Vyse lifted his head with a quick movement. “What do you mean?” he asked, pushing his chair back.

“I mean that you saw I couldn’t live without flattery, and that you’ve been ladling it out to me to earn your keep.”

Vyse sat motionless and shrunken, digging the blotting-pad with his pen. “What on earth are you driving at?” he repeated.

“Though why the deuce,” Betton continued in the same steady tone, “you should need to do this kind of work when you’ve got such faculties at your service—those letters were magnificent, my dear fellow! Why in the world don’t you write novels, instead of writing to other people about them?”

Vyse straightened himself with an effort. “What are you talking about, Betton? Why the devil do you think I wrote those letters?”

Betton held back his answer, with a brooding face. “Because I wrote ‘Hester Macklin’s’—to myself!”

Vyse sat stock-still, without the least outcry of wonder. “Well—?” he finally said, in a low tone.

“And because you found me out (you see, you can’t even feign surprise!)—because you saw through it at a glance, knew at once that the letters were faked. And when you’d foolishly put me on my guard by pointing out to me that they were a clumsy forgery, and had then suddenly guessed that I was the forger, you drew the natural inference that I had to have popular approval, or at least had to make you think I had it. You saw that, to me, the worst thing about the failure of the book was having you know it was a failure. And so you applied your superior—your immeasurably superior—abilities to carrying on the humbug, and deceiving me as I’d tried to deceive you. And you did it so successfully that I don’t see why the devil you haven’t made your fortune writing novels!”

Vyse remained silent, his head slightly bent under the mounting tide of Betton’s denunciation.

“The way you differentiated your people—characterised them—avoided my stupid mistake of making the women’s letters too short and logical, of letting my different correspondents use the same expressions: the amount of ingenuity and art you wasted on it! I swear, Vyse, I’m sorry that damned post-office went back on you,” Betton went on, piling up the waves of his irony.

But at this height they suddenly paused, drew back on themselves, and began to recede before the spectacle of Vyse’s pale distress. Something warm and emotional in Betton’s nature—a lurking kindliness, perhaps, for any one who tried to soothe and smooth his writhing ego—softened his eye as it rested on the drooping figure of his secretary.

“Look here, Vyse—I’m not sorry—not altogether sorry this has happened!” He moved slowly across the room, and laid a friendly palm on Vyse’s shoulder. “In a queer illogical way it evens up things, as it were. I did you a shabby turn once, years ago—oh, out of sheer carelessness, of course—about that novel of yours I promised to give to Apthorn. If I had given it, it might not have made any difference—I’m not sure it wasn’t too good for success—but anyhow, I dare say you thought my personal influence might have helped you, might at least have got you a quicker hearing. Perhaps you thought it was because the thing was so good that I kept it back, that I felt some nasty jealousy of your superiority. I swear to you it wasn’t that—I clean forgot it. And one day when I came home it was gone: you’d sent and taken it. And I’ve always thought since you might have owed me a grudge—and not unjustly; so this … this business of the letters … the sympathy you’ve shown … for I suppose it is sympathy … ?”

Vyse startled and checked him by a queer crackling laugh.

“It’s not sympathy?” broke in Betton, the moisture drying out of his voice. He withdrew his hand from Vyse’s shoulder. “What is it, then? The joy of uncovering my nakedness? An eye for an eye? Is it that?

Vyse rose from his seat, and with a mechanical gesture swept into a heap all the letters he had sorted.

“I’m stone broke, and wanted to keep my job—that’s what it is,” he said wearily …

THE LEGEND

I

ARTHUR BERNALD could never afterward recall just when the first conjecture flashed on him: oddly enough, there was no record of it in the agitated jottings of his diary. But, as it seemed to him in retrospect, he had always felt that the queer man at the Wades’ must be John Pellerin, if only for the negative reason that he couldn’t imaginably be any one else. It was impossible, in the confused pattern of the century’s intellectual life, to fit the stranger in anywhere, save in the big gap which, some five and twenty years earlier, had been left by Pellerin’s unaccountable disappearance; and conversely, such a man as the Wades’ visitor couldn’t have lived for sixty years without filling, somewhere in space, a nearly equivalent void.

At all events, it was certainly not to Doctor Wade or to his mother that Bernald owed the hint: the good unconscious Wades, one of whose chief charms in the young man’s eyes was that they remained so robustly untainted by Pellerinism, in spite of the fact that Doctor Wade’s younger brother, Howland, was among its most impudently flourishing high-priests.

The incident had begun by Bernald’s running across Doctor Robert Wade one hot summer night at the University Club, and by Wade’s saying, in the tone of unprofessional laxity which the shadowy stillness of the place invited: “I got hold of a queer fish at St. Martin’s the other day—case of heat-prostration picked up in Central Park. When we’d patched him up I found he had nowhere to go, and not a dollar in his pocket, and I sent him down to our place at Portchester to rebuild.”

The opening roused his hearer’s attention. Bob Wade had an odd unformulated sense of values that Bernald had learned to trust.

“What sort of chap? Young or old?”

“Oh, every age—full of years, and yet with a lot left. He called himself sixty on the books.”

“Sixty’s a good age for some kinds of living. And age is of course purely subjective. How has he used his sixty years?”

“Well—part of them in educating himself, apparently. He’s a scholar—humanities, languages, and so forth.”

“Oh—decayed gentleman,” Bernald murmured, disappointed.

Вы читаете Tales of Men and Ghosts
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату