I left a ten-dollar bill sitting on a four-dollar check.
25
DARKNESS DROPPED to meet the steel-mill smog. A blanket you could feel. I showered, changed my clothes. Lay back on the bed, redrawing the map Rebecca had given to me on the ceiling of the motel room.
I looped the Lincoln past the strip bars on the Interstate, watching. Nothing. Pulled over on U.S. 30, got out and checked under the hood. I gave it another half hour, zeroing in so I could feel it if anyone came inside the zone. Still nothing. Anyone following me was better at it than I was.
Time to move. I turned off the highway, found the blue house at the end of the block. The garage was standing closed at the foot of the driveway. I left the Lincoln in the street, slipped on a pair of thin leather gloves, used the key Rebecca had given me, opened the garage. Inside, a late-'70s Chevy sedan, key in the ignition. I started it up, eased it out into the street. Put the Lincoln inside, pulled my airline bag from the front seat, closed the door. Looked back at the house. The lights were on in the front rooms. Rebecca's cousins. I didn't know what she'd told them but I know what they'd tell the cops if anything happened. Nothing.
The Chevy blended into the terrain, at home on the back roads. I followed Rebecca's directions to Cedar Lake. Found Lake Shore Drive. A resort area, mostly summer cottages. I stopped at a bench set into a wooden railing across from a funeral home. Smoked a cigarette and waited. The sign said Scenic Overlook. Told me the lake was 809 acres. Three miles long, a mile and a half wide. Twin flagpoles on either side of the bench. Electricity meter on a pole. I stood at the railing. Somebody had carved Steve & Monica inside a clumsy heart. I traced it with my fingers. Three bikers went by on chopped hogs, no helmets.
Still quiet. Safe.
The house was set on a sloping rise, right next to a railroad overpass. I nosed the Chevy up the dirt road, pulled around to the back. Turned the car around. As soon as I closed the door, the car looked like it'd been there for years, rusting to death.
The house was dark. One back window had been repaired with a cardboard carton and some tape. I peered inside. Bulks of furniture, steady shadows, dirt and dust. Nobody lived there. I took a quarter out of my pocket, holding it between my fingers. Tapped it sharply on the steel door to the cellar. Three fast, three slow. Waited. Did it again. Convict code. We always find a way. A guy who did time on the Coast told me about scooping all the water out of the steel toilets, using the tubing as a communication line to the other blocks. Guys in solitary use a kind of Morse code. Takes a whole day to pass a message along. We played chess through the mail. Used little scraps of mirror to see what's happening down the tier. Hand signals. We'd find a way. And some guys, they'd be in solitary even when they hit the streets.
Three answering taps, spaced the same way. I tapped back, this time six in a row, all quick. The padlock on the storm door was a phony— it rested alongside the rings, not through them. I pulled it open and stepped into the darkness.
Down a flight of concrete steps, feeling my way. When I got down far enough, I reached up, pulled the storm door closed behind me.
I hit the bottom of the steps, put a palm along the wall to guide me. A white burst of light in my face, rooting me where I stood. It snapped off, leaving bright-spangled lights dancing inside my eyelids.
A switch clicked. Soft pool of light in a corner of the basement.
'Thanks for coming, brother.'
Virgil.
26
HE LOOKED about the same. Thick black hair, combed back along the sides '50s style, hazel eyes, a long face, pointed jaw, dominated by a falcon's beak for a nose. Indians had visited his grandfather's turf and they hadn't all got themselves shot.
Taller than me, a mountain man's build, the power in the bone, not the muscles. Big hands, thick wrists. The whole package built to survive the mountains and the mines.
Or prison.
He extended his hand, gave mine a brief squeeze, dropped it, and turned to stand next to me. Letting me see it for myself. My eyes adjusted, working in figure-eight loops from the pool of light. Small refrigerator against one wall, two-burner hot plate, canned goods stacked almost to the ceiling. Virgil handed me a flash. I swept the rest of the basement. It was as neat and clean as a lifer's cell. Three army cots, big portable radio with speakers on each side and a carrying handle, a pair of sawhorses with a rough plank across them for a table.
Virgil took the flash from me, pointed it and followed the beam, me right behind. I left my bag on the floor, keeping both hands free. The basement had more than one room. We turned the corner, stepped into a small bathroom. Just a toilet and a drain in the floor for the shower someone had put together out of a length of hose draped over a hook. We walked through to the furnace area. An ancient oil burner squatted, dying of metal fatigue, its plug pulled years ago.
Virgil spoke. 'Come on out of there, boy. It's okay.'
The door to the oil burner opened from the inside. A kid stepped out, blinking his eyes at the light. A slightly built boy with close-cropped light hair, trembling.
'Uncle Virgil…'
Virgil ignored him. 'This here's Lloyd,' he said to me. 'My wife's kin.'
The kid watched me like a bird watching a cat. A bird who couldn't fly.
'Get on inside,' Virgil said to him, stepping aside so the kid could walk in front of us.
Back in the big room, Virgil nodded toward the left-hand corner. A triangle of packing crates, hubcap on the floor between them. I took a seat. Virgil settled in. 'You too,' he told the kid.
He nodded his head at the corners of the basement. 'This here's the living room. Over there's the kitchen, far side's the bedroom. You already seen the bathroom. Man who owns this house, he's kin of Rebecca's.' He said her name the way they do in Appalachia, twanging hard on the first 'e,' dragging it out.
'Ain't nobody gonna come around. We got electricity for at least another month, until they turn it off. Garbage goes in the plastic bags. We stack 'em back behind the furnace. Got enough food here for a long time. Anybody comes, it's me they find. Lloyd hides himself in the furnace. Reba'll come back for him, it comes to that.'
'You going to go quietly?' I asked him.
He saw where I was looking. At the pair of long guns resting against the wall just behind him.
He shrugged. 'They don't want me for much of nothing. Helping a bail jumper, that's no kind of time. It just didn't seem natural to hole up without some firepower.'
'This an ashtray?' I asked, pointing at the hubcap on the floor.
'Yeah. The basement windows are all boarded up but there's plenty of cracks in them. It clears out pretty good.'
