'Jeeves,' I said, and you wouldn't be far out in describing me as stunned, 'did I hear you correctly?'
'Yes, sir.'
'You actually contemplate leaving my entourage?'
'Only with the greatest reluctance, sir. But if it is your intention to play that instrument within the narrow confines of a country cottage ...'
I drew myself up.
'You say 'that instrument', Jeeves. And you say it in an unpleasant, soupy voice. Am I to understand that you dislike this banjolele?'
'Yes, sir.'
'You've stood it all right up to now.'
'With grave difficulty, sir.'
'And let me tell you that better men than you have stood worse than banjoleles. Are you aware that a certain Bulgarian, Elia Gospodinoff, once played the bagpipes for twenty-four hours without a stop? Ripley vouches for this in his 'Believe It Or Not'.'
'Indeed, sir?'
'Well, do you suppose Gospodinoff's personal attendant kicked? A laughable idea. They are made of better stuff than that in Bulgaria. I am convinced that he was behind the young master from start to finish of his attempt on the Central European record, and I have no doubt frequently rallied round with ice packs and other restoratives. Be Bulgarian, Jeeves.'
'No, sir. I fear I cannot recede from my position.'
'But, dash it, you say you
'I should have said, I cannot abandon the stand which I have taken.'
'Oh.'
I mused awhile.
'You mean this, Jeeves?'
'Yes, sir.'
'You have thought it all out carefully, weighing the pros and cons, balancing this against that?'
'Yes, sir.'
'And you are resolved?'
'Yes, sir. If it is really your intention to continue playing that instrument, I have no option but to leave.'
The Wooster blood boiled over. Circumstances of recent years have so shaped themselves as to place this blighter in a position which you might describe as that of a domestic Mussolini: but, forgetting this and sticking simply to cold fact, what
'Then, leave, dash it!'
'Very good, sir.'
2 CHUFFY
I confess that it was in sombre mood that I assembled the stick, the hat, and the lemon-coloured some half- hour later and strode out into the streets of London. But though I did not care to think what existence would be like without Jeeves, I had no thought of weakening. As I turned the corner into Piccadilly, I was a thing of fire and chilled steel; and I think in about another half-jiffy I should have been snorting, if not actually shouting the ancient battle cry of the Woosters, had I not observed on the skyline a familiar form.
This familiar form was none other than that of my boyhood friend, the fifth Baron Chuffnell – the chap, if you remember, whose Aunt Myrtle I had seen the previous night hobnobbing with the hellhound, Glossop.
The sight of him reminded me that I was in the market for a country cottage and that here was the very chap to supply same.
I wonder if I have ever told you about Chuffy? Stop me if I have. He's a fellow I've known more or less all my life, he and self having been at private school, Eton and Oxford together. We don't see a frightful lot of one another nowadays, however, as he spends most of his time down at Chuffnell Regis on the coast of Somersetshire, where he owns an enormous great place with about a hundred and fifty rooms and miles of rolling parkland.
Don't run away, however, on the strength of this, with the impression that Chuffy is one of my wealthier cronies. He's dashed hard up, poor bloke, like most fellows who own land, and only lives at Chuffnell Hall because he's stuck with it and can't afford to live anywhere else. If somebody came to him and offered to buy the place, he would kiss him on both cheeks. But who wants to buy a house that size in these times? He can't even let it. So he sticks on there most of the year, with nobody to talk to except the local doctor and parson and his Aunt Myrtle and her twelve-year-old son, Seabury, who live at the Dower House in the park. A pretty mouldy existence for one who at the University gave bright promise of becoming one of the lads.
Chuffy also owns the village of Chuffnell Regis – not that that does him much good, either. I mean to say, the taxes on the estate and all the expenses of repairs and what not come to pretty nearly as much as he gets out of the rents, making the thing more or less of a washout. Still, he is the landlord, and, as such, would doubtless have dozens of cottages at his disposal and probably only too glad of the chance of easing one of them off on to a reputable tenant like myself.
'You're the very chap I wanted to see, Chuffy,' I said accordingly, after our initial what-ho-ing. 'Come right along with me to the Drones for a bite of lunch. I can put a bit of business in your way.'
He shook his head, wistfully, I thought.
'I'd like it, Bertie, but I'm due at the Carlton in five minutes. I'm lunching with a man.'
'Give him a miss.'
'I couldn't.'
'Well, bring him along, then, and we'll make it a threesome.'
Chuffy smiled rather wanly.
'I don't think you'd enjoy it, Bertie. He's Sir Roderick Glossop.'
I goggled. It's always a bit of a shock, when you've just parted from Bloke A, to meet Bloke B and have Bloke B suddenly bring Bloke A into the conversation.
'Sir Roderick Glossop?'
'Yes.'
'But I didn't know you knew him.'
'I don't, very well. Just met him a couple of times. He's a great friend of my Aunt Myrtle.'
'Ah! that explains it. I saw her dining with him last night.'
'Well, if you come to the Carlton, you'll see me lunching with him to-day.'
'But, Chuffy, old man, is this wise? Is this prudent? It's an awful ordeal breaking bread with this man. I know. I've done it.'
'I dare say, but I've got to go through with it. I had an urgent wire from him yesterday, telling me to come up and see him without fail, and what I'm hoping is that he wants to take the Hall for the summer or knows somebody who does. He would hardly wire like that unless there was something up. No, I shall have to stick it, Bertie. But I'll tell you what I will do. I'll dine with you to-morrow night.'
I would have been all for it, of course, had the circs been different, but I had to refuse. I had formed my plans and made my arrangements and they could not be altered.
'I'm sorry, Chuffy. I'm leaving London to-morrow.'
'You are?'
'Yes. The management of the building where I reside has offered me the choice between clearing out immediately or ceasing to play the banjolele. I elected to do the former. I am going to take a cottage in the country somewhere, and that's what I meant when I said I could put business in your way. Can you let me have a cottage?'
'I can give you your choice of half a dozen.'