Passage

“Yes,” Joanna said to him, “where were you when the guy was waving a gun around?” She turned back to Vielle. “When exactly did you plan to tell me? Or did you plan to? If he’d shot you through the heart, would you have told me then?” and flung herself across the ER.

“Joanna—” Vielle called after her.

She pushed through the side door. Behind her, she heard Vielle say, “Cover for me. I’ll be back in a few minutes. Joanna, wait—”

Joanna ignored her and headed down the hallway.

“Joanna, please!” Vielle caught up to her just before she reached the stairs. “Don’t be angry,” she said, clutching at Joanna’s arm with her left hand. “The reason I didn’t tell you was—”

“Because you knew what I’d say,” Joanna said. “You’re right. I would have said it. Did you really expect me to stand idly by and watch my best friend get killed?”

“It was just a scratch,” Vielle protested. “He wasn’t shooting at me. I don’t even think he knew he had a gun. He was on rogue—”

“On rogue,” Joanna said, “which has caused a twenty-five percent increase in emergency room casualties.”

“You don’t understand,” Vielle said. “I was as much to blame as he was. I should have seen he was too far gone to reason with. I thought I could calm him down, and I took hold of his arm. The first thing the hospital memo said was, ‘Do not attempt to engage the patient.’ I had no business—”

“You have no business working in the ER,” Joanna cut in. “How many more warnings do you need? This is about as plain as it gets. You’ve got to get out of there.”

“I can’t. We’re shorthanded as it is. Two of our nurses are out with the flu, and the bad publicity means we can’t get subs. Look, it won’t happen again. They’ve hired an additional security guard. He starts tomorrow, and the hospital is talking about putting in a metal detector.”

“The hospital that responded to the last shooting by putting out a memo? Vielle, listen to me. You’ve got to transfer out now.”

Vielle was looking at her with an odd expression. “All right,” she said.

Joanna blinked. “You’ll ask for a transfer?”

“I’ll make you a deal. I’ll transfer out of the ER, and you tell Richard you can’t be his guinea pig anymore.”

Joanna stared at her. “Quit the project? Why?”

“You said you couldn’t stand idly by and watch your best friend get killed? Well, neither can I. I’m worried about you.”

“Worried about me?” Joanna said. “You’re the one with a bandage on her arm. You’re the one who—”

“You’re the one who’s got shadows under her eyes practically down to her knees,” Vielle said. “Have you looked in a mirror lately?”

“I’m fine,” Joanna said.

“That’s what the woman in there just said, the one who keeps screaming, ‘The British are coming!’; the one who doesn’t realize she’s crazy. You’re nervous as a cat, you space out when people are talking to you. When you came down to the ER just now, you looked—”

“You saw me?” Joanna said, outraged all over again. “What were you doing, hiding from me? You were,” she said, suddenly remembering Nina looking anxiously around and then hustling her into the communications room. “You waited till you thought I’d gone to come out.”

“Don’t change the subject,” Vielle snapped. “You looked white as a ghost. You still look white as a ghost.”

“And how am I supposed to look? I just found out my best friend was shot by a lunatic.”

Stalemate. They stood there, bristling like a pair of dogs for a long minute, then Vielle said patiently, “You’re overwrought, you’re losing weight—”

“I’ve been busy,” Joanna said defensively. “The cafeteria’s always closed—”

“The cafeteria has nothing to do with your disappearing for hours, jumping if anybody talks to you. You know who you’re acting like?”

“Julia Roberts in Flatliners?” Joanna said sarcastically.

“Julia Roberts in Mary Reilly. She had shadows under her eyes, too, and she nearly got herself killed because she refused to stop working for Dr. Jekyll.”

“Richard’s not Mr. Hyde.”

“Richard wouldn’t notice if you fell over unless it showed up on one of those scans of his. You have to tell him you can’t go under anymore.”

“I can’t,” Joanna said.

“Why not?”

Because it means something, Joanna thought. Because it’s important. “Richard doesn’t have any other subjects,” she said, “except Mr. Sage, and he’s useless. The progress report is due in two weeks, and if we don’t discover how the NDE works soon—” She broke off and started again. “If it’s a survival mechanism, it could be used to revive patients who’ve coded, and the key is the images I’m seeing in my NDEs. I have to figure out what they mean.”

Vielle was regarding her solemnly. “This is about Maisie Nellis,” she said wonderingly. “You think you’re going to make some big discovery about NDEs that’ll bring back patients whose hearts have given out. That’s why you joined the project in the first place, not because you could find out firsthand what NDEs were like or because Dr. Wright was Dr. Right. You did it because you thought you could save Maisie from drowning.”

“I don’t—”

“Nurse Howard,” Nina called, leaning her head out the side door. “Nurse Gilbert wants to talk to you.”

“Tell her I’ll be there in a minute,” Vielle said.

Nina’s head disappeared and then popped out again. “Where’s the fiberoptic gastroenterology scope?”

“Examining Room Two,” Vielle said, “lefthand side of the cabinet above the sink,” and Nina disappeared again.

Vielle turned back to Joanna. “When I first started in the ER,” she said, “I thought if I just worked long and hard enough, I could fix everything, I could save everybody’s life.” She smiled wryly. “You can’t. You’re only human.”

“You still have to try,” Joanna said.

“Even if it means risking your own health? And don’t tell me about wanting to die like Sullivan or Gilbert, whichever one it was, because, trust me, dying isn’t something you want to do. I work with death every day in there. It’s something to avoid at all costs.”

“Then why are you still working in there?”

Nina leaned out again. “It’s locked.”

“The key’s in the station desk. Top drawer, right side.”

“And Stan wants to know if he’s supposed to work a double shift tonight.”

Vielle sighed. “Tell him to ask Mr. Avila in Ops. He’ll know what’s happening.”

He’ll know what’s happening. “Ask Mr. Briarley,” the bearded gentleman had told the steward. “He’ll know what’s happening.” He was right. The Mr. Briarley on board had remembered Ricky Inman and “The Rime of the Ancient Mariner.”

He’d remember what he had said in class. I should have asked him there in the writing room, Joanna thought. He would have been able to tell me, and then, with a shock of comprehension, That’s why he was there. Not because he was dead. Because he knew the answer.

“Well, then ask her where Mr. Avila is,” Vielle was saying.

I have to get Richard to send me under again, Joanna thought, so I can ask Mr. Briarley what he said.

“All right,” Vielle was saying resignedly. “I’ll be right there.” She turned to Joanna. “What say we both quit right now and walk out that door?” She pointed to the door that led to the parking lot. “We get in my car and go someplace where it never snows and there aren’t any Ninas.”

“Or rogue-ravers.”

“Or sick people.”

“Or Mrs. Davenports.”