of his universe, that she is asking him specifically to untie the twisted ribbon of darkness that somehow links Lina with an embittered, saddened poet and her killer. What is the link that binds a white man who lived hundreds of years before in a place alien to all that Lina knew-England-and an adolescent teenaged girl trying to find herself in modern Hawaii, who instead finds a killer?

Does the book belong to the killer? Whose name, spoiled by water damage, has been all but erased? The killer's? Or someone close to the killer?

Why has he been so reluctant to turn the book over to the lab. to let the analysts conduct tests, to restore the badly damaged ink, to re-invent the name in the dark smudges? Why hasn't he let go of the book? Is it his only connection with the killer, or with Lina? If he loses this connection, does he lose all connection with her?

His tea is gone. He stares into the dregs wishing he could read something into them like some psychic, some fictional sleuth who, in the absence of reason, acts on instinct alone and wins. But heroes often fail, like the song says.

The night offers little more than an empty feeling inside him now-nothing more. He is left to pace, to think of his heavy responsibility, his burden to put an end to this madman. He paces until exhausted, until he again finds himself staring into the mirror and wondering if the killer, too, is awake at this ungodly hour, if he is pacing and staring at himself through a looking glass, questioning himself, his next step, wondering if he can go on, doubting his resolve to reach seven murders this season. Parry stares longer into the looking glass, and knowing the killer to be out there, he wonders if the killer is staring back at himself, pulling at facial stubble, washing white skin, or rinsing brown skin?

Unable to account for or remember his night's slumber, Parry, stupefied, awakens to the sound of military aircraft beating a thunderous approach and retreat overhead, as if he and his modest home are under siege. It is as if he has not slept at all.

10

O Rose, thou art sick.

The invisible worm

That flies in the night

In the howling storm,

Has found out thy bed

Of crimson joy,

And his dark secret love

Does thy life destroy.

William Blake, “The Sick Rose”

July 16. 9 A.M., FBI Headquarters. Honolulu

“ Joe Kaniola's put your shit, my shit, everybody's shit on the street, in print, front page of his rag!” shouted Scanlon at the top of his lungs. “Only good news is nobody reads it and it's in Hawaiian. Course, it's going to be picked up and translated by every paper in the islands and on the fuckin' radio and TV and the mainland anyway, a story like this… Christ, Parry!”

Scanlon was a bear of a man, broad-shouldered and barrel- chested, whose once-hard, chiseled face had collapsed in and was now jowly and square, a near-hidden cleft chin below the folds, and a surprisingly thin nose no longer at ease with a pair of near-closed, squinting colorless eyes. There was a history between Parry and Scanlon, Jim Parry's office having embarrassed the HPD in the past on more than one occasion, but particularly on the Daiporice murders when Parry had, after extensive examination of the facts, quickly linked several island scams which had led to a brutal professional killing. It turned out the hit man was contracted for by a high-ranking city official who was dirtier than most Mafia types Parry had known.

Meanwhile, the HPD blithely followed a path that netted several suspects, all of whom had nothing whatever to do with the crime. The HPD districts weren't communicating well on the case, and each area had arrested separate individuals for the scam and the killing, maintaining the two incidents were unrelated, filing separate reports bearing no relation to each other.

Another body surfaced and this time the FBI, acting on a missing-persons report, got involved. As bureau chief of the FBI, Parry didn't need a formal invite from Scanlon or any of his captains to come in on a missing- persons report, especially if it involved a minor, and Daiporice's own son, aged seventeen, had somehow gotten in the way and been eliminated. The loss of his son brought Ted Daiporice to his knees.

Parry's take-charge style had been viewed as abrasive by some HPD personnel before Daiporice, and it was likely for this reason he'd been “unaccountably” left out of the loop on the seventeen- year-old's disappearance. Parry charged in and crashed HPD's party anyway, when they couldn't find a trace of the missing young man anywhere.

Then came the Wilson Lewis case. Parry studied forensic reports and police reports on the case, along with the so-called confessions of those men being held in connection with a string of brutal slice-and-dice mutilations. Those arrested were mental defectives, down-and-outs and PSOs-previous sex offenders. When Parry came in on the case, he immediately saw the links between the victims; wounds to the eyes in particular showed such force as to indicate uncontrollable rage and hatred. Even the bones around the eyes had been damaged by the hilt of a knife; sexual organs too were gutted and turned out, as if the killer had to look and touch inside them, not unlike the Trade Winds Killer in this regard.

To be fair to Scanlon and his detectives, the bodies were always found weeks later in deserted areas of the forests, far off the main roads, and in the summer heat, that year reaching into the nineties, a cadaver was stripped to skeletal remains within ten days. So Scanlon's people didn't have much in the way of evidence either to identify the victims or to reconstruct the crimes. Like the Trade Winds Killer, Wilson Solomon Lewis, an otherwise mild- mannered insurance salesman by day, didn't leave his victims where he had killed them, so there was no crime scene to analyze per se; all they had to go on was where the bodies were dumped-a stone whodunit, in police parlance, the hardest kind of case to resolve.

Parry went to work, orchestrating a surveillance, his people watching every drop point for a full month, while he and Tony, spelled by others, watched what ought to be the killer's next and last drop point, according to the computer program tracking the bastard. They got lucky one night when a large vehicle consistent with the tire marks found at the other locations drove calmly off U.S. 61 passing the darkened surveillance vehicle on the far side of the road, placed at some distance away. Parry and Gagliano called for backup and drove into the woods, following at a safe stretch until their headlights hit on Lewis, his arms filled with overstuffed garbage bags, the trunk of his car popped, the light from the trunk setting off his features into a mosaic of contortion.

For a moment he looked relieved, waving to them as if he'd expected them long before. Still, he stuffed what he'd lifted from the trunk back into the vehicle and slammed home the lid.

Gagliano turned the spotlight on the man, who was wearing a pullover sweater and jeans, his hands smeared with a red substance that was unmistakable. A body was indeed inside the spacious trunk of his roomy Lincoln Town Car, the one he did regular business in. Wilson Lewis put up no resistance, standing aside like a child staring down at the valuable vase he'd broken, the damage irreparable.

“ Whhhhhh-y'd it take youuuuuu so… so… so long to… to st-st-stop me?” He stuttered.

“ Read him his fucking rights, Tony,” Parry had said, his eyes riveted to the horror encased in the man's trunk, his mind going over the question put to him by the insane.

Why had it taken them so long to stop him? he wondered. How could they've been so blind?

All of Lewis's victims had been prospective clients, many taken right from their homes at midday, all of them single and living alone. Records indicated that Lewis had no previous police record, but a careful scrutiny of his life later unearthed the troublesome nature of this man whom no one liked, not his neighbors, not his relatives, not his former bosses, of whom there were many. He had a long list of jobs from which he'd been fired, often for “odd, lewd or strange” behavior in one form or another. He had all his life been building toward vengeance against

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