Tales of Men and Ghosts

Ronald pursued his idea. “Where are all your letters, I wonder? Weren’t they returned to you at his death?”

Mr. Grew laughed. “Lord, no. I guess he had trunks and trunks full of better ones. I guess Queens and Empresses wrote to him.”

“I should have liked to see your letters,” the young man insisted.

“Well, they weren’t bad,” said Mr. Grew drily. “But I’ll tell you one thing, Ronny,” he added suddenly. Ronald raised his head with a quick glance, and Mr. Grew continued: “I’ll tell you where the best of those letters is—it’s in you. If it hadn’t been for that one look at life I couldn’t have made you what you are. Oh, I know you’ve done a good deal of your own making—but I’ve been there behind you all the time. And you’ll never know the work I’ve spared you and the time I’ve saved you. Fortune Dolbrowski helped me do that. I never saw things in little again after I’d looked at ‘em with him. And I tried to give you the big view from the stars… So that’s what became of my letters.”

Mr. Grew paused, and for a long time Ronald sat motionless, his elbows on the table, his face dropped on his hands.

Suddenly Mr. Grew’s touch fell on his shoulder.

“Look at here, Ronald Grew—do you want me to tell you how you’re feeling at this minute? Just a mite let down, after all, at the idea that you ain’t the romantic figure you’d got to think yourself… Well, that’s natural enough, too; but I’ll tell you what it proves. It proves you’re my son right enough, if any more proof was needed. For it’s just the kind of fool nonsense I used to feel at your age—and if there’s anybody here to laugh at it’s myself, and not you. And you can laugh at me just as much as you like…”

THE DAUNT DIANA

I

“WHAT’S become of the Daunt Diana? You mean to say you never heard the sequel?”

Ringham Finney threw himself back into his chair with the smile of the collector who has a good thing to show. He knew he had a good listener, at any rate. I don’t think much of Ringham’s snuff-boxes, but his anecdotes are usually worth while. He’s a psychologist astray among bibelots, and the best bits he brings back from his raids on Christie’s and the Hotel Drouot are the fragments of human nature he picks up on those historic battle-fields. If his flair in enamel had been half as good we should have heard of the Finney collection by this time.

He really has—queer fatuous investigator!—an unusually sensitive touch for the human texture, and the specimens he gathers into his museum of heterogeneous memories have almost always some mark of the rare and chosen. I felt, therefore, that I was really to be congratulated on the fact that I didn’t know what had become of the Daunt Diana, and on having before me a long evening in which to learn. I had just led my friend back, after an excellent dinner at Foyot’s, to the shabby pleasant sitting-room of my rive-gauche hotel; and I knew that, once I had settled him in a good armchair, and put a box of cigars at his elbow, I could trust him not to budge till I had the story.

II

YOU remember old Neave, of course? Little Humphrey Neave, I mean. We used to see him pottering about Rome years ago. He lived in two tiny rooms over a wine shop, on polenta and lentils, and prowled among the refuse of the Ripetta whenever he had a few soldi to spend. But you’ve been out of the collector’s world for so long that you may not know what happened to him afterward…

He was always a queer chap, Neave; years older than you and me, of course—and even when I first knew him, in my raw Roman days, he gave me an extraordinary sense of age and experience. I don’t think I’ve ever known any one who was at once so intelligent and so simple. It’s the precise combination that results in romance; and poor little Neave was romantic.

He told me once how he’d come to Rome. He was originaire of Mystic, Connecticut —and he wanted to get as far away from it as possible. Rome seemed as far as anything on the same planet could be; and after he’d worried his way through Harvard—with shifts and shavings that you and I can’t imagine—he contrived to get sent to Switzerland as tutor to a chap who’d failed in his examinations. With only the Alps between, he wasn’t likely to turn back; and he got another fellow to take his pupil home, and struck out on foot for the seven hills.

I’m telling you these early details merely to give you a notion of the man’s idealism. There was a cool persistency and a headlong courage in his dash for Rome that one wouldn’t have guessed in the little pottering chap we used to know. Once on the spot, he got more tutoring, managed to make himself a name for coaxing balky youths to take their fences, and was finally able to take up the more congenial task of expounding “the antiquities” to cultured travellers. I call it more congenial—but how it must have seared his soul! Fancy unveiling the sacred scars of Time to ladies who murmur: “Was this actually the spot—?” while they absently feel for their hatpins! He used to say that nothing kept him at it but the exquisite thought of accumulating the lire for his collection. For the Neave collection, my dear fellow, began early, began almost with his Roman life, began in a series of little nameless odds and ends, broken trinkets, torn embroideries, the amputated extremities of maimed marbles: things that even the rag-picker had pitched away when he sifted his haul. But they weren’t nameless or meaningless to Neave; his strength lay in his instinct for identifying, putting together, seeing significant relations. He was a regular Cuvier of bric-a-brac. And during those early years, when he had time to brood over trifles and note imperceptible differences, he gradually sharpened his instinct, and made it into the delicate and redoubtable instrument it is. Before he had a thousand francs’ worth of anticaglie to his name he began to be known as an expert, and the big dealers were glad to consult him. But we’re getting no nearer the Daunt Diana…

Well, some fifteen years ago, in London, I ran across Neave at Christie’s. He was the same little man we’d known, effaced, bleached, indistinct, like a poor “impression”—as unnoticeable as one of his own early finds, yet, like them, with a quality, if one had an eye for it. He told me he still lived in Rome, and had contrived, by fierce self-denial, to get a few decent bits together—“piecemeal, little by little, with fasting and prayer; and I mean the fasting literally!” he said.

He had run over to London for his annual “look-round”—I fancy one or another of the big collectors usually paid his journey—and when we met he was on his way to see the Daunt collection. You know old Daunt was a surly brute, and the things weren’t easily seen; but he had heard Neave was in London, and had sent—yes, actually sent!—for him to come and give his opinion on a few bits, including the Diana. The little man bore himself discreetly, but you can imagine his pride. In his exultation he asked me to come with him—“Oh, I’ve the grandes et petites entrees, my dear fellow: I’ve made my conditions—” and so it happened that I saw the first meeting between Humphrey Neave and his fate.