But the small white-haired boy only looked back at him silently.
“Yes, there is a Merolanna, but she is the king’s aunt Kendrick’s younger brother and sister are named Barrick and Briony. Oh, and the king’s wife is carrying another child as well.” Chert reflexively made the sign of the Stone Bed, a Funderling charm for good luck in childbirth.
The strange gleam in the boy’s eyes faded.
“He’s heard of Duchess Merolanna,” Chert told Opal. “He must be from these parts.”
She rolled her eyes. “He’ll probably remember a lot more when he gets a meal and some sleep Or were you planning to stand in the street all night talking to him of things you know nothing about?'
Chert snorted but waved the boy forward.
More people were streaming out of the castle than were going in, mostly inhabitants of the mainland part of the city whose work brought them onto the Mount and who were now returning home at the end of the day Chert and Opal had a hard time forcing their way against a tide of much larger people Opal led them out of Market Square and through echoing covered walkways into the quieter, somewhat gloomy back streets behind the south waterway, called Skimmer’s Lagoon, and its docks, one of two large moorings inside the castle’s outwall. The Skimmers had carved the wooden dock pilings into weird shapes, animals and people bent and stretched until they were almost unrecognizable. The colorful paint was dulled by the dying light, but Chert thought the carved pilings still seemed as strange as ever, like trapped foreign gods staring out across the water, trying to get a glimpse of some lost homeland. The still shapes even seemed to mourn out loud as boats full of half-naked Skimmer fishermen unloaded the day’s catch on several of the smaller docks, the air of the lagoon was full of their groaning (and to Chert’s ear, almost completely tuneless) songs.
“Aren’t those people cold?' the boy asked. With the sun now behind the hills, chill winds were beginning to run across the waterway, sending white-tipped wavelets against the pillars.
“They’re Skimmers,” Chert told him. “They don’t get cold.” “Why not?'
Chert shrugged. “The same reason a Funderling can pick something up off the ground faster than you big folk can. We’re small. Skimmers have thick skins. The gods just wanted it that way.”
“They look strange.”
“They are strange, I suppose. They keep to themselves. Some of them, it’s said, never step farther onto dry land than the end of a loading dock. Webbed feet like a duck, too—well, a bit between the toes. But there are even odder folk around here, some claim, although you can’t always tell it to look at them.” He smiled. “Don’t they have such things where you come from?'
The boy only looked at him, his expression distant and troubled.
They were quickly out of the back alleys of Skimmer’s Lagoon and into the equally close-leaning neighborhoods of the big folk who worked on or along the water. The light was failing quickly now and although there were torches at the crossings and even a few important people being led by lantern-bearers, most of the muddy streets were lit only by the candlelight and firelight that leaked from soon-to-be-shuttered windows. The big folk were happy to build their ramshackle buildings one on top of the other, ladders and scaffolding thick as hedgehog bristles, so that they almost choked off the narrow streets entirely. The stench was dreadful.
He pushed away the odd thought—where would all these big folk go, for one thing’.
Chert and Opal led the boy down the narrow, sloping length of Stonecutter’s Way and through an arched gate at the base of the New Wall, leading him out from beneath the evening sky and into the stony depths of Funderling Town.
This time Chert was not surprised when the boy stopped to stare in awe: even those big folk who did not particularly trust or like the small folk agreed that the great ceiling over Funderling Town was a marvel. Stretching a hundred cubits above the small people s town square and continuing above all the lamplit streets, the ceiling was a primordial forest carved in every perfect detail out of the dark bedrock of the Mount. At the outer edges of Funderling Town, closest to the surface, spaces had even been cut between the branches so that true sky shone through, or so that when night fell (as it was falling even now), the first evening stars could be seen sparkling through the gaps in the stone. Each twig, each leaf had been carved with exquisite care, centuries of painstaking work in all, one of the chief marvels of the northern world. Birds feathered in mother-of-pearl and crystal seemed as though they might burst into song at any moment. Vines of green malachite twined up the pillar-trunks, and on some low branches there were even gem-glazed fruits hanging from stems of improbably slender stone.
The boy whispered something that Chert could not quite hear. “It is wonderful, yes,” the little man said. “But you can look all you want tomorrow. Let us catch up with Opal, otherwise she will teach you how a tongue can be sharper than any chisel.”
They followed his wife down the narrow but graceful streets, each house carved back into the stone, the plain facades giving little indication of the splendid interiors that lay behind them, the careful, loving labor of generations. At each turning or crossing oil lamps glowed on the walls inside bubbles of stone thin as blisters on overworked hands. None of the lights were bright, but they were so numerous that all night long the ways of Funderling Town seemed to tremble on the cusp of dawn.
Although Chert himself was a man of some influence, their house at the end of Wedge Road was modest, only four rooms all told, its walls but shallowly decorated. Chert had a moment of shame remembering the Blue Quartz family manor and its wonderful great room covered with deeply incised scenes of Funderling history. Opal, for all her occasional spikiness of tongue, had never made him feel bad that the two of them should live in such a modest dwelling while her sisters-in-law were queening it in a fine house. He wished he could give her what she deserved, but Chert could no more have stayed in the place, subservient to his brother Nodule—or “Magister Blue Quartz,” as he now styled himself—than he could have jumped to the moon. And since his brother had three strong sons, there was no longer even a question of Chert inheriting it should his brother die first.
“I am happy here, you old fool,” Opal said quietly as they stepped through the door. She had seen him staring at the house and had guessed his thoughts. “At least I will be if you go and clear your tools off the table so we may eat like decent people.”
“Come, boy, and help me with the job,” he told the little stranger, making his voice loud and jovial to cover the fierce, sudden love he felt for his wife. “Opal is like a rockfall—if you disregard her first quiet rumblings, you will regret it later on.”
He watched the boy wipe dust from the pitted table with a damp cloth, moving it around more than actually cleaning it.
“Do you remember your name yet?” he asked. The boy shook his head.
“Well, we must call you something—Pebble?” He shouted to Opal, who was stirring a pot of soup over the fire, “Shall we call him Pebble?” It was a common name for fourth or fifth boys, when dynastic claims were not so important and parental interest was waning.
“Don’t be foolish. He shall have a proper Blue Quartz family name,” she called back. “We will call him Flint. That will be one in the eye for your brother.”
Chert could not help smiling, although he was not entirely happy about the idea of naming the child as though they were adopting him as their heir. But the thought of how his self-important brother would feel on learning that Chert and Opal had brought in one of the big folk’s children and given him miserly old Uncle Flint’s name was indeed more than a little pleasing.
“Flint, then,” he said, ruffling the boy’s fair hair. “For as long as you stay with us, anyway.”
Waves lapped at the pilings. A few seabirds bickered sleepily. A plaintive, twisting melody floated up from one of the sleeping-barges, a chorus of high voices singing an old song of moonlight on open sea, but otherwise Skimmer’s Lagoon was quiet.
Far away, the sentries on the wall called out the midnight watch and their voices echoed thinly across the water. Even as the sound faded, a light gleamed at the end of one of the docks. It burned for a moment, then went dark, then burned again. It was a shuttered lantern; its beam pointed out across the dark width of the lagoon. No one within the castle or on the walls seemed to mark it.
But the light did not go entirely unobserved. A small, black-painted skiff slid silently and almost invisibly
