the latest religions and empires and so forth, whose followers are undoubtedly holding forth with fervent self-regard up there in the Holy City.

Or put another way, whose empire is it that now sways the world? asked Moses the Ethiopian, quoting the question asked nearly two millennia ago by St. Paul of Thebes, at the age of one hundred and thirteen, when speaking to a younger anchorite who had arrived more recently in the desert, St. Anthony, aged ninety.

Bell smiled at his friends and walked with Assaf from the porch to the gate.

Would it be all right if I did come to call now and then? asked Assaf.

We would be hurt if you didn't, said Bell. We miss Ali and Yousef and it makes a difference when you're here.

By the gate Bell pointed at Assaf's sandaled feet.

I know these now, said Bell. After years of sitting on my front porch and gazing out under the orange trees, I'm apt to recognize people by their feet. Abu Musa senses their hearts and Moses, well, he plucks their beings straight from the sunlight. So do come to see us whenever you can.

Assaf thanked Bell and agreed to come. With Yousef gone, he felt a growing kinship with the trio of wise men on Bell's front porch.

***

That summer Assaf gave up his small house on the edge of the Judean desert. It saddened him to be in el Azariya without Yousef, so he left the village and moved back to Anna's old stone house on Ethiopia Street.

His interest now was history, a passion he had picked up from Yousef. In the autumn he would begin studies at Hebrew University on Mt. Scopus, which he could see from the balcony in Anna's house where he spent all his time reading about the past.

Between Assaf's balcony and Mt. Scopus lay the valley where he had fought on a June night just over a year ago, the low ground of the Wadi Joz and the area known as Sheik Jarrah, which ran east to Damascus Gate in the Old City. Sheik Jarrah was said to have been chief surgeon to the armies of Salah al-din, the great Kurdish warrior who defeated the Crusaders in the Middle Ages and drove them from the Holy Land. The call of the muezzin from the mosque of Sheik Jarrah reached Assaf clearly, sometimes mixed with another inside Damascus Gate, depending on the wind.

At regular hours the Moslem calls to prayer, beginning with Allah'hu akbar, God is great, echoed up to Assaf's balcony across the former no-man's-land and caused him to lose his place in his book, to raise his eyes and daydream as he read of Crusader or Roman or Babylonian armies advancing to conquer Jerusalem on that track of low ground a thousand and two thousand and twenty-five hundred years ago.

The Israeli paratroopers in the Six-Day War had followed exactly the same route as all those other armies whose conquests of Jerusalem had been equally momentous events in other ages, in the make-believe of once upon a time, in all those distant eras now long since lost in the swirl of history. So for Assaf on his balcony above Ethiopia Street, such were the humbling lessons of Jerusalem and conquest, Jerusalem and time, as he studied and read and gazed out at the Old City, musing on the mirage of the present which was forever being born of the mythology of the past. And yet it was his history nonetheless, and his city's history

— still the indelible mystery of place and man in it.

From his balcony he also listened to the grave ancient chants of his neighbors, the dignified Ethiopian monks across the street, whose solemn sing-song prayers soared above their lemon and cypress trees in the golden light of summer afternoons. Twice a day at four in the morning and again at four in the afternoon a bell drew the monks from their cells to the incense-shadowed vastness of their round stone church with its great purple-black dome, where they stood leaning on staffs and swaying like stately ghosts to the rhythms of their chants, so exotic and primitive and soothing, a timeless interlude for the hidden courtyards on Ethiopia Street. At other hours an elderly lone monk might circle the church reciting devotional poems in liturgical language, the low hum of his archaic dialects as persistent as a bee busily at work in the shade.

An order of young French nuns also lived on Ethiopia Street, and in the reverent moments when the light of day faded over Jerusalem their angelic songs of prayer would suddenly pierce the air with breathtaking clarity.

The young nuns sang with an exquisite beauty, with the very grace of nature itself and a promise of holiness like no other. To Assaf, indeed, it seemed the purest human sound God had ever made.

