you must be strong. I couldn't believe how you managed to swim back pulling the gondola by its rope with me in it.'
'As light as a feather,' said Ezio.
'Flatterer!'
'I mean, those boats are so well balanced -'
Caterina frowned.
'It was an honour to serve you, signora,' Ezio finished, lamely.
'I must return the favour some day,' she said, her eyes full of the meaning behind her words. 'What is your name?'
'Auditore, Ezio.'
'I'm Caterina.' She paused. 'Where are you bound?'
'I was going to Venice, but I have no pass, so the ferry -'
'Basta!' She interrupted him. 'So this little official wouldn't let you on, is that it?'
'Yes.'
'We'll see about that!' She stormed off down the jetty without waiting for Ezio to put on his shoes and doublet. By the time he caught up with her she had reached the ferry and was already, from what he could gather, giving the quaking man an earful. All he could hear as he arrived was the captain burbling in the most servile way: 'Yes, Altezza; of course, Altezza; whatever you say, Altezza.'
'It had better be as I say! Unless you want your head on a spike! Here he is! Go and fetch his horse and his things yourself! Go on! And treat him well! I'll know about it if you don't!' The captain hurried away. Caterina turned to Ezio. 'There, you see? Settled!'
'Thank you, Madonna.'
'One good turn -' She looked at him. 'But I hope our paths cross again.' She held out her hand. 'I am from Forli. Come there one day. It would be my pleasure to welcome you.' She gave him her hand, and was about to depart.
'Don't you want to get to Venice too?'
She looked at him again, and at the ferry. 'On this scrapheap? Don't jest with me!' And she was gone, sailing along the quay in the direction of her husband, who was just seeing the last of their luggage loaded.
The captain scuttled up, leading Ezio's horse. 'Here you are sir. My most humble apologies, sir. Had I but known, sir.'
'I'll need my horse stabled when we arrive.'
'It'll be my pleasure, sir.'
As the ferry pulled away and set off across the lead-coloured water of the lagoon, Leonardo, who'd watched the whole episode, said wryly, 'You know who that was, don't you?'
'I wouldn't mind if she were my next conquest,' smiled Ezio.
'Then watch your step! That's Caterina Sforza, the daughter of the Duke of Milan. And her husband's the Duke of Forli, and a nephew of the Pope.'
'What's his name?'
'Girolamo Riario.'
Ezio was silent. The surname rang a bell. Then he said, 'Well, he married a fireball.'
'As I say,' replied Leonardo. 'Watch your step.'
12
Venice in 1481, under the steady rule of Doge Giovanni Mocenigo, was, on the whole, a good place to be. There was peace with the Turks, the city prospered, the trade routes by sea and land were secure, interest rates were admittedly high, but investors were bullish, and savers content. The Church was wealthy too, and artists flourished under the dual patronage of their spiritual and temporal patrons. The city, rich from the wholesale looting of Constantinople after the Fourth Crusade, diverted by Doge Dandolo from its true object, had brought Byzantium to its knees, displayed the booty unashamedly: the four bronze horses ranged along the upper facade of St Mark's Basilica being the most obvious.
But Leonardo and Ezio, arriving at the Molo on that early summer morning, had no idea of the city's debased, treacherous and pilfering past. They only saw the glory of the pink marble and brickwork of the Palazzo Ducale, the broad square reaching forwards and to the left, the brick campanile of astonishing height, and the slightly built Venetians themselves, in their dark clothes, flitting like shadows along the terra ferma, or navigating their labyrinthine, malodorous canals in a variety of boats, from elegant gondolas to ungainly barges, the latter laden with all sorts of produce, from fruit to bricks.
The Conte da Pexaro's servants took charge of Leonardo's effects and, at his suggestion, also took charge of Ezio's horse, and further promised to arrange suitable lodgings for the young banker's son from Florence. They then dispersed, leaving one behind, a fat, sallow young man with bulging eyes, whose shirt was damp with sweat, and whose smile would have made syrup hang its head in shame.
'Altezze,' he simpered, approaching them. 'Allow me to introduce myself. I am Nero, the Conte's personal funzionario da accoglienza. It will be my duty and my pleasure to offer you a short guided introduction to our proud city before the Conte receives you.' here Nero looked nervously between Leonardo and Ezio, trying to decide which of the two was the commissioned artist, and luckily for him settled on Leonardo, the one who looked less like a man of action, '... Messer Leonardo, for a glass of Veneto before dinner, which meal Messer will be pleased to take in the upper servants' hall.' He bowed and scraped a little more, for good measure. 'Our gondola awaits.'
For the next half-hour, Ezio and Leonardo were able - indeed, obliged - to enjoy the beauties of La Serenissima from the best place that it is possible to enjoy them - a gondola, expertly managed by its fore-and-aft gondoliers. But the enjoyment was marred by Nero's oily spiel. Ezio, despite his interest in the unique beauty and architecture of this place, still wet from his rescue of Madonna Caterina, and tired, tried to find refuge in sleep from Nero's dreary monologuing, but suddenly he snapped awake. Something had caught his attention.
From the canal bank, not far from the palace of the Marchese de Ferrara, Ezio heard raised voices. Two armed guards were harassing a businessman.
'You were told to stay at home, sir,' said one of the uniforms.
'But the rent is paid. I have every right to sell my wares here.'
'Sorry, sir, but it's in contravention of Messer Emilio's new rules. I'm afraid you're in rather a serious situation, sir.'
'I'll appeal to the Council of Ten!'
'No time for that, sir,' said the second uniform, kicking down the awning of the businessman's stall. The man was selling leather goods, and the uniforms, between them, while pocketing the best, threw most of his wares into the canal.
'Now, let's not have any more of this nonsense, sir,' said one of the uniforms, as they swaggered off, unhurriedly.
'What's going on?' Ezio asked Nero.
'Nothing, Altezza. A little local difficulty. I beg you to ignore. And now we are about to pass under the famous wooden bridge of the Rialto, the only bridge over the Grand Canal, famed in all history for.'
Ezio was happy to let the poor bugger ramble on, but what he had seen had disturbed him, and he had heard the name Emilio. A common enough Christian name - but: Emilio Barbarigo?
Not long afterwards, Leonardo insisted that they stop so that he could look at a market with stands selling children's toys. He went up to the one that had caught his eye immediately. 'Look, Ezio,' he cried.
'What have you found?'
'It's a lay figure. A little articulated manikin we artists use as models. I could do with a couple. Would you be so kind - ? I seem to have sent my purse with my bags to my new workshop.'
But as Ezio was reaching for his own purse, a bunch of young people pushed past them, and one of them
