England left a similar trace of his limbs on bedsheets.'
Malone recalled the late 1980s when the Church finally broke with tradition and allowed microscopic examination and carbon dating on the Shroud of Turin. The results indicated that there were no outlines or brushstrokes. The coloration lay upon the linen. Dating showed that the cloth came not from the first century, but from the late thirteenth to the mid-fourteenth century. But many contested those findings, saying the sample had been tainted, or was from a later repair to the original cloth.
'The image on the shroud fits de Molay physically,' Mark said. 'There are descriptions of him in the Chronicles. By the time he was tortured his hair had grown long, his beard was unkempt. The cloth that wrapped de Molay's body was removed from the Paris Temple by one of Geoffrey de Charney's relatives. De Charney burned at the stake in 1314 with de Molay. The family kept the cloth as a relic and later noticed that an image had settled upon it. The shroud initially appeared on a religious medallion that dated to 1338 and was first displayed in 1357. When it was shown, people immediately associated the image with Christ, and the de Charney family did nothing to dissuade that belief. That went on until the late sixteenth century when the Church took possession of the shroud, declaring it acheropita- not made by human hand-deeming it a holy relic. De Roquefort wants to take the shroud back. It's the Order's, not the Church's.'
Thorvaldsen shook his head. 'That's foolishness.'
'It's how he thinks.'
Malone noticed the annoyed look on Stephanie's face. 'The Bible lesson was fascinating, Henrik. But I'm still waiting for the truth about what's happening here.'
The Dane smiled. 'You're such a joy.'
'Chalk it up to my bubbly personality.' She displayed her phone. 'Let me make myself real clear. If I don't get some answers in the next few minutes, I'm calling Atlanta. I've had my fill of Raymond de Roquefort, so we're going public with this little treasure hunt and ending this nonsense.'
FORTY-SEVEN
MALONE WINCED AT STEPHANIE'S DECLARATION. HE'D BEEN WONDERING when her patience would run out.
'You can't do that,' Mark said to his mother. 'The last thing we need is for the government to be involved.'
'Why not?' Stephanie asked. 'That abbey should be raided. Whatever they're doing is certainly not religious.'
'On the contrary,' Geoffrey said in a tremulous voice. 'Great piety exists there. The brothers are devoted to the Lord. Their lives are consumed with His worship.'
'And in between you learn about explosives, hand-to-hand combat, and how to shoot a weapon like a marksman. A bit of a contradiction, wouldn't you say?'
'Not at all,' Thorvaldsen declared. 'The original Templars were devoted to God and were a formidable fighting force.'
Stephanie was clearly not impressed. 'This is not the thirteenth century. De Roquefort has both an agenda and the might to press that agenda onto others. Today we call him a terrorist.'
'You haven't changed a bit,' Mark spat out.
'No, I haven't. I still believe that covert organizations with money, weapons, and chips on their shoulders are problems. My job is to deal with them.'
'This doesn't concern you.'
'Then why did your master involve me?'
Good question, Malone thought.
'You didn't understand when Dad was alive, and you don't now.'
'Then why don't you clear up my confusion?'
'Mr. Malone,' Cassiopeia said in pleasant tone. 'How would you like to see the castle restoration project?'
Apparently their hostess wanted to speak with him alone. Which was fine-he had some questions for her, too. 'I'd love that.'
Cassiopeia pushed back her chair and stood from the table. 'Then let me show you. That'll give everyone else here time to talk-which, clearly, needs to happen. Please, make yourselves at home. Mr. Malone and I will return in a short while.'
He followed Cassiopeia outside into the bright afternoon. They strolled back down the shaded lane, toward the car park and the construction site.
'When finished,' Cassiopeia told him, 'a thirteenth-century castle will stand exactly as it did seven hundred years ago.'
'Quite an endeavor.'
'I thrive on grand endeavors.'
They entered the construction site through a broad wooden gate and strolled into what appeared to be a barn with sandstone walls that housed a modern reception center. Beyond loomed the smell of dust, horses, and debris, where a hundred or so people milled about.
'The entire foundation for the perimeter has been laid and the west curtain wall is coming along,' Cassiopeia said, pointing. 'We're about to start the corner towers and central buildings. But it takes time. We have to fashion the bricks, stone, wood, and mortar precisely as was done seven hundred years ago, using the same methods and tools, even wearing the same clothes.'
'Do they eat the same food?'
She smiled. 'We do make some modern accommodation.'
She led him through the construction area and up the slope of a steep hill to a modest promontory, where everything could be clearly seen.
'I come here often. One hundred and twenty men and women are employed down there full time.'
'Quite a payroll.'
'A small price to pay for history to be seen.'
'Your nickname, Ingenieur. Is that what they call you? Engineer?'
'The staff gave me that name. I'm trained in medieval building techniques. I've designed this entire project.'
'You know, on the one hand, you're an arrogant bitch. On the other, you can be rather interesting.'
'I realize my comment at lunch, about what happened with Henrik's son, was inappropriate. Why didn't you strike back?'
'For what? You didn't know what the hell you were talking about.'
'I'll try not to make any more judgments.'
He chuckled. 'I doubt that, and I'm not that sensitive. I long ago developed a lizard skin. You have to in order to survive in this business.'
'But you're retired.'
'You never really quit. You just stay out of the line of fire more often than not.'
'So you're helping Stephanie Nelle simply as a friend?'
'Shocking, isn't it?'
'Not at all. In fact, it's entirely consistent with your personality.'
Now he was curious. 'How do you know about my personality?'
'Once Henrik asked me to be involved, I learned a great deal about you. I have friends in your former profession. They all spoke highly of you.'
'Glad to know folks remember.'
'Do you know much about me?' she asked.
'Just a thumbnail sketch.'
'I have many peculiarities.'
'Then you and Henrik should get along well.'
