'God be praised.'

'What happened, Father? Were you expecting this?'

'Not as quickly as this. They arrested Federico and Petruccio too - I think they're in the cell behind this one. If Lorenzo had been here things would have been different. I should have taken precautions.'

'What are you talking about?'

'There's no time for that now!' Giovanni almost shouted. 'Now, listen to me: you must get back to our house. There's a hidden door in my office. There's a chest concealed in a chamber beyond it. Take everything you find inside it. Do you hear? Everything! Much of it will seem strange to you, but all of it is important.'

'Yes, Father.' Ezio shifted his weight slightly, still clinging for dear life to the bars that crossed the window. He didn't dare look down now, and he didn't know how much longer he could remain motionless.

'Among the contents you'll find a letter and with it some documents. You must take them without delay - tonight! - to Messer Alberti -'

'The Gonfalionere?'

'Exactly. Now, go!'

'But, Father.' Ezio struggled to get the words out, and, wishing that he could do more than just ferry documents, he stammered, 'Are the Pazzi behind this? I read the note from the carrier pigeon. It said -'

But then Giovanni hushed him. Ezio could hear the key turning in the lock of the cell door.

'They're taking me for interrogation,' said Giovanni grimly. 'Get away before they discover you. My God, you're a brave boy. You'll be worthy of your destiny. Now, for the last time - go!'

Ezio edged himself off the ledge and clung to the wall out of sight as he heard his father being led away. He almost couldn't bear to listen. Then he steeled himself for the climb down. He knew that descents are almost always harder than ascents, but even in the last forty-eight hours he'd gained plenty of experience of scaling up and down buildings. And now he clambered

down the tower, slipping once or twice, but regaining his hold, until he had reached the battlements again, where the two guardsmen still lay where he had left them. Another stroke of luck! He'd knocked their heads together as hard as he could, but if they'd chanced to regain consciousness while he was up on the tower and raised the alarm. well, the consequences didn't bear thinking about.

Indeed, there was no time to think of such things. He swung himself over the battlements and peered down. Time was of the essence. If he could see something down below which might break his fall, he might dare to leap. As his eyes adjusted to the gloom, he saw the awning of a deserted stall attached to the wall, far below. Should he risk it? If he succeeded, he'd gain a few precious minutes. If he failed, a broken leg would be the least of his problems. He would have to have faith in himself.

He took a deep breath and dived into the darkness.

From such a height the awning collapsed under his weight, but it had been firmly secured and gave just enough resistance to break his fall. He was winded, and he'd have a few bruised ribs in the morning, but he was down! And no alarm had been raised.

He shook himself and sped off in the direction of what only hours ago had been his home. When he reached it, he realized that in his haste his father had neglected to tell him how to locate the secret door. Giulio would know, but where was Giulio now?

Luckily there had been no guards lurking in the vicinity of the house, and he'd been able to gain access unchallenged. He had stopped for a minute, outside the house, almost unable to propel himself in through the darkness of the doorway - it seemed that the house had changed, its sanctity defiled. Again, Ezio had to collect his thoughts, knowing that his actions were critical. His family depended on him now. He pressed on into his family home, into the dark. Shortly afterwards he stood in the centre of the office, eerily lit by a single candle, and looked about him.

The place had been turned over by the guards, who had clearly confiscated a large number of bank documents, and the general chaos of fallen bookcases, overturned chairs, drawers cast to the ground and scattered papers and books everywhere didn't make Ezio's task any easier. But he knew the office, his eyesight was keen, and he used his wits. The walls were thick, any could have a chamber concealed within them, but he made for the wall into which the large fireplace was set and started his search there, where the walls would be thickest, to contain the chimneypiece. Holding the candle close, and looking searchingly, while keeping an ear cocked for any sound of returning guards, finally, on the left-hand side of the great moulded mantel he thought he could discern the faint outline of a door set into the panelling. There had to be a means of opening it nearby. He looked carefully at the carved colossi which held the marble mantelpiece on their shoulders. The nose of the one on the left-hand side looked as if it had once been broken, and repaired, for there was a fine crack around its base. He touched the nose and found it to be slightly loose. Heart in mouth, he moved it gently, and the door swung inwards on silent spring- mounted hinges, revealing a stone-floored corridor which led to the left.

As he entered, his right foot encountered a flagstone which moved beneath it, and as it did so, oil-lamps set into the passageway's walls suddenly flared into life. It ran a short way, sloping slightly downwards, and termin ated in a circular chamber decorated more in the style of Syria than Italy. Ezio's mind flashed on a picture which hung in his father's private study of the castle of Masyaf, once the seat of the ancient Order of Assassins. But he had no time to ponder whether or not this curious decor could be of any special significance. The room was unfurnished, and in its centre stood a large, iron-bound chest, securely sealed with two heavy locks. He looked around the room to see if a key might be anywhere, but aside from its ornamentation it was bare. Ezio was wondering if he'd have to return to the office, or make his way to his father's study, to search for one there, and if he'd have time to do so, when by chance his hand brushed against one of the locks, and at that, it sprang open. The other one opened as easily. Had his father given him some power he did not know of? Were the locks in some way programmed to respond to a certain person's touch? Mystery was piling on mystery, but there was no time to dwell on them now.

He opened the chest and saw that it contained a white hood, evidently old, and made of some perhaps woollen material which he didn't recognize. Something compelled him to put it on, and at once a strange power surged through him. He lowered the hood, but did not take it off.

The chest contained a leather bracer, a cracked dagger blade connected, instead of to a hilt, to a strange mechanism whose workings were beyond him, a sword, a page of vellum covered with symbols and letters and what looked like part of a plan, and the letter and documents his father had told him to take to Uberto Alberti. He gathered them all up, closed the chest, and retreated to his father's office, closing the secret door carefully behind him. In the office, he found a discarded document pouch of Giulio's and stashed the contents of the chest in it, slinging the pouch across his chest. He buckled on the sword. Not knowing what to make of this strange collection of objects, and not having time to reflect on why his father would keep such things in a secret chamber, he made his way cautiously back towards the main doors of the palazzo.

But, just as he entered the fore-courtyard, he saw two city guards on their way in. It was too late to hide. They had seen him.

'Halt!' one of them cried, and they both began advancing quickly towards him. There was no retreat. Ezio saw that they had already drawn their swords.

'What are you here for? To arrest me?'

'No,' said the one who had spoken first. 'Our orders are to kill you.' At that, the second guard rushed him.

Ezio drew his own sword as they closed in on him. It was a weapon he was unfamiliar with, but it felt light and capable in his hand, and it was as if he had used it all his life. He parried the first thrusts, right and left, both guards lunging at him at the same time. Sparks flew from all three swords, but Ezio felt his new blade hold firm, the edge biting and keen. Just as the second guard was bringing his sword down to sever Ezio's arm from his shoulder, Ezio feinted right, under the incoming blade. He shifted his balance from back to front foot, and lunged. The guard was caught off balance as his sword arm thudded harmlessly against Ezio's shoulder. Ezio used his own momentum to thrust his new sword up, piercing the man directly through the heart. Standing tall, Ezio rocked on the balls of his feet, raised his left foot and pushed the dead guard off his blade in time to swivel round to confront his companion. The other guard came forward with a roar, wielding a heavy sword. 'Prepare to die, traditore!'

'I am no traitor, nor is any member of my family.'

The guard swung at him, tearing at his left sleeve and drawing blood. Ezio winced, but only for a second. The

Вы читаете Assassin's Creed: Renaissance
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