Both women gave Mary an appraising look. Very conscious that her clothes were 'off the peg', her face un- made-up and her hair done most unbecomingly, Mary wilted under their glance. But, next moment, she saw that beneath their masks the mouths of both of them were smiling, and the older one said briskly, 'Don't look so worried, child. There is nothing to be frightened about. Come with us, now.'

Somewhat reassured, Mary gave a half-smile to Abaddon and Ratnadatta, then accompanied the two women from the room. As they walked, one on either side of her, up the broad staircase, the elderly Countess remarked: 'Perhaps Abaddon's mentioning a cell scared you. But it need not. In Victorian times this house was a nunnery and the big reception rooms on the first floor were converted into a number of small cells. They come in quite useful now as they provide us with a range of private changing rooms.'

Half way down a broad corridor they entered one of them. It no longer had any resemblance to a cell. A fitted carpet covered its floor; on its panelled walls hung several small, but beautifully executed, coloured erotic French prints of the eighteenth century. It was furnished with a wardrobe, dressing table, electric fire, and chairs, on one of which reposed a strange collection of items consisting mainly of iron and sacking.

'Get your clothes off, my dear,' said the Countess, and Mary began to obey. As she did so, impelled to show that she was not completely overawed, she said: 'Abaddon told me that everyone here goes by the name of a witch or wizard, so why do you continue to use your own name, Lady Salisbury?'

The little grey-haired woman gave a sharp laugh. 'Outside these walls I have no title, but if you had read the old historical chronicles you would know that the Countess of Salisbury, who lived in Edward the Third's time, was the Queen witch of England. She was the King's mistress and it was from her that he snatched the emblem of Satan's power, her jewelled garter. Far memory tells me that I lived her life in a previous incarnation; so I took her title.'

'And you?' Realizing now that she must not neglect the opportunity to get these women to talk, Mary looked at the Chinese girl. 'I'm afraid I did not catch your name, but I'd be interested to know about its associations.'

The girl smiled. 'I am Tung-fang Shuo, and take my name from the great Chinese magician who lived in the second century a.d. But tell us, what impels you to wish to become a Sister of the Ram?'

'A desire for power,' replied Mary promptly. 'What kind of power?' enquired the Countess. After hesitating a second, Mary answered, 'Power over men.'

A beak-like nose projected from the Countess's mask and she wrinkled it in a suggestion of contempt. 'Then I think you stupid. You have looks enough already to get most men you might want. Power can have more interesting uses. Fifteen years ago my husband was no more than a fairly rich industrialist with no worthwhile social connections. Now, if I unmasked I should be surprised if you did not recognize me. Hardly a week passes without my photograph appearing in the Tatler, or some other paper. I am one of the best-known hostesses in London; and that brings far more satisfaction than just being able to lure any man you want into bed with you.'

'I do not agree,' declared Tung-fang Shuo. 'Your life of constantly entertaining important people must be one long round of anxiety and trouble. Regard myself. Three years ago I was brought to London as a typist to work in the Chinese Embassy. Behold me now. I toil not, neither do I spin. I am the mistress of a millionaire. He must kiss my feet before I will allow him to make love to me, and if I were fool enough I could make him squander his whole fortune on my whims.' Suddenly she raised her hand, flashing the huge diamond on her finger. 'But I am wise enough to be content with such presents as he of his own will buys me.'

By that time Mary had taken off all her clothes. The Countess picked up the sacking from the chair and held it out to her. To her amazement she saw that it had been fashioned into a rough two-piece garment. The upper part was simply a sack with holes cut in it at one end through which head and arms could be passed; the lower, another sack, slit down one side and along its bottom, so that by a string threaded through its top it could be tied round the waist as a skirt.

Tung-fang Shuo's black almond eyes smiled at Mary through the mask she was wearing. 'I am sad for you at this moment. You are very beautiful, and it is a hard thing for a beautiful woman to have to put on clothes that lessen the desire of men for her. But you are still a Christian; so you must wear a Christian's livery.'

Obediently Mary wriggled into the coarse, scratchy sacking, while Tung-fang Shuo pulled out from under the chair a pair of shoes so ugly, and made of such thick leather, that they resembled men's football boots from which the top few inches had been cut off. Mary sat down and the Chinese girl helped her get her bare feet into these monstrosities. They were much too large for her, but strong adjustable clips kept them on. As she stood up again and took a step forward she nearly overbalanced, the foot she had raised came down with a thud, and she realized that the soles of these horrible shoes must be weighted with lead.

The Countess, meanwhile, had been sorting out the ironmongery and Mary could see now that it consisted of a rusty set of ancient gyves and manacles. The two women adjusted the leg-irons then fastened the thick handcuffs, that were attached to them by short chains, over her wrists. Standing back they both surveyed her and the Countess said:

'I think a No. 2 size mantle would be about right for her.'

'Yes,' agreed Tung-fang Shuo, 'and her feet are a little larger than mine, so she will need size 5 in sandals.' Then she added to Mary: 'Sit down now and wait here until we return. We shall not be long as we have only to undress.'

When they had gone Mary looked at herself in the mirror and found her reflection even more unprepossessing than she had supposed. The shapeless sacking made her look broader and shorter than she appeared normally, and entirely hid her good figure. Her scragged back hair left her face without its attractive frame. Her complexion was still brown, as she had disobeyed Ratnadatta in that one particular, fearing that if she allowed him to see her naturally fair skin, he might suspect that she had also disguised herself in other ways; but she had on no eye- shadow or lipstick, and her mouth now stood out abnormally pale against her bronze-tinted face.

In less than ten minutes the Countess and Tung-fang Shuo rejoined her. Both now wore only transparent mantles, silver sandals and black velvet garters buckled below their left knees. The former, with her lean skinny little body, and loose hanging breasts, Mary thought a repulsive sight for this time she had been given no drugged drink to condition her mind into regarding nudity with detached indifference; yet that very fact enabled her consciously to appreciate that the slender, golden-brown form of the young Chinese was beautifully proportioned and as entrancing to look at as a great work of art.

The Countess said: 'Come now. You will find it difficult to walk in those heavy shoes, but we will help you.'

She was right. The weight of the irons was distributed, and so supportable, but the lead in the shoes made it an effort to lift them from the ground. The two women each took Mary by an arm and between them she staggered along the corridor. When they reached the staircase they made her put her arms round their necks, and so got her down the stairs without the risk of her ricking an ankle.

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