“I’ll see
“The bar is called The LSAT,” Rejji said, the minute she walked into the motel room. “That’s for ‘Law School Admission Test.’ The story is, the owners were planning on going to law school, but they got such a low score on this test—I guess you need to get a certain number to get into
“And it’s the right crowd?” I asked her.
“I think so,” she said. “There’s a little college not far from here, but it’s pretty much closed down for the summer. So there’s only the trade from the camp, and how much could that be? This isn’t the kind of town where a lot of the young people stick around after high school. It’s got a few bars, but they’re either gin mills or topless joints—either too rough or too expensive for college kids to hang out in. No, this is the only one it could be.”
“All right,” I told them both, “let’s play it that way. Tonight’s Friday. We’ll give it two nights. If she doesn’t show, we’ll take a ride over to the camp on Sunday.”
“That’s probably the worst time,” Rejji said.
“Why?”
“Visiting day. The parents will be up, they’ll have all kinds of activities.... No way the counselors would get any time off.”
“You know a lot about this stuff, Rej?” Cyn asked her, curious.
“Yeah,” Rejji said. She got up, went into the bathroom, closed the door.
“Want to dance?” The guy was standing at our booth, arms crossed so he could puff out the biceps his neatly cut-off sweatshirt displayed.
“I’m with him,” Cyn said, pointing at me.
“What about you?” Muscles asked Rejji.
“Me, too.”
“You’re
“Sure,” Rejji said.
“You their father?” he asked me, leaning forward, locker-room aggressive.
I looked at his tanned-and-bland face, wondering if those big white teeth were caps. “Their manager,” I said.
“Yeah? What do they do?”
“We’re entertainers,” Cyn told him, no smile.
“That means we get paid to entertain,” Rejji said helpfully, her mouth as flat as Cyn’s.
Muscles stood there for a minute, downloading. Then he went away.
Rejji’s hand, under the table, on the inside of my thigh, squeezing. “That’s her! That’s her!” she whispered.
“You sure?”
“Let me go talk to her, I’ll tell you in a minute.”
“You know what to—?”
“
“I don’t know anything about a videotape,” the girl said. Her long black hair and hawkish nose gave her a proud, near-exotic look, but her eyes were like tiny Japanese lanterns—bright light behind fragile paper.
“You brought me all the way up here for
“You said yourself she’d be perfect,” Cyn said, half-annoyed.
“But if she’s not the same one who—”
“You don’t
“That was supposed to
“I’m not responsible for amateurs,” I said, clipped and impatient. “I have to look at
She opened her mouth to say something. I held up a hand to cut her off, said, “Look, if it’s not you on the tape, there’s nothing to say. The camera loves some people. Others, it doesn’t. I need the quality I saw on the tape. If that’s not you, I’m sorry we bothered you. But if it
“What would you...? I mean, if I was...?”
“It’s the same for everyone,” I told her. “You know how it works. I’m the casting director. Myself and my crew interview the prospects. The best ones, the ones we think the director will
“It was me,” she said, biting her thin lower lip.
“Don’t go too heavy on the makeup,” Cyn said to the girl through the open bathroom door. “When you get on the set, they’ll create a look for you right there.”
She came out, a little self-conscious, but not nervous. Maybe it was that half-hour she’d spent on the phone, on our tab, in one of the other rooms we rented. Or maybe it was the minibar we’d left her the key to. Cyn pointed her toward a chair with a spiral back and a round, padded seat. Rejji tightened the locknut on the tripod, adjusting the minicam, while Cyn rheostatted the lights up and down until Rejji nodded agreement.
“Come in
“She’s not miked,” Cyn reminded me.
“We need some tape of just pure expression,” I said. “Eyes and mouth, that’s what talks. It doesn’t matter what they say.... What we’re looking for is
I turned to the girl. “Tell me about your audition,” I said. “Tell me with your
She arched her back, widened her eyes, said, “Well...it’s a little complicated. It was a play-within-a-play, like
“Like improv?” Cyn asked her.
“No. Not like improv at all. Because there
“How did that work?” I asked, making a “Give me more!” gesture toward my face.
“It’s a new form of
“It doesn’t matter,” I assured her. “Just keep talking, so we get enough tape. And bring your hands into it a little. Just touch your cheek once in a while. Like...that! Yes, exactly!”
“