***

Underlying the allure of the past for Assaf was an irresistible fascination with the life of his dead uncle, Anna's brother David, who had been killed in Cairo during the Second World War. Unlike his father, whom Assaf remembered with great clarity, his uncle remained a mystery to him. Anna had often spoken of her brother when Assaf was growing up, giving the impression that he wasn't dead so much as distant, gone to live in another country. This was particularly true after Yossi was killed. But to Assaf the life of his father had a meaning and a finality that his uncle's never could have, because he hadn't known him.

From the mixture of admiration and love and small detail with which a sister remembers her older brother, her companion in childhood, Assaf knew a great deal about his uncle. He also knew that he resembled his uncle in appearance and that his manner often reminded Anna of her brother. Yet somehow Anna's recollections of her brother were so deeply personal, so given to intimate memories of their childhood together, that Assaf never quite felt he understood his uncle as a man. The house and the street and the neighborhood in Cairo which Anna sensed so strongly — all of this was foreign to Assaf. Now that he himself was a young man he couldn't picture his uncle as he wanted to: not as his mother's older brother, the boy his mother grew up with, but as a separate person one might meet or see anywhere.

What kind of man had his uncle been? In seeking an answer to that, Assaf turned to Tajar.

Ah well, said Tajar, I only wish I could tell you more. I didn't know David well and what I recall I've already mentioned at one time or another. He was serious and dedicated but he obviously wasn't meant for undercover work. I always had that impression of him. The demands of a double life made him uneasy. If he'd been able to stick with smuggling Jews out of Egypt it might have gone all right, but when he got involved with deeper things he was over his head. He didn't have the outlook or training for that sort of business. But then he got caught up, drawn in, and it was too much.

Did you know what the deeper things were? asked Assaf.

Not in any specific way, replied Tajar, but later in the war I came to have a vague notion of what had been involved. It was what we'd call espionage, no question about it, and that's how David got into trouble. You have to remember that Rommel and the Germans seemed very close to overrunning Egypt and seizing the canal, and the British were desperate. Many Egyptians favored the Germans from a nationalist point of view, to get the British out, and Cairo was crowded with refugees from Europe. So there were innumerable cells and obscure organizations all carrying on their own secret causes. Men moved back and forth in disguises and there were British and German penetrations everywhere and informers up and down the line. And the tank battles were very close, only hours away in the desert. The lines changed constantly and units were destroyed or disappeared. There was also traffic to and from Europe, especially Greece, fast boats and clandestine air drops. So what it amounted to in Cairo was chaos, a very dangerous kind of chaos for anyone involved in espionage. And of course it was easy to become involved without knowing it, which is what happened to David. He was on the edge of something. He wasn't really a participant himself, but through others he was connected to a maze, and somewhere in that maze there was extremely vital information. Or an extremely important agent, either to the British or the Germans, and as a result David was killed.

It seems hopelessly blurred and indistinct, said Assaf. I can't get ahold of it. Or of him.

True enough, replied Tajar. History is often that way. We only pretend it's clear in retrospect. There are always conflicting truths and especially that immense confusion, that chaos. Add to it the cross purposes of war where there are never two sides or a dozen sides but a hundred and a thousand sides from which people pursue their bewildering variety of causes, each one vital to them, each one worth enormous sacrifices, and then beneath those outward causes consider the conscious outwitting of others through pretense — what we today know as espionage — and you have the constantly shifting images of a tapestry we call history. Each of us, in fact, creates history. Each of us decides what was, what used to be. Anna knew David in a certain way and she clings to that and insists upon it and of course she's right, it's right, from her point of view. He was her brother and she grew up with him and David was this and that and such and so. For her, it's as simple as that. But it can't be that way for you or me or for anyone else. I have an impression of David which I recall from having seen him a few times in certain circumstances. But perhaps he was in a particular mood when I happened to see him. Or perhaps he was

